This retrospective traces the long-ranging career of the great William Greaves; filmmaker, producer and activist whose trailblazing work defied racial and artistic barriers across the 20th century. 

Through his work in fiction, docs, and experimental films, Greaves educated the masses and challenged the status quo. Born in 1926 Harlem, a true renaissance man, he worked first as an actor and dancer before forming a long-lasting career as a producer, songwriter, and director.  

Indiespace × Afterimage
《Films About Lynne Sachs Who》

Curated and organised by Zhel Vukicevic and Kerry Baldry, Screamstation Fest presents two programmes exploring the shifting relationship between sound, image, narrative and cinematic form. Across 17 films from 13 countries, the 2026 edition moves from radical experiments in perception, structure and audiovisual language to short films engaging with sexuality, power, ecology, violence and the contemporary world. Ten works that approach cinema as a space for experimentation with image, sound, duration, movement and perception.

Cinema Konsonant and Kino Ponrepo present a two-program screening in remembrance of Fred Worden, who passed away on March 7 this year. Fred Worden (b. 1946, New York), described as "post-1960s pioneer of cinematic optical investigation," spent more than five decades exploring what film preservationist Mark Toscano calls "the outer limits of our vision." Having studied under Pat O'Neill and Robert Nelson at CalArts, he experimented with a wide range of approaches to filmmaking, gradually developing a cinematic language increasingly detached from conventional representation.