Etiquetas: Guy Sherwin

Contenido etiquetado

  • VisualcontainerTV: One Minute

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    How The Air Feels to The Birds' by Nick Jordan

    VisualcontainerTV is proud to present the result of 9 years of research in the contemporary videoart field by the artist and curator Kerry Baldry. A variety of languages and visions collected in a kaleidoscopic selection about 39 videos.

    Fechas: 

    De Miércoles, Julio 26, 2017 (Todo el día) hasta Viernes, Septiembre 1, 2017 (Todo el día)

  • Resonancias Fílmicas. El sonido en el cine estructural (1960-1981)

    Explorar los intersticios estéticos e ideológicos de la dimensión sonora en el cine experimental es el motivo principal de esta investigación. En estas páginas se estudia el sonido desde una posición analítica que enfatiza la idiosincrasia de los procesos de creación acústicos de los cineastas, las rupturas sónicas que formulan sus películas y los desafíos auditivos que suscitan a la audiencia.

    Valoración: 

    Promedio: 3.7 (13 votos)

    Categoría: 

    Editor: 

  • SHOOT SHOOT SHOOT: Film Screenings celebrating the London Film-Makers’ Co-operative

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    At The Academy (Guy Sherwin, 1974)

    An afternoon of screenings celebrating the first decade of LUX’s predecessor, the London Film-Makers’ Co-operative (1966–76). The LFMC was founded in October 1966 as a non-commercial distributor of avant-garde cinema. In contrast to similar groups that emerged around the world, it grew to incorporate a distribution service, cinema space and film laboratory. Within this unique facility, filmmakers were able to control every aspect of the creative process.

    Fechas: 

    De Domingo, Abril 10, 2016 - 15:00 hasta Lunes, Abril 11, 2016 - 14:55

    Local: 

    Borlase-Smart Studio - St Ives, Reino Unido

  • Xcèntric: Ruido y paisaje sonoro en el cine estructural

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    Bondi (Paul Winkler, 1979)

    El sonido en el cine es un elemento fundamental para entender la concepción artística de los autores. Esta es una sesión especialmente diseñada para conocer un poco más el trabajo con la banda de sonido en el cine estructural.

    Los cineastas que practican las consideraciones estéticas y técnicas del cine estructural trabajan el sonido desde posturas disruptivas. Manipulaciones gráficas sobre la banda sonora óptica del celuloide y alteraciones de sonidos ambientales ofrecen diálogos acústicos sobre el ruido y el paisaje sonoro.

    Fechas: 

    De Jueves, Febrero 18, 2016 - 20:00 hasta Viernes, Febrero 19, 2016 - 19:55

    Local: 

    Centre de Cultura Contemporània de Barcelona - Barcelona, España

  • Cinémas de Traverse

    This documentary diary was shot between 2005 and 2009 on four different continents, as a subjective journey into the universe of experimental cinema. It is an exploration of the many alternative film forms developed by innovative figures such as Jonas Mekas (USA), Peter Kubelka (Austria), Guy Sherwin (UK) among many others. These paths of discovery lead us to encounters with numerous production and distribution institutions created specifically for experimental films.

    Valoración: 

    Promedio: 3.8 (4 votos)

    Categoría: 

    Editor: 

  • First Thought, Best Thought: A Compendium of Camera Roll Films

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    Eye Music in Red Major (Marie Menken, 1961)

    Using a single hundred-foot roll of 16mm film to create an unedited camera-roll film -- fresh from the lab and onto the screen -- has a certain appeal to me. Partly it’s the practical aspect of DIY efficacy that comes with circumventing the costly steps of post-production. With editing there is something diluted from this raw power of the pure, unadulterated footage, no matter how masterfully the material is pruned and refashioned. Perhaps the phrase of Allen Ginsberg, Chogyam Trungpa, and others, “First thought, best thought” expresses this energy present in the camera-roll film?

    Fechas: 

    De Viernes, Diciembre 4, 2015 - 19:00 hasta Sábado, Diciembre 5, 2015 - 18:55

    Local: 

    Filmmakers Co-op - Nueva York, Estados Unidos

  • Negative Light: Recent Experimental Film and Video from the UK

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    Dark Garden (Nick Collins, 2011)

    Microscope is very pleased to welcome London-based artist and curator Simon Payne to the gallery for the first time with a program of moving image works from the United Kingdom by Maria Anastassiou, Nick Collins, Nicky Hamlyn, Neil Henderson, Jamie Jenkinson, Jennifer Nightingale, Simon Payne, Karolina Raczynski, and Guy Sherwin, most of which are screening in New

    Fechas: 

    Lunes, Octubre 26, 2015 - 19:30

    Local: 

    Microscope Gallery - Nueva York, Estados Unidos

  • L’Âge d’Or 2015

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    Belgian experimental film festival L’Âge d’Or comes back next October 3-10 with the second edition of its new run. 2015 celebrates the 50th anniversary of Super 8 and so for its second edition, the Âge d’Or festival has chosen to pay homage to the work of the fiercest advocates of this format, too often denigrated and considered ‘amateur’. A format however that has been, and sometimes still is, the terrain of innovative cinematic experiments, full of the constraints that only it can create.

    Fechas: 

    De Sábado, Octubre 3, 2015 (Todo el día) hasta Sábado, Octubre 10, 2015 (Todo el día)

    Local: 

    Cinematek - Brussels, Bélgica

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Etiquetas relacionadas

Chris Welsby Paul Winkler Steve Farrer Chris Gallagher Kurt Kren William Raban Nicky Hamlyn Rose Lowder LUX Malcolm Le Grice Albert Alcoz releases

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Pablo Marín LAV Kenneth Anger Screening LAV Cineinfinito Blitz Sessions performance Xcèntric experimental film interview CCCB Jonas Mekas Robert Beavers Stan Brakhage festival screening releases Barbara Hammer videoart Nathaniel Dorsky call for entries DVD Phil Solomon Crater Lab (S8) Mostra de Cine Periférico
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