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Vital Signals is a survey of the vibrant, interdisciplinary video art scene in Japan in the 1960s and '70s. Produced by EAI, the DVD anthology features sixteen works by fifteen Japanese artists, among them key figures such as Takahiko Iimura, Mako Idemits
Third release in the edition of Baillie's film works. This volume contains the newly restored version of Quick Billy (1970)
According to Viennese filmmaker Gustav Deutsch, “film is more than film.” His own career proves that point. In addition to being an internationally acclaimed creator of found footage films, he is also a visual artist, an architect, a researcher, an educat
Complete monograph on a master of experimental cinema, with a general introduction on its whole œuvre, several essays, texts by the artist and interviews.
Beckman began making films in the mid-1970s using Super-8 sound film. Neither documentaries nor narratives, these works, as Jim Hoberman puts it, are "like primitive cartoons ... enigmatic allegories filled with nervous activity and comic violence, sexual imagery ... perceptual game playing and ingenious optical effects."
This first anthology brings together three pieces from 1978-1980: We Imitate; We Break Up (1978); The Broken Rule (1979); and Out of Hand (1980), made after her CalArts studies and featuring many other artists as actors.
This publication offers a selective retrospective of the work of photographer and filmmaker Friedl Kubelka, known as a filmmaker under the name of Friedl vom Gröller. In addition to a selection of her fashion photographs, the book focuses on portraits of her friends and family, as well as series of images and films.
Canadian Filmmakers Distribution Centre (CFMDC) and Cinémathèque québécoise are proud to announce the launch of the Joyce Wieland DVD Box Set. Considered one of Canada’s most respected women artists, Joyce Wieland has an acclaimed international reputation for a unique and impressive body of films spanning three decades, from the early sixties through to the mid-eighties.
The films by Austrian artist Dietmar Brehm, born in 1947 and trained as a painter, are significant cornerstones in the recent history of experimental and found-footage cinema. His work has been admired by artists as diverse as Andrei Tarkovsky or Stan Bra
L'œuvre filmique d'Abigail Child, d'une rare densité, constitue un point de repère incontournable dans le cinéma expérimental des années 1980. Ses films recourent aux stratégies du found footage, de l'art de l'appropriation, de la Language Poetry, ainsi q
Maia Conran's split screen work Term, mirrors a series of still and tracking video shots of the interior spaces of a disused school with its animated monochrome copy, that mimicks scene for scene the original video footage. Throughout the work Conran invites us to consider what is more real, the video of the school or its animated reconstruction, leading to a progressive condensation of reality, as the animated version slowly invades the authentic space of the video.
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