With the support of the Gordon Matta-Clark Estate and Electronic Arts Intermix, Anthology hosts two programs showcasing the films of the anarchitectural pioneer Gordon Matta-Clark. The screenings draw a link between Matta-Clark’s famed “building cuts” and the cinematic apparatus that’s documented in these films, concerned as they are with the metaphorical meaning of the “cut” and the possibilities discovered when light contaminates a new plane.

An integral part of the Bay Area avant-garde film scene since the 1970s, Dominic Angerame has directed more than 35 films (and counting) over the course of his career, and has also taught at the San Francisco Art Institute, University of California, Berkeley, New College of San Francisco, Osher Life Long Learning Center, and the University of Nevada at Reno, as well as the Academy of Art University. From 1980-2012, he was the Executive Director of Canyon Cinema, where he played an invaluable role in helping to distribute, promote, and preserve experimental cinema.

Internationally acclaimed American filmmaker Phil Solomon (1952-2019) created a body of cinematic virtuosity and poetic resonance that profoundly expanded the found footage genre, as he explored and exploited material idiosyncrasies of his sources – whether chemically altering the emulsion of Hollywood films and personal home movies or détourning the digital gaming universe of Grand Theft Auto.

Internationally acclaimed American filmmaker Phil Solomon (1952-2019) created a body of cinematic virtuosity and poetic resonance that profoundly expanded the found footage genre, as he explored and exploited material idiosyncrasies of his sources – whether chemically altering the emulsion of Hollywood films and personal home movies or détourning the digital gaming universe of Grand Theft Auto.