Etiquetas: Clint Enns

Contenido etiquetado

  • GLITCH CINEMA: The art of error

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    20160815 (Tina Frank, 2016)

    “Take a familiar piece of technology and do something unfamiliar with it” – thus Nick Briz explained a basic formula for Glitch Art in one of his famous hypermedia essays that attempted to introduce then new form of digital art activism which exploded in 2010s. But this formula is not new to many artists who had been disrupting the normative uses of the technology, like early avant-garde artists in the 1920s, experimental filmmakers of the 1960s or early video artists of the 1970s.

    Fechas: 

    Jueves, Enero 23, 2025 - 20:00

    Local: 

    Cinéma le Grand Action - Paris, Francia

  • Found Footage Magazine 10th Anniversary

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    Table of Contents

    Found Footage Is Not a Used Car, by Bill Nichols

    Found footage films speak to me afresh, offering unexpected perspectives and new insights, often by using the most pedestrian or trivial of found footage material within which much more meaning resides than meets the eye.

    An honor to have on board one of the most revered theorist as our guest author.

    Categoría: 

  • IN SITU: Clint Enns, Jackie Gallant & Eduardo Menz

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    Let Me ASMR You (Clint Enns, 2014)

    Proposed by la lumière collective and curated by Emma Roufs, IN SITU is a series that focuses on unique audiovisual works and live sound performances by local artists passionate about cinematic material, experimental moving images and sound art.

    Program:

    Fechas: 

    Miércoles, Abril 3, 2024 - 19:30

    Local: 

    la lumière collective - Montréal, Canadá

  • Found Footage Magazine issue #7

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    Found Footage Magazine issue #7: Special on Christoph Girardet & Matthias Müller

    Their approaches to found footage, at once likeminded and singular, have served Christoph Girardet and Matthias Müller well since 1999, during which time the two of them have collaborated on nearly thirty films and photographic works. Varied metaphors and modes of inquiry have been used to analyze their oeuvre: to some, Girardet and Müller provide a “suggestive continuum,” exposing the patterns of light and darkness, absence and presence, by which cinema operates; to others, the filmmakers dissect the body of film history and of the cinematic apparatus, suggesting the moving image as a corporeal grouping of skin, guts, brains, and bones to pick apart.

    Categoría: 

  • Cinematic Projections Beyond the Dance Floor: An Interview with Sonya Stefan

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    Sonya Stefan is a media artist who uses glitchy electronics, Hi-8 video, and 16mm film to create multimedia performances. Her work often transforms the damaged and discarded – from broken mixers and cracked LCD screens to a collection of found, disintegrating films – into contemporary media works. Many of her projects are collaborative and involve pillaging garbage bags full of abandoned 35mm film which she freely distributes to other local artists to work with.

    Categoría: 

  • Wheeler Winston Dixon - Works 1970 - Present

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    Wheeler Winston Dixon - Works 1970 - Present

    For this special screening at La lumière collective, Wheeler Winston Dixon will be presenting a selection of his films from 1970 to the present, concentrating on his more recent work in HD video. The filmmaker will be present to discuss his films with Clint Enns, who will introduce with filmmaker, and conduct a Q&A session after the screening.

    Fechas: 

    De Viernes, Septiembre 21, 2018 - 20:00 hasta Sábado, Septiembre 22, 2018 - 19:55

    Local: 

    la lumière collective - Montréal, Canadá

  • Multiformes - Experimental film & video screening at Biennale VIDEOPROJECT

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    Multiform examines the representation of the image through the media materiality and the creative process of the artist. The multiple media used to create the films and videos of this program demonstrate a variety of devices directly related to the material and conceptual reappropriation of the image by the artist. Through the use of found footage, self-portrait, homage, or travel diary, the works unveil their mechanism, their organicity, their process and their own representation.

    Fechas: 

    De Jueves, Octubre 19, 2017 - 19:00 hasta Viernes, Octubre 20, 2017 - 18:55

    Local: 

    Hôtel Pasteur - Rennes, Francia

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