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Barbara Hammer is an American feminist artist known as a pioneer of queer experimental and documentary film. In concert with an exhibition of her work at the Leslie Homan Museum of Gay & Lesbian Art, this volume seeks to celebrate the depth and expanse of Hammer’s five decades of art making.
Before David Attenborough and Jacques Cousteau - there was Jean Painlevé. Poetic pioneer of science films, Painlevé explored a twilight realm of vampire bats, seahorses, octopi, and liquid crystals. In collaboration with his life-partner, Genevive Hamon,
The Sublimity of Document: Cinema as Diorama is a collection of in-depth, substantive interviews with moving-image artists working "avant-doc, that is, making films that explore the territory between documentary and experimental cinema.
STAR SPANGLED TO DEATH is an epic film shot for hundreds of dollars! combining found-films with my own more-or-less staged filming, it pictures a stolen and dangerously sold-out America, allowing examples of popular culture to self-indict.
Il s'agit de l'étude la plus complète à ce jour des relations entre peinture et cinéma dans les années 1920. Des artistes et poètes (Duchamp, Man Ray, Picabia, Malévitch, Léger, Artaud, Moholy-Nagy, Ruttmann, Desnos...) font du cinéma un chantier d'expériences. Le cinéma se fait ainsi cubiste, dadaïste, abstrait, constructiviste, surréaliste... Les notions d'avant-garde, d'expérience et d'expérimentation se trouvent donc revisitées.
Patrick de Haas a enseigné l'histoire de l'art à l'Université Paris-1 (Panthéon-Sorbonne)
This book offers an oral history collage of Toronto’s underground movie collective called the Funnel. Between 1977-89 they built four theatres, fought censorship, made artist’s films, published catalogues, ran an art gallery, showed and distributed movies from around the world. Here at last is the story told by people who were there.
Part cinematic manifesto, part invoked sorcery, SOLARES serves as volcanic manifestation of what viewing, inhabiting, and reflecting images is in our existence. Meant to accompany their masterpiece The Sun Quartet, SOLARES stands as a beautiful testament to the power of poetry and its relationship to cinema and life
An essential collection of groundbreaking film writing from the legendary Evergreen Review and its cutting-edge coverage of the underground, experimental, pornographic, and political mid-century film scene.
Book + DVD + Magazine
The heart of Friedl Kubelka’s photographic work (who as a filmmaker goes by the name of Friedl vom Gröller) is constituted by portraiture – whether she captures friends, acquaintances, family members, filmmakers, artists or simply clients, each for the most part gazing directly into the camera. Since 1972 to the present, Kubelka has also placed herself in front of the camera for her project Jahresportraits (Year’s Portraits) in which she mercilessly documents the process of aging. It has become the structural credo of Kubelka’s artistic practice to juxtapose the individual photograph with many other photographs.
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