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STAR SPANGLED TO DEATH is an epic film shot for hundreds of dollars! combining found-films with my own more-or-less staged filming, it pictures a stolen and dangerously sold-out America, allowing examples of popular culture to self-indict.
In Binghamton Babylon, Scott M. MacDonald documents one of the crucial moments in the history of cinema studies: the emergence of a cinema department at what was then the State University of New York at Binghamton (now Binghamton University) between 1967 and 1977. The department brought together a group of faculty and students who not only produced a remarkable body of films and videos but went on to invigorate the American media scene for the next half-century.
One of the most important avant-garde movements of postwar Paris was Lettrism, which crucially built an interest in the relationship between writing and image into projects in poetry, painting, and especially cinema. Highly influential, the Lettrists served as a bridge of sorts between the earlier works of the Dadaists and Surrealists and the later Conceptual artists.
These conversations about Spin / Verso / Contour complement the essay by Maja Naef, which was released by Revolver Publishing in 2012 as Film as Corporeal Exposition – On Spin / Verso / Contour by Hannes Schüpbach. Each of these conversations comes to different conclusions about this work, which by definition treats film as both fragmentary and gestural. Film can articulate a real encounter; it can reflect a memory, or it can become an exhibition – as expanded cinema – or a spatiality that draws the viewer in.
Born in Germany in 1947, Helga Fanderl studied German, French and Italian literature before discovering cinema in the mid-1980s. Since her studies at the Frankfurt Städelschule School of Fine Arts and the Cooper Union School of Art in New York, she has developed her practice of Super 8 filming, programming film sessions that are different each time, making personal site-specific screenings, as well as exhibitions and installations.
All of the films collected on this DVD have in common a focused and precise observation of spatial structures. Whether interiors, spaces that have to do with the material or cinematic spaces, whether the city of Calcutta or specific places in Vienna: Sche
Bimodal Press is excited to present Gravity Spells II: Bay Area New Music and Expanded Cinema Art, a combined publication release and performance series featuring over 30 Bay Area musicians, sound artists, filmmakers and writers.
Perhaps America’s most important artist from the last fifty years, Jack Smith is simultaneously hailed as the godfather of performance art, a groundbreaking photographer and the ‘William Blake of film’. His utopian ideals, artistic processes and bejeweled
The process leading to the making of the film-installation Les Avatars de Vénus goes back thirty years to the thousands of images I began picking up - from news stands, bookshops, libraries, museums, flea markets as I travelled around the world. Finallly,
The films by Austrian artist Dietmar Brehm, born in 1947 and trained as a painter, are significant cornerstones in the recent history of experimental and found-footage cinema. His work has been admired by artists as diverse as Andrei Tarkovsky or Stan Bra
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