Etiquetas: Jennifer Reeves

Jennifer Reeves

Jennifer Reeves (también conocida como Jennifer Todd Reeves) (nacida en 1971, Sri Lanka) es una cineasta experimental estadounidense que trabaja en Nueva York principalmente con película de 16mm.

Nacionalidad:

Estados Unidos

Contenido etiquetado

Jennifer Reeves: When It Was Blue - Selected Works 1992-2022
“No doubt the fragile stuff of film, made newly strange in an age of immaterial electronic images, encourages the contemplation of change and chance, birth and death; such notions are registered through utterly physical means by Reeves in the fractal cracks of distressed pigment that adorn some of her hand-edited frames, or the tidal flows of thick, opalescent paint, sometimes dotted with stellar bubbles of captured air, that wash across other moments.”
— Ed Halter, Artforum
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STST Film Club X Dream Sequence #4 | Memory in Motion

By Marcos Ortega on Mar, 16/09/2025 - 06:08

STST Film Club x Dream Sequence #4 | Memory in Motion

This programme presents experimental short films that probe the subject of memory. How can film itself act as both witness and interpreter of what we recall? And how might the fragile materials and technologies of cinema mirror the fragility of memory itself?

Taken together, these films invite us to reflect on how memory is formed, lost, and reshaped, both on screen and in our own lives.

Program

10 Megabytes of Memory
Fechas:
Miércoles, Septiembre 24, 2025 - 19:00
Local:
Staffordshire St - London, Reino Unido
Jennifer Reeves' "The Time We Killed" + "Fear of Blushing"

By Marcos Ortega on Lun, 21/04/2025 - 07:17

On FRIDAY, APRIL 25th, at 7pm, Jennifer Reeves presents her feature film THE TIME WE KILLED at the Film-Makers' Cooperative (475 Park Avenue South, 6th Floor), followed by a Q&A moderated by Joshua Peinado (@joshuapeinado), and a screening of Reeves' short film FEAR OF BLUSHING.

THE TIME WE KILLED “...proves that 16mm is still a tool for poets.” –Bill Stamets, @chicagosuntimes

“Her observations blend into a lyrical swirl of sunny reverie, muted trauma, and inescapable reality” –@edhalter, @villagevoice
Fechas:
Viernes, Abril 25, 2025 - 19:00
Local:
Filmmakers Co-op - Nueva York, Estados Unidos
The Gloria of Your Imagination

By Marcos Ortega on Sáb, 21/09/2024 - 09:07

Fechas:
Miércoles, Octubre 2, 2024 - 19:00
Local:
Berkeley Art Museum and Pacific Film Archive - Berkeley , Estados Unidos
Scratch Projection: WHAT'S GOING ON? A selection of recent films

By Marcos Ortega on Mié, 10/04/2024 - 07:31

As part of its ongoing commitment to contemporary cinematographic creation, Light Cone proposes a program featuring films that have recently entered the collection, all made between 2022 and 2024.
Fechas:
Martes, Abril 23, 2024 - 20:30
Local:
Luminor Hôtel de Ville - Paris, Francia
Girls Daydream About Hollywood: 16mm films by Jennifer Reeves

By Marcos Ortega on Mié, 12/09/2018 - 06:41

Microscope is very pleased to present an evening of 16mm films by Jennifer Reeves spanning two and a half decades from her first film “Elations in Negative” (1990) to her latest “Color Neutral” (2014), including the rarely shown dual superimposition projection work “He Walked Away” (2006).
Fechas:
Viernes, Septiembre 21, 2018 - 19:30
Local:
Microscope Gallery - Nueva York, Estados Unidos
A Roll For Peter in Vancouver

By Anonymous on Jue, 20/04/2017 - 04:38

Iris Film Collective, in collaboration with Dance Troupe Practice is pleased to present “A Roll For Peter”, the touring program of films made in tribute to the late great filmmaker Peter Hutton.

The films come to Vancouver in serendipitous confluence with two screenings as part of the DIM series at The Pacific Cinematheque of Hutton’s work (the second takes place on April 26).

Hutton, an American artist and educator, developed a unique perspective on both urban and remote landscapes through his images from the early 1970’s until his death in 2016.
Fechas:
De Sábado, Abril 29, 2017 - 20:00 hasta Domingo, Abril 30, 2017 - 19:55
Local:
Pandora Park - Vancouver, Canadá
Edge of Frame: Elemental Animation

By Anonymous on Mar, 22/11/2016 - 14:11

A programme of works which use the material of film itself as a canvas. These visceral, vibrant films feature camera-less techniques such as scratching, painting and printing onto the filmstrip, subjecting film to decay and decomposition, and affixing materials such as letraset or insects to its surface. The remarkable visions created through these diverse approaches fill the frame with dynamic textures and colour, and many will be presented on 16mm and 35mm prints. Seen in the cinema, these works achieve a powerful effect, immersing us in strange and previously unseen worlds, and displaying the breadth and scope of abstract film.

Fechas:
De Viernes, Diciembre 2, 2016 - 20:00 hasta Sábado, Diciembre 3, 2016 - 19:55
Local:
Close-Up Cinema - London, Reino Unido
Zelluloid: Film ohne Kamera = cameraless film

Schlicht E, Hollein M. 2010. Zelluloid: Film ohne Kamera = cameraless film. :190pp.
The 53rd Ann Arbor Film Festival Tour Day 2, 16mm Program

By Almudena Escoba... on Mar, 19/01/2016 - 03:58

The Film and Media Studies Program and the Visual Studies Workshop welcome the Ann Arbor travelling film festival tour for the first time in Rochester with Program Director, David Dinnell in person.

The 16mm program includes 13 new films from Austria, the UK, Canada, and the United States including Things, the most recent work by Ben Rivers; The Peacock by Andrew Kim; Mark Toscano’s The Song Remains the Same; Accent Grave on Ananas by Vancouver artist Tamara Henderson (with sound by Dan Riley) and three works receiving the 53rd AAFF Best Cinematography Award - vindmøller by Margaret Rorison, A Symptom by Ben Balcom, and Blue Loop, July by Mike Gibisser. Other works include new films by Friedl vom Gröller, Mary Helena Clark, Robert Todd, Jennifer Reeves, Jonathan Schwartz, and Sarah Christman.

Fechas:
De Viernes, Enero 29, 2016 - 20:00 hasta Sábado, Enero 30, 2016 - 19:55
Local:
Visual Studies Workshop - Rochester, Estados Unidos