Etiquetas: Julie Murray

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IFI & AEMI Projections: Films By Peggy Ahwesh and Julie Murray

By Marcos Ortega on Lun, 12/06/2017 - 16:57

AEMI and IFI present the film and video work of Peggy Ahwesh and Julie Murray. The programme examines the distinct and overlapping interests of two significant filmmakers, both of whom will be in attendance for the screening.

Over several decades of practice Peggy Ahwesh has created one of the more heterogeneous bodies of work in the pantheon of experimental cinema. From early films shot on Super8 to recent forays into digital animation, Ahwesh’s work powerfully addresses questions of feminism, cultural identity and performance.
Fechas:
De Sábado, Junio 17, 2017 - 13:00 hasta Domingo, Junio 18, 2017 - 12:55
Local:
Irish Film Institute - Dublin, Irlanda
Xcèntric: Tomavistas ante el paisaje

By Marcos Ortega on Mié, 19/04/2017 - 08:47

Ocho películas recientes, parcialmente filmadas en terrenos boscosos, forman el conjunto de una sesión marcada por la pieza Vertigo Rush. La aceleración progresiva del film del cineasta austríaco Johann Lurf marca la pauta de una serie de títulos donde la investigación sobre las opciones técnicas de la cámara interactúa con un escenario profílmico forestal.
Fechas:
De Jueves, Abril 20, 2017 - 20:00 hasta Viernes, Abril 21, 2017 - 19:55
Local:
Centre de Cultura Contemporània de Barcelona - Barcelona, España
Troubling the Image: Re-Framings - Stitched & Collaged

By Marcos Ortega on Vie, 03/03/2017 - 02:27

The five-program series "Troubling the Image: New + Restored Experimental Cinema" features an eclectic and wide-ranging group of works that celebrate the vibrancy of experimental and almost-experimental cinema from near and far, now and then.
Fechas:
De Viernes, Marzo 10, 2017 - 19:00 hasta Sábado, Marzo 11, 2017 - 18:55
Local:
Logan Center for the Arts - Chicago, Estados Unidos
Troubling the Image: Landscapes of Light

By Marcos Ortega on Jue, 16/02/2017 - 15:17

The five-program series "Troubling the Image: New + Restored Experimental Cinema" features an eclectic and wide-ranging group of works that celebrate the vibrancy of experimental and almost-experimental cinema from near and far, now and then.

Landscapes of Light features works about place that alternate between close observations of the everyday and more expansive and dislocated views of the world. This program is anchored by two beautiful films by Dane Komljen, Our Body (2015) and All Still Orbit (2016; co-directed by James Lattimer), that imbue place with tenuous histories, personal and political. Arash Nassiri’s Tehran-geles (2015) is a nocturnal flight around the buildings of Tehran, a disorienting view of lights, commercial structures, and signage that could double for Times Square or Las Vegas. Also showing are Peter Hutton’s Boston Fire (1979), Julie Murray’s Distance (2010) and Joana Pimenta’s An Aviation Field (2016). Onscreen preshow is Lois Patiño’s video Strata of the Image (2015).

Fechas:
De Viernes, Febrero 24, 2017 - 19:00 hasta Sábado, Febrero 25, 2017 - 18:55
Local:
Logan Center for the Arts - Chicago, Estados Unidos
Dreamland: An Evening with Peggy Ahwesh and Julie Murray

By Marcos Ortega on Lun, 26/09/2016 - 04:28

Peggy Ahwesh presents a selection of works including the premiere of her new video "The Blackest Sea” in a program with Julie Murray and Bruce Conner taking place at the Museum of Modern Art (MoMA) in connection with the exhibition "Bruce Conner: It's All True" currently on view at the museum.

"Known in part for their distinct approaches to found-footage cinema, which have straddled analogue and digital technologies, filmmakers Peggy Ahwesh and Julie Murray will share some of their own films alongside a pair of melancholic Conner films from the late 1970s: TAKE THE 5:10 TO DREAMLAND (1977) and VALSE TRISTE (1978)." — MoMA, Program Notes

Fechas:
De Miércoles, Septiembre 28, 2016 - 19:00 hasta Jueves, Septiembre 29, 2016 - 18:55
Local:
MoMA New York - , Estados Unidos
Turbidus Film #14: Landscapes and Abandoned places

By Marcos Ortega on Mar, 17/05/2016 - 11:04

Fylkingen and Turbidus Film present Landscapes and abandoned places, a second program with five experimental film makers that focused on landscapes, architecture, abandoned places, strata, glimpses of gardens, light patterns, and elements as earth, water, fire and wind...

Films by: Julie Murray (IRL), Giovanna Puggioni (IT), Adèle Friedman (US), and Arthur & Corinne Cantrill (AUS). All films on 16mm.

Fechas:
De Jueves, Mayo 26, 2016 - 19:00 hasta Viernes, Mayo 27, 2016 - 18:55
Local:
Fylkingen - Stockholm, Suecia
CROSSROADS 2016: Program 8

By SF Cinematheque on Mié, 09/03/2016 - 15:57

upon maelstroms of unbearable reality (and throughout dimensional spectrums)
Fechas:
Lunes, Abril 3, 2017 - 05:30
Local:
Victoria Theatre - San Francisco, Estados Unidos
La Vidéoshop

By Marcos Ortega on Lun, 08/06/2015 - 12:21

La Vidéoshop is the first and last store in a video rental chain that will never stretch from North America to France. La Vidéoshop will offer videos that you can’t find at a video shop. Avant-garde, anti-commercial, and DIY. La Vidéoshop will be located in a space that we can’t afford (Do you have any idea how much it costs to rent this place?). La Vidéoshop doesn’t sell anything. We don’t charge admission to the nightly screenings. Even the wine is free. Our business model is fatally flawed. La Vidéoshop won’t last. Enquire within for franchising opportunities. One day, there won’t be a Vidéoshop near you.

Fechas:
De Jueves, Junio 18, 2015 (Todo el día) hasta Martes, Junio 30, 2015 (Todo el día)
Local:
La Vidéoshop - Paris, Francia
2014 Avant-Garde Masters Grant Winners

By Marcos Ortega on Mar, 14/10/2014 - 14:59
The National Film Preservation Foundation has just announced its 2014 grant winners:

Anthology Film Archives (New York)
- Globe (1971), Ken Jacobs' 3D view of the streets of Binghamton, New York.

Bard College (New York)
- FF (1986), Julie Murray’s assemblage of rephotographed images from pop culture.
- Tr’cheot’my P’sy (1988), Julie Murray’s fast-paced feminist collage.
- A Legend of Parts (1988), parodic history of civilization by Julie Murray, assembled from found footage and 3D postcards.
- Conscious (1993), Julie Murray’s collage of educational and science films.
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