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"In September 1947 I disembarked in Haïti, for an eight-month stay, with eighteen motley pieces of lugage; seven of these consisted of 16-millimeter motion-picture equipment (three cameras, tripods, raw film stock, etc.), of which three were related to sound recording for a film, and three contained equipment for still photography." - Maya Deren
From the maker of the influential \'Wavelength\', an investigation into representation, process and material and the nature of camera movement.
The champion of absolute ideas in abstract experimental films, Fischinger\'s name is synonymous with the genre. This is a good mix of his films from his experiments with animating kaolin wax on glass to his beautiful later colour abstracts. Notice: this title is out of print; please refer to Oskar Fischinger - Ten Films
A wide range of abstract films from the master of the genre, from advertisements for Muratti cigarettes and Muntz televisions to fragments of animated experiments. Notice: this title is out of print; please refer to Oskar Fischinger - Ten Films
Three extraordinary, experimental films. Features 'Piece Mandala / End War', N:O:T:H:I:N:G and T,O,U,C,H,I,N,G.
Call to Mind contains the films My Name Is Oona (1969), Time Being (1991) and Red Shift (1984), a trilogy with the family as a theme. True To Life (2006) functions as a separate comment for the other films. The Blu-ray box includes a catalog with texts by Astrid Soderbergh Widding, Susanne Forest, Steve Anker and John Sundholm, in Swedish and English, as well as a large number of still images.
TRIBUTES-Pulse is a collaboration between American filmmaker Bill Morrison (b. 1965) and Danish composer and percussionist Simon Christensen (b. 1971).
Christensen originally conceived of the project as a tribute to four American composers, Charles Ives, Conlon Nancarrow, Steve Reich and Trent Reznor. The project is comprised of four movements, with the themes of Shifting (slightest change), Multiple (simultaneously different), Across (different directions) and Beat (moving synchronized) respectively corresponding to each composer.
Pere Portabella has been a pioneering movie producer and celebrated Spanish statesman, denounced by both the Franco dictatorship and The Vatican. But it’s his subversive work as a director that has rewritten the rules of genre narrative. Or as The Museum of Modern Art says, “The films of Portabella expand the expressive potential of cinema”: In 1970, Portabella was invited by Jess Franco to make a behind-the-scenes documentary on the filming of COUNT DRACULA.
Crack, Brutal Grief came in response to the tragic suicide of the filmmaker's friend, an event that led him to a formative encounter with the grotesque imagery of the early Internet. In response to this inhumanity, the artist poses an alchemical possibility, to confront and raise debased images of death, exploitation and suffering to the full dignity of sorrow, in the process achieving catharsis.
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