How does technology reproduce the mechanisms of vision? What questions arise from the intersections between capitalism, art, cinema, the mind, and neuroscience? What are the political, social, and philosophical consequences of the technological expansion and recreation of the visible? Who decides how we see and what we see? This following February at Cineteca Madrid we will explore the visual imaginaries produced by the technologies of cinema, art, performance, critical thinking, and virtual reality that amplify our ways of seeing and being in the world.
