Etiquetas: Stephen Broomer

Stephen Broomer

Stephen Broomer (nacido en 1984) es un cineasta y conservador de cine. Es graduado en Producción de Cine y Vídeo, Master en Estudios de Cine, y doctorado en Comunicación y Cultura, con una tesis sobre los orígenes del cine de vanguardia canadiense. Ha realizado presentaciones en público de su trabajo de restauración en la Art Gallery of Ontario y el Canadian Film Institute, y sus películas han sido mostradas en Views from the Avant-Garde, TIFF Wavelengths, y el Berlin Directors Lounge.

Nacionalidad: 

Canadá

Contenido etiquetado

  • Full of Fire: North American and Eastern European avant-garde films

    By on
    The Horror of Dracula (Dalibor Baric, 2010)

    The aim of the program is to create a bridge between the “Western” and the “Eastern” contemporary avant-garde film discourse. “We picked a few of the most memorable North American avant-garde films made in the last few years and looked for Eastern European ones which somehow refer or connect to them by following a similar trend or technique.”

    As the overall picture of the contemporary avant-garde film scene is extremely complex, each selection is inevitably subjective and reflects the taste and preferences of the curators.

    Fechas: 

    De Jueves, Mayo 28, 2015 - 18:00 hasta Viernes, Mayo 29, 2015 - 17:55

    Local: 

    Hátsó Kapu - Budapest, Hungría

  • The Transformable Moment: The Films of Stephen Broomer

    The Transformable Moment: The Films of Stephen Broomer, edited by Scott Birdwise and Tom McSorley, features new essays on Broomer’s work, a complete filmography, and an extensive interview with Broomer. Contributors include R. Bruce Elder, Dan Browne, Clint Enns, Zoë Heyn-Jones, Brett Kashmere, Scott Miller Berry, Cameron Moneo, Andréa Picard, and Michael Sicinksi.

    “Having devoted his life to the art of cinema in his various capacities as a filmmaker, scholar, preservationist, and poet, Stephen Broomer is on his way to establishing himself among the most aesthetically and historically engaged experimental filmmakers in Canada. His practice is indeed ‘experimental’ in the best sense of the term: his films are imbued with a clear awareness of the great strengths and weaknesses of what was, the limitations and possibilities of what is, and the mystery and wonder of what could be.” Scott Birdwise, York University / Canadian Film Institute

    Valoración: 

    Promedio: 4 (3 votos)

    Categoría: 

    Editor: 

  • The Transformable Moment: The Films of Stephen Broomer

    By on
    Brébeuf (Stephen Broomer, 2012)

    Toronto-based experimental filmmaker Stephen Broomer is one of contemporary Canadian cinema's most poetic voices. His layered, densely textured celluloid tone poems (sounding echoes of David Rimmer and Philip Hoffman) probe relationships between landscape and desire, architecture and nature, physicality and spirituality, while also exploring the tangible yet ghostly experience of memory. A filmmaker and film preservationist (often working in 8mm and 16mm formats), Broomer has a BFA in Film and Video Production, an MA in Film Studies, and is presently completing his doctoral dissertation on the origins of the Canadian avant-garde film.

    Broomer will attend the screening to introduce and discuss his work. The evening will also feature the official launch of a new Canadian Film Institute publication on Broomer’s work, The Transformable Moment: The Films of Stephen Broomer (edited by Scott Birdwise and Tom McSorley). Guest curator and film scholar Scott Birdwise will also attend.

    Fechas: 

    De Jueves, Diciembre 4, 2014 - 19:00 hasta Viernes, Diciembre 5, 2014 - 18:55

    Local: 

    Club SAW - Ottawa, Canadá

  • Ausencias Vislumbradas

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    Seeing In The Rain (Chris Gallagher, 1981)

    Programa presentación de Angular, como parte de la cuarta edición del Festival de Cine Lima Independiente (29 de mayo al 7 de junio)

    Filmar la ausencia, representar lo incorpóreo e imaginar lo espiritual son algunos de los puntos en común de una selección de películas que reflejan la necesidad por invocar lo invisible. Mediante acercamientos estéticos de implicaciones tecnológicas, las piezas agrupadas en esta sesión se acercan a lo intangible revelando un tono onírico, serenamente hipnótico. Desfragmentando un registro factual –unas estaciones de ferrocarril convertidas en espejismos cuadriculares–; presenciando comuniones espectrales en entornos solitarios –unos paisajes evocadores visualizados en celuloide químicamente alterado–; reflexionando sobre la mutabilidad de los acontecimientos en una región dañada por movimientos sísmicos –junto a los razonamientos verbales de los habitantes de la zona–; interrumpiendo el curso temporal de los acontecimientos bajo un patrón estructural –una filmación continua en el interior de un autobús, sistemáticamente editada– y evidenciando la fragilidad del cuerpo ante la inmensidad de la naturaleza –tres acciones performáticas en lugares inhóspitos, actuadas y sufridas por la propia realizadora–, son las estrategias de unos trabajos donde lo que se insinúa adquiere tanta relevancia como lo que se visualiza.

