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A fine retrospective of the pioneer of \'direct film\' whose techniques included painting and scratching images directly onto celluloid, using found footage, casting shadows of objects onto unexposed film and experimenting with early colour techniques. A
The process leading to the making of the film-installation Les Avatars de Vénus goes back thirty years to the thousands of images I began picking up - from news stands, bookshops, libraries, museums, flea markets as I travelled around the world. Finallly,
PASSION is a personal film-journey in which Reble accompanies his unborn child through a ritual, following the seasons until his birth. Reble\'s unfamiliar chemistry generates slowly pulsating structures and colors
Features Happy Birhday to John - a record of Lennon\'s birthday in 1972, along with footage of a Lennon/Ono concert in Madison Square Gardens in the same year, the Vigil in Central Park in 1980 and other rare footage. Also features Zefiro Torna - Images f
"Another Tomorrow: Young Video Art from the Collection of the Neue Galerie Graz am Landesmuseum Joanneum"
Selected by Günther Holler-Schuster, in conjunction with the Slought Foundation exhibition (2008)
Featuring works by Martin Kaltner/Thomas Baum
STAR SPANGLED TO DEATH is an epic film shot for hundreds of dollars! combining found-films with my own more-or-less staged filming, it pictures a stolen and dangerously sold-out America, allowing examples of popular culture to self-indict.
In Binghamton Babylon, Scott M. MacDonald documents one of the crucial moments in the history of cinema studies: the emergence of a cinema department at what was then the State University of New York at Binghamton (now Binghamton University) between 1967 and 1977. The department brought together a group of faculty and students who not only produced a remarkable body of films and videos but went on to invigorate the American media scene for the next half-century.
All of the films collected on this DVD have in common a focused and precise observation of spatial structures. Whether interiors, spaces that have to do with the material or cinematic spaces, whether the city of Calcutta or specific places in Vienna: Sche
These conversations about Spin / Verso / Contour complement the essay by Maja Naef, which was released by Revolver Publishing in 2012 as Film as Corporeal Exposition – On Spin / Verso / Contour by Hannes Schüpbach. Each of these conversations comes to different conclusions about this work, which by definition treats film as both fragmentary and gestural. Film can articulate a real encounter; it can reflect a memory, or it can become an exhibition – as expanded cinema – or a spatiality that draws the viewer in.
Born in Germany in 1947, Helga Fanderl studied German, French and Italian literature before discovering cinema in the mid-1980s. Since her studies at the Frankfurt Städelschule School of Fine Arts and the Cooper Union School of Art in New York, she has developed her practice of Super 8 filming, programming film sessions that are different each time, making personal site-specific screenings, as well as exhibitions and installations.
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