Etiquetas: Hollis Frampton

Hollis Frampton

Hollis Frampton (1936-1984) fue un cineasta experimental estadounidense, fotógrafo, escritor/teórico, y pionero del arte digital.

Biografía

Primeros años

Frampton nacíó el 11 de Marzo de 1936 en Wooster, Ohio. Hijo único, fue criado principalmente por sus abuelos maternos. Jenkins & Krane (1984), p. 107

Nacionalidad:

Estados Unidos

Contenido etiquetado

The Avant-garde Film: A Reader of Theory and Criticism

Sitney P.A, Eisenstein S, Richter H, Epstein J, Dulac G, Artaud A, Cornell J, Deren M, Peterson S, Broughton J et al.. 1978. The Avant-garde Film: A Reader of Theory and Criticism. Anthology film archives. :295pp.
Contents:
Structural Film Anthology

Gidal P, Le Grice M, Snow M, Frampton H, Dunford M, Sharits P, Mekas J, Hein B, Eatherley G, Landow G et al.. 1976. Structural Film Anthology. :144pp.
Out of Sight, Out of Mind

By Marcos Ortega on Mié, 25/11/2015 - 07:48

Inspired by a new video from visually impaired artist Lorne Marin (his first moving-image work in over 30 years), this program envisions the act of film/video-making as an attempt to trace that which can no longer be seen. These artists explore the image’s transformation as it passes from the immediacy of seeing to the cages of memory, manipulating materials in ways that directly or indirectly evoke an array of perceptual aberrations. From common chemical reactions to encroaching blindness, these interferences remind us of the lamentable fragility of our sight. But they also reinforce the mind’s ability to capture fleeting visions that, though long lost, may never be forgotten.

Fechas:
De Sábado, Noviembre 28, 2015 - 20:00 hasta Domingo, Noviembre 29, 2015 - 19:55
Local:
Cinecycle - Toronto, Canadá
Binghamton Babylon: Voices from the Cinema Department, 1967-1977
In Binghamton Babylon, Scott M. MacDonald documents one of the crucial moments in the history of cinema studies: the emergence of a cinema department at what was then the State University of New York at Binghamton (now Binghamton University) between 1967 and 1977. The department brought together a group of faculty and students who not only produced a remarkable body of films and videos but went on to invigorate the American media scene for the next half-century.
Valoración:

Promedio: 3 (2 votos)
Categoría:
Libros
Editor:
SUNY press
AI Split Editions #1: Hollis Frampton, A Lecture/Bruce Mcclure, Know Thy Instrument
Atelier Impopulaire Split #1 consists of an original text by Bruce McClure, an architect and performer based in New York. It is titled Know Thy Instrument, and based on a lecture given by Hollis Frampton on 30 October 1968, then published as A Lecture. Both with his text and projection performance, McClure aims at reflecting upon the body/technology dynamics, the relation with the whole projection apparatus, and the implications deriving from the removal of some of its parts. This all results in a modification of its mechanical structure, thus provoking a systemic abstraction of the obscurity/light duality in the guise of sound patterns.

Valoración:

Promedio: 3.8 (4 votos)
Categoría:
Libros
Editor:
Atelier Impopulaire
On the Camera Arts and Consecutive Matters: The Writings of Hollis Frampton
As Hollis Frampton's photographs and celebrated experimental films were testing the boundaries of the camera arts in the 1960s and 1970s, his provocative and highly literate writings were attempting to establish an intellectually resonant form of discourse for these critically underexplored fields. It was a time when artists working in diverse disciplines were beginning to pick up cameras and produce films and videotapes, well before these practices were understood or embraced by institutions of contemporary art.
Valoración:

Promedio: 4 (4 votos)
Categoría:
Libros
Editor:
The MIT Press
Eyes Upside Down:Visionary Filmmakers & the Heritage of Emersson
Sitney analyzes in detail the work of eleven American avant-garde filmmakers as heirs to the aesthetics of exhilaration and innovative vision articulated by Ralph Waldo Emerson and explored by John Cage, Charles Olson and Gertrude Stein. The films discussSitney analyzes in detail the work of eleven American avant-garde filmmakers as heirs to the aesthetics of exhilaration and innovative vision articulated by Ralph Waldo Emerson and explored by John Cage, Charles Olson and Gertrude Stein. The films discussed span the sixty years since the Second World War.
Valoración:

Promedio: 1 (1 voto)
Categoría:
Libros
Editor:
Oxford University Press
A Critical Cinema: Interviews with Independent Filmmakers
Critical Cinema provides a collection of in-depth interviews with some of the most accomplished "critical" filmmakers. INTERVIEWEES: Hollis Frampton, Larry Gottheim, Robert Huot, Taka Iimura, Carolee Schneeman, Tom Chomont, J.J. Murphy, Beth B and Scott B, John Waters, Vivienne Dick, Bruce Conner, Robert Nelson, Babette Mangolte, George Kuchar, Diana Barrie, Manuel DeLanda, Morgan Fisher.

Valoración:

Sin votos (todavía)
Categoría:
Libros
Editor:
University of California Press
Hollis Frampton - A Hollis Frampton Odyssey
Icon of the American avant-garde Hollis Frampton made rigorous, audacious, brainy, and downright thrilling films, leaving behind a body of work that remains unparalleled. In the 1960s, having started out as a poet and photographer, Frampton became fascinated with the possibilities of 16 mm filmmaking.
Valoración:

Promedio: 3.8 (4 votos)
Categoría:
DVD
Editor:
Criterion
The Complete Works Of Joyce Wieland 1963-86
Canadian Filmmakers Distribution Centre (CFMDC) and Cinémathèque québécoise are proud to announce the launch of the Joyce Wieland DVD Box Set. Considered one of Canada’s most respected women artists, Joyce Wieland has an acclaimed international reputation for a unique and impressive body of films spanning three decades, from the early sixties through to the mid-eighties.

Valoración:

Promedio: 3 (2 votos)
Categoría:
DVD
Editor:
Canadian Filmmakers Distribution Centre