Etiquetas: Grahame Weinbren

Contenido etiquetado

  • ExperimentL.A. #3 Focus on the Los Angeles Independent Film Oasis

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    For its second screening of 2025, Cinédoc's ciné-club, dedicated this season to the work of experimental film cooperatives created from the 1960s onwards, will be travelling to the cinema Le Grand Action, on Monday March 24 at 8pm, for an exceptional screening of the ExperimentL.A. cycle initiated in 2023. The March program is conceived in solidarity with the experimental filmmaking community in Los Angeles, following the fires that ravaged the region earlier this year.

    Fechas: 

    Lunes, Marzo 24, 2025 - 20:00

    Local: 

    Cinéma le Grand Action - Paris, Francia

  • Apostles, Arabesques and Spells: Seven Recent Films in the Millennium Film Journal

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    Since its inception in 1978, the Millennium Film Journal has aspired to provide a space for writers and artists to document and discuss the ever-evolving field of artists' moving image. With its consistent focus on contemporary media, the MFJ is a primary source record of the last 45+ years of the field. Keenly aware of the disconnect between reading about and watching film, the MFJ is always on the lookout for ways to bridge the gap.

    Fechas: 

    Jueves, Agosto 15, 2024 - 20:15

    Local: 

    Close-Up Cinema - London, Reino Unido

  • Cineinfinito #32: Roberta Friedman & Grahame Weinbren

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    Roberta Friedman es una cineasta y productora que tiene en su haber un gran número de películas y vídeos que han sido exhibidos en muchos lugares de Estados Unidos y Europa. Sus proyectos alternan desde obras artísticas experimentales hasta películas narrativas, y documentales y series de televisión.

    Fechas: 

    De Sábado, Octubre 21, 2017 - 18:00 hasta Domingo, Octubre 22, 2017 - 17:55

    Local: 

    Filmoteca de Cantabria - Santander, España

  • Millennium Film Journal: Image Machines

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    Serpentine (Stephanie Wuertz, 2014)

    The title of the Fall 2016 issue of Millennium Film Journal – Image Machines – invites readers to consider artists’ moving image as an interplay between the activities and intentions of filmmakers and the variety of machines and methods employed in the creation of their works. Through disarming voice-overs, archival excavations, and personal interventions, these digital and photo-chemical works chart the leaky tensions between interior and exterior landscapes.

    Fechas: 

    Miércoles, Enero 25, 2017 - 19:30

    Local: 

    Anthology Film Archives - Nueva York, Estados Unidos

  • Rewind Italia: Early Video Art in Italy

    Italy was a vibrant centre of video art production and exhibition throughout the 1970s and 1980s. This early seminal experimentation attracted artists from all over the world and laid the foundation for video art. However since then, early Italian video art has received only scant international exposure. Its contribution to the history of video as an art form has for too long escaped the recognition that it so unequivocally deserves.

    Valoración: 

    Promedio: 3 (5 votos)

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    Editor: 

  • Grahame Weinbren: 70 Letters

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    Grahame Weinbren: 70 Letters
    Sunday March 24th 2013, 21h
    Experimental Intermedia
    224 Centre Street at Grand, Third Floor, New York 10013

    Grahame Weinbren will screen the latest version of his Letters project at Experimental Intermedia. Letters consists of an indeterminate number of films, each one minute in duration, and connected 'in one way or another' with a letter of the alphabet. It is a kind of test-ground for ideas about cinema, both technical and conceptual, but also for another kind of idea, the externalization of an inner life, inasmuch as that tired phrase describes anything.

    Letters is 'interactive' in the dumbest sense -- the audience determines, by acclamation, which of the films will be screened next. This means that every screening is fresh and different: not only are there new films each time, but the sequence is never the same, which this casts the whole event in a different light. 'Experimental' in the sense that each screening is an experiment.

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