    Fechas: 

    De Domingo, Junio 1, 2014 - 16:00 hasta Lunes, Junio 2, 2014 - 15:55

    Local: 

    Centro Cultural de España, Lima - Lima, Perú

  • Balagan presents... Waldeinsamkeit

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    Cinematographie (Philipp Fleischmann, 2009)

    Screening time: 19:30. Tickets: $10 / $8 student and senior.

    Rebounding from the sylvan charms of A Spell to Ward off the Darkness, we've decided to unveil this melancholy program centered on Waldeinsamkeit, or, woodland solitude. The forest has always sparked the imagination of the lonely traveler, promising encounters with tree-dwelling spirits, ferocious bandits, treacherous plantlife, and feline royalty... During Transcedentalist times, it grew into a benevolent zone of introspection and personal growth. And today, it has gained the status of vestige signifying humanity's lost innocence.

    The presented films touch upon some of these ideas in direct or oblique ways, whether through exploring the endlessly compelling shapes of the forest, the evolution of a solitary space across time, or the human's place within. The lineup features a number of new international works that innovatively utilize experimental techniques like pinhole cinematography, screenprinting, layering of multiple exposures, and timelapse; as well as a couple rarely-seen classics -- and a few surprises.

    Fechas: 

    Jueves, Abril 17, 2014 (Todo el día)

    Local: 

    Brattle Theatre - ,

  • Angular: Selección Volumen 01

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    Spirits in Season (Stephen Broomer, 2013)

    La editora española de DVDs Angular ha desvelado los contenidos de su primer lanzamiento, una recopilación de cine experimental y vídeos de artista seleccionados de entre los participantes de la convocatoria lanzada el pasado julio. El DVD, que será editado en unos pocos meses, contendrá además un libreto con textos críticos sobre las obras incluidas.

    Contenido:

    - Stephen Broomer
    Spirits in Season (16 mm, 12 min., 2012, Canadá)

    - Scott Fitzpatrick
    Wingdings Love Letter / Places With Meaning (16 mm, 5 min., 2012 - 2013, Canadá)

    - Tomonari Nishikawa
    Tokyo - Ebisu (16 mm, 5 min., 2010, Japón)
    Shibuya Tokyo (16 mm, 10 min., 2010, Japón)

    - Jennifer Proctor
    A Movie by Jen Proctor (Video, 12 min., 2010 - 2012, EEUU)

    - Blanca Rego
    Engram (optical sound #001) (Video, 2 min., 2013, España)

    - Jesse Mclean
    Remote (Video, 11 min., 2011, EEUU)

    - Andrés Denegri
    Aula Magna (Super 8, 7 min., 2013, Argentina)

    - Mauri Lehtonen
    Physical Examination (16 mm/Video, 3 min., 2012, Finlandia)

    - Anna Marziano
    The Mutability of All Things and the Possibility of Changing Some (Super 16, 16 min., 2011, Francia-Italia)

    - Salomé Lamas
    Encounters with Landscape 3x (Video, 29 min., 2012, Portugal)

    - Guest Filmmaker: Chris Gallagher
    Seeing in the Rain (16 mm, 10 min., 1981, Canadá)

    Categoría: 

  • Open City Cinema presents: Stephen Broomer vs. Toronto

    By on
    Christ Church - Saint James (Stephen Broomer, 2011)

    Stephen Broomer in person

    Fresh out of screenings at TIFF Wavelengths, Views from the Avant Garde and Migrating Forms, Open City Cinema is proud to bring Toronto experimental filmmaker Stephen Broomer to Winnipeg to present a program of his meticulous and visually stunning films.

    Broomer will be on hand to introduce his program and answer audience questions, and will also present a program of contemporary Toronto experimental works that he has curated.

    Fechas: 

    Martes, Enero 14, 2014 - 19:30

    Local: 

    RAW:Gallery - Winnipeg, Canadá

  • Selected Works from The Loop Collective Volume 1

    The Loop Collective is a group of independent media artists formed in 1996 to develop a public platform integrating experimental film and video with other art forms. We program and produce works for presentation through exhibitions and events in both traditional and non-traditional spaces. Our mission is to explore the roots of experimental film and video by creating a dialogue with other art media. We strive to promote experimental film and video for critical engagement by cultivating relations among different artistic communities. The Loop Collective has presented gallery installations, screenings, and artist talks by renowned figures including Michael Snow, Chris Welsby, Christian Lebrat, Carolee Schneemann, and Jósef Robakowski. Programmes of films by Loop members have screened at venues including The National Film Board of Canada (Toronto), Cinema Parallele (Montreal), Winnipeg Cinematheque, NASCAD (Halifax), Club SAW (Ottawa), The Factory (Hamilton), Leeds International Film Festival (United Kingdom), and the 2010 Canadian Retrospective at EXiS Festival, (Diagonal Film Archive, Seoul).

    Valoración: 

    Promedio: 3.8 (6 votos)

    Categoría: 

    Editor: 

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