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Robert Cahen is a video artist, director, composer by training. A major figure in the field of video creation, coming from the frontiers between the arts, he is a pioneer in the use of electronic instruments. Robert Cahen's work is recognizable by his way of dealing with slow motion, his way of exploring sound in relation to image to build his poetic universe.
Tan sólo el empeño de unos pocos y su pasión por el mundo explica que el cine experimental tenga en España manifestaciones extraordinarias, a pesar de las adversidades que ha conocido, en su producción, distribución y hasta hace bien poco, para ser considerado en el ámbito artístico.
All of the films collected on this DVD have in common a focused and precise observation of spatial structures. Whether interiors, spaces that have to do with the material or cinematic spaces, whether the city of Calcutta or specific places in Vienna: Sche
After a 27-year absence, Adolfas and his brother Jonas returned to their birthplace in Lithuania, which they left destined for a German labour camp. This is a record of their return.
These conversations about Spin / Verso / Contour complement the essay by Maja Naef, which was released by Revolver Publishing in 2012 as Film as Corporeal Exposition – On Spin / Verso / Contour by Hannes Schüpbach. Each of these conversations comes to different conclusions about this work, which by definition treats film as both fragmentary and gestural. Film can articulate a real encounter; it can reflect a memory, or it can become an exhibition – as expanded cinema – or a spatiality that draws the viewer in.
Life Lesson is a poetic and philosophic reflection on the theme of paradise lost. Some fifty persons illustrate the planet's convulsions and the world's vacillations. Trying to communicate, to commune with the invisible, they cry out, sing out, give out
STAR SPANGLED TO DEATH is an epic film shot for hundreds of dollars! combining found-films with my own more-or-less staged filming, it pictures a stolen and dangerously sold-out America, allowing examples of popular culture to self-indict.
Like a drive through the country or a love song that never ends, the Starlight Dynamic gives us what we really need. From the expansive insights of Bill Brown or Gerard Holthuis to the warm fuzzy of Naomi Uman or Jim Trainor to the gut busting antics of Bryan Boyce or Animal Charm, the Starlight Dynamic is roadtrip with a good friend and the sound of dry leaves crunching under your feet.
In Binghamton Babylon, Scott M. MacDonald documents one of the crucial moments in the history of cinema studies: the emergence of a cinema department at what was then the State University of New York at Binghamton (now Binghamton University) between 1967 and 1977. The department brought together a group of faculty and students who not only produced a remarkable body of films and videos but went on to invigorate the American media scene for the next half-century.
Framework: The Journal of Cinema and Media vol.56 issue 1 is devoted entirely to the writings of avant-garde artist Warren Sonbert. The journal features reproductions of Sonbert's original typed, handwritten and published documents. The issue is guest edited by Jon Gartenberg and is organized into sections related to Sonbert's interests in art, music, poetry, travel and film.
Contents:
Drake Stutesman
Editorial
Acknowledgments and Accreditations
Ascension Serrano
Preface
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