Screenings

  • Anarchic Visions of Everyday: Women's Cinematic Experiments in the 1990s

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    The Place Which Isn’t Necessarily Wrong (Hiromi Saiki, 1996)

    The mid to late-1980s and the early 1990s saw a surge of active involvement by women filmmakers in the Japanese experimental film scene, bringing them into a field that had previously been almost exclusively male. With the increased accessibility of affordable film equipment, growing film school attendance, and the establishment of film festivals such as Image Forum and Pia Film Festival, more women began to direct and produce their own films, especially within the flourishing independent filmmaking scene.

    Dates: 

    Friday, March 18, 2022 (All day)
    Sunday, March 27, 2022 (All day)

    Venue: 

    Lightbox Film Center - Philadelphia, Estados Unidos

  • Xcèntric - Maria Klonaris / Katerina Thomadaki: film portraits

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    Selva. Un portrait de Parvaneh Navaï (Maria Klonaris, 1981-83)

    Parallel to their unique cinematographic self-portraits, Maria Klonaris and Katerina Thomadaki launched their Série Portraits in the early 1980s, in which they reinvented the art of film portraiture by composing images of women who don't represent any preconceived idea of "femininity" and by engaging in an ethical reflection of woman as subject in a dialogue that tests the boundaries between Self and Other.

    Dates: 

    Sunday, March 13, 2022 - 18:30

    Venue: 

    Centre de Cultura Contemporània de Barcelona - Barcelona, Spain

  • Sonic Cinema: Austrian synaesthetic cinema feat. TWIXT live A/V + Q&A

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    TWIXT (Billy Roisz & Dieter Kovačič)

    Sonic Cinema is thrilled to present an evening of recent films by Austrian audiovisual artists exploring the boundaries of perception. Through the concepts of visual music and synaesthesia –a neurological condition that causes a blending of the senses– these formally adventurous works blur the boundaries between the visual and sonic arts.

    Dates: 

    Friday, May 6, 2022 - 19:30

    Venue: 

    Cafe Oto - London, Reino Unido

  • DIM Cinema: Make Me Up

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    In her most ambitious work to date, the incomparable Scottish multimedia artist Rachel Maclean “takes a cyber cleaver to art history," a weapon made no less dangerous by its pink and purple glitter-coated handle. Siri, the protagonist, “finds herself at the centre of what appears to be an impossible game show, helmed by the Figurehead, an ornately dressed Maclean lip-syncing to Kenneth Clark’s [classic 1960s BBC TV series] Civilisation.

    Dates: 

    Wednesday, March 23, 2022 - 19:00

    Venue: 

    DIM Cinema - Vancouver, Canadá

  • Directors Lounge: Braquage - On Visit from Paris

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    Braquage at Directors Lounge

    Directors Lounge Screening
    Braquage
    On Visit from Paris

    We are happy to welcome Sebastien Ronceray, founder of "Braquage" for a special show at Z-Bar in Berlin. Braquage is an association created in 2000 in Paris. They organize screenings, workshops and exhibitions related to experimental cinema.

    Dates: 

    Sunday, March 6, 2022 - 17:00

    Venue: 

    Z-Bar, Berlin - Berlin, Alemania

  • Handmade films from Grenoble’s MTK film lab: Katherine Bauer, Loïc Verdillon, Joyce Lainé

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    Microscope is very pleased to present a rare evening of 16mm films by Katherine Bauer, Loïc Verdillon, and Joyce Lainé made at the Atelier MTK film lab in Grenoble, France, as well as a collective film by artists from MTK, L’Abominable (Paris, France), and Labo Brussels (Brussels, Belgium). The screening concludes with two live collaborative performance works for dual 16mm projection by Bauer and Verdillon, who are visiting from France.

    Dates: 

    Thursday, February 24, 2022 - 19:30

    Venue: 

    Microscope Gallery - New York, Estados Unidos

  • All that Remains: Archeology and the Image

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    Inscribed about artifacts are traces of human activity: gestures, gazes, textures, abrasions. These are the material and figurative qualities which produce historical potentiality. Functioning like spolia, remnant structural fragments used to erect new stone walls, they act as analytical units through which narrative is assembled, eroded and re-constructed.

    Dates: 

    Friday, February 25, 2022 - 20:00

    Venue: 

    Synesthesia - New York , Estados Unidos

  • MIA Masterclass with Ceri Hand

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    Join us on Mon 7th March at 6:30pm GMT for the MIA Masterclass with Ceri Hand, founder of Artist Mentor, who will be speaking about the fundamentals of pricing and selling moving image work.

    Ceri will discuss the factors to consider when pricing and editioning moving image, how to manage relationships with collectors, and comparative prices for bench-marking. This will be a candid and informative presentation with an opportunity to ask any questions.

    Dates: 

    Monday, March 7, 2022 - 18:30

  • Experiments in Flicker & Love

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    She (Keiichi Tanaami, 1971)

    CCJ is pleased to co-present with Lightbox Film Center three screening programs under the Japanese Experimental Animation project, curated by Go Hirasawa (2/19), Julian Ross (2/25), and Fusako Matsu (2/11). The final screening curated by Julian Ross features graphic designer Keiichi Tanaami, whose collection has been a focus of our research since 2018. The screening will include new digitizations of Tanaami’s She (1971) and Look at the Wood (1975), as well as Human Events (Ningen Moyō, 1975), which CCJ preserved in 2018. In the screening program, Ross places Tanaami’s works in conversation with contemporary works.

    Dates: 

    Friday, February 25, 2022 - 19:00

    Venue: 

    Lightbox Film Center - Philadelphia, Estados Unidos

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