Screenings

  • Decolonial Visions in Diaspora Cinema

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    Colonial history lies not in the past. It shapes how we remember and what we know in the present. The film series, Decolonial Visions in Diaspora Cinema, proposes alternatives to colonial knowledge formations through the work of Asian diasporic filmmakers. Together, the select screenings offer the moving image as a site of decolonial cultural and memory practice.

    Wednesday, 27.11.2024 20:00 – Double screening: The Lake and the Lake & An Asian Ghost Story, followed by a talk with directors Sindhu Thirumalaisamy and Bo Wang (online).

    Dates: 

    Wednesday, November 27, 2024 (All day)
    Tuesday, December 3, 2024 (All day)
    Thursday, December 12, 2024 (All day)

    Venue: 

    Sinema Transtopia - Berlin, Germany
  • BWater Hybrid / Experimental Animation Film Festival First Edition in Berlin

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    BWater is an international & itinerant hybrid animation film festival, taking place in locations in direct proximity to water, symbol of freedom & fluidity. The festival welcomes hybrid animated short films, with a view to promoting creative freedom, enabling independent filmmakers to show their work and raising public awareness of new cinematographic forms. For the #1 edition, BWater invites you to PAS Berlin, an art space & event venue, located on the banks of the River Spree, in the Alt-Moabit district. Sunday 1st december 2024, 18h-23h30.

    Dates: 

    Sunday, December 1, 2024 - 18:00

    Venue: 

    PAS - Berlin, Germany
  • Zhel's Trust No Thought of Mine

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    Trust No Thought Of Mine is the latest modular video work by Zeljko Vukicevic, also known as Zhel. This omnibus pays homage to Isidore Isou’s Venom and Eternity (1951), adopting Isou’s protest style—particularly through intertitles that act as provocative slogans on creativity, challenging and disrupting the viewer’s expectations.

    Dates: 

    Tuesday, November 26, 2024 - 19:00

    Venue: 

    The Garden Cinema - London, United Kingdom
  • Motion Over Pictures: Two Evenings of Fred Worden

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    The four decades of work that comprise avant-gardist Fred Worden’s cinematic explorations are a constantly evolving set of collisions (and collusions) involving images and abstractions that range from satirical jabs at the self-seriousness of experimental film culture, sincere tributes and contemplations of the medium, or pure jolts of pulsating visual energy—but most often, all of the above. Throughout his artistic life and career as a professor, Worden has found himself at the epicenter of creative communities on the west coast (where he graduated from CalArts and made early collaborations with Chris Langdon), the east coast (evidenced in his longtime friendships with the likes of Ken Jacobs and Ernie Gehr), and in between (as a member of the Criss-Cross artists group from Boulder).

    Dates: 

    Friday, December 6, 2024 (All day) to Saturday, December 7, 2024 (All day)

    Venue: 

    Spectacle Theater - New York, United States
  • Xcèntric: Secret Passages. Notes on experimental animation

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    Following the recent publication of her essay Los pasadizos secretos [Secret passages] for the CCCB’s Breus collection, filmmaker and programmer Elena Duque presents a programme of experimental animation featuring iconic works of different styles, periods and origins that give an idea of ​​the richness of the genre.

    Dates: 

    Sunday, November 24, 2024 - 18:30

    Venue: 

  • Lynne Sachs: For Narcisa Hirsch - Screening & Talk

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    Lynne Sachs: For Narcisa Hirsch - Screening & Talk
    Followed by Hirsch’s double-projection Rumi

    Q&A w/ Lynne Sachs - In Person only

    Microscope is excited to welcome back to the gallery filmmaker and artist Lynne Sachs for a heartfelt tribute to Narcisa Hirsch in connection with Hirsch’s current exhibition at the gallery.

    Dates: 

    Friday, November 22, 2024 - 19:30

    Venue: 

    Microscope Gallery - New York, United States
  • Temenos Verein - Film Screening

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    Gregory J. Markopoulos. Filmmaker, born in Toledo, Ohio, 1928, died in Freiburg im Breisgau 1992

    Sorrows 1969, 16mm, color, opt. sound. 6 min.
    “A powerful mood piece, it uses only the light and color emanating from the enclosed surroundings and selected objects… It evokes, without the presence of a single ‘living’ being, the reality of a life or lives, passing yet present, persistent, like a fragrance,reverberating with continued expectation. “ Kirk Winslow
    https://www.thetemenos.org/

    Dates: 

    Saturday, November 23, 2024 - 12:00

    Venue: 

    Kino Xenix - Zurich, Switzerland

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