With numerous images, texts and a catalogue raisonné, this book gives insight into the aesthetic specificity and complexity of Helga Fanderl’s Super 8 work, conveying its origins and development, process and materiality, and form and poetic nature. Her films, varying programmes and site-specific projections evoke the permanence of the impermanent. Constellations of the artist’s short texts, as well as those of different authors and of film images, photographs and documents represent and reflect the many facets of her work.

Introduction by Mike Hoolboom
The godmother of German experimental film is dead. Birgit Hein died at the age of 80, peacefully, while sleeping.

Nathaniel Dorsky and Jerome Hiler met in 1964 at the premiere of Dorsky’s first film, Ingreen. This encounter marked the beginning of a shared life and a series of creative exchanges. Covering a span of over forty years, this book brings together interviews, writings, and documents related to the 16mm films made by the two filmmakers in New York, at the country house in New Jersey where they lived in the late 1960s, and in San Francisco, where they moved in 1971 and currently reside.