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Forms Are Not Self-Subsistent Substances (2010) is the most recent film in a body of work by Samantha Rebello. It develops themes in her earlier films, to do with materiality and language: attempting to examine the 'stuff of things', calling into question
This box brings together the key works of Jonas Mekas, one of the most prolific avant-garde film artists and an acclaimed poet. Born in Lithuania in 1922, chased west by Soviet and Nazi forces, Mekas and his brother spent four years in German displaced persons' camps before arriving in New York in 1949 where they started shooting 16mm films on exile, military domination and poetic freedom. Jonas developed his diary style of filmmaking while busying himself as a film critic, programmer, organizer and distributor.
Presenting films from the 52nd Ann Arbor Film Festival, 2014.
Includes works by Ian Cheng, Karolina Glusiec, Jennifer Reeder, Helena Wittmann, Karimah Ashadu, Joel Wanek, Jessica Sarah Rinland, Malena Szlam, Lois Patiño, Johan Rijpma, Wojciech Bakowski.
In addition to the selection released on VHS in 1996 this DVD contains rarely seen experimental work from the 1970s and a slideshow of storyboards and commentary on A LITTLE ROUTINE. Holding more than 2 hours of indexed material GRIFFITI is an ideal tool
Inger Lise Hansen is a visual artist with background in experimental film and animation who for the last two decades has produced a distinctive and acclaimed body of moving image work. This publication presents her recent film trilogy, Proximity (2006), P
Features Happy Birhday to John - a record of Lennon\'s birthday in 1972, along with footage of a Lennon/Ono concert in Madison Square Gardens in the same year, the Vigil in Central Park in 1980 and other rare footage. Also features Zefiro Torna - Images f
PASSION is a personal film-journey in which Reble accompanies his unborn child through a ritual, following the seasons until his birth. Reble\'s unfamiliar chemistry generates slowly pulsating structures and colors
The process leading to the making of the film-installation Les Avatars de Vénus goes back thirty years to the thousands of images I began picking up - from news stands, bookshops, libraries, museums, flea markets as I travelled around the world. Finallly,
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