Werner Nekes - Lagado
An experimental film in the treatment of the relationship of the features from image to sound (0-sound) on the penetration of different communication layers.
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An experimental film in the treatment of the relationship of the features from image to sound (0-sound) on the penetration of different communication layers.
Born in Germany in 1947, Helga Fanderl studied German, French and Italian literature before discovering cinema in the mid-1980s. Since her studies at the Frankfurt Städelschule School of Fine Arts and the Cooper Union School of Art in New York, she has developed her practice of Super 8 filming, programming film sessions that are different each time, making personal site-specific screenings, as well as exhibitions and installations.
“a blueprint for critical resistance and aesthetic defiance in the face of digital capitalism and a rising new age” — Laila Shereen Sakr/ VJ Um Amel
Fear of the ‘machine artist’ reflects a deep cultural anxiety about industrialization, shaped by unresolved conflicts over automation and its potential to supplant human artists. Automated machinery represents both a technical development and a social paradigm that redefines labor, authorship, and creativity itself.
This box brings together the key works of Jonas Mekas, one of the most prolific avant-garde film artists and an acclaimed poet. Born in Lithuania in 1922, chased west by Soviet and Nazi forces, Mekas and his brother spent four years in German displaced persons' camps before arriving in New York in 1949 where they started shooting 16mm films on exile, military domination and poetic freedom. Jonas developed his diary style of filmmaking while busying himself as a film critic, programmer, organizer and distributor.
What do glitches reveal about the normally invisible processes behind our interpretations?
Bimodal Press is excited to present Gravity Spells II: Bay Area New Music and Expanded Cinema Art, a combined publication release and performance series featuring over 30 Bay Area musicians, sound artists, filmmakers and writers.
A collection of sourcebooks compiled by experimental filmmaker Peggy Ahwesh during the production of some of her most notable films: Martina’s Playhouse (1989), The Deadman (1990), She Puppet (2001), Ape of Nature (2009), and OR119 (2022). Each of these films are significant milestones in Ahwesh’s career and have had remarkable influence on the landscape of experimental filmmaking.
Presenting films from the 52nd Ann Arbor Film Festival, 2014.
Includes works by Ian Cheng, Karolina Glusiec, Jennifer Reeder, Helena Wittmann, Karimah Ashadu, Joel Wanek, Jessica Sarah Rinland, Malena Szlam, Lois Patiño, Johan Rijpma, Wojciech Bakowski.
Bartosch's only surviving film was made single-handely in Paris in 1932. Almost 45000 frames were animated on four different levels simultaneously, often with as many as 18 superimpositions made in the camera.
Perhaps America’s most important artist from the last fifty years, Jack Smith is simultaneously hailed as the godfather of performance art, a groundbreaking photographer and the ‘William Blake of film’. His utopian ideals, artistic processes and bejeweled
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