Etiquetas: Kenneth Anger

Kenneth Anger

Kenneth Anger (born February 3, 1927) is an American and author. He began making films around age nine, but his early films are now lost. His first film to see distribution was , filmed in Los Angeles in 1947, which gained the attention of Jean Cocteau, who then invited him to go to Paris. In 1949, Anger directed The Love That Whirls which according to the 1972 book Experimental Cinema contained (faked) nudity, and was thus confiscated by the film lab. While most of his films are short subject (ranging from 3.5 minutes to 30 minutes) mood pieces, in 1955 he made a documentary film of the ruins of Crowley's in Cefalù, Sicily, which is now considered a lost film.

Nacionalidad: 

Estados Unidos

Contenido etiquetado

  • Elías Querejeta Zine Eskola: P. ADAMS SITNEY | Medio siglo de programación de vanguardia

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    P. Adams Sitney | EQZE Elias Querejeta Zine Eskola © UnionDocs (Center for Documentary Art)

    P. Adams Sitney: Medio Siglo De Programación De Vanguardia | Conferencia y proyección comentada | 

    Elías Querejeta Zine Eskola ha propuesto al autor que elija un programa ideal que pudiera ilustrar sus 50 años como programador, comisario, crítico y espectador.

    Fechas: 

    De Martes, Marzo 13, 2018 - 19:00 hasta Miércoles, Marzo 14, 2018 - 18:55

    Local: 

    Tabakalera - San Sebastián, España

  • Xcèntric: Rituales de la transfiguración

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    Flaming Creatures (Jack Smith, 1963)

    En esta sesión, enmarcada dentro de la exposición “1.000 m2 de deseo. Arquitectura y sexualidad”, podremos ver tres piezas esenciales del cine experimental norteamericano. Barbara Rubin, Kenneth Anger y Jack Smith filman sendas visiones transgresoras del cuerpo y el deseo situadas en el espacio de la pura fantasía.

    Fechas: 

    Domingo, Febrero 19, 2017 - 18:30

    Local: 

    Centre de Cultura Contemporània de Barcelona - Barcelona, España

  • Experimental Cinema: The Film Reader

    Horak J-C, Mekas J, Rabinovitz L, Varda A, Suárez JAntonio, Ganguly S, Tartaglia J, Haug K, Wolf R, Chin D et al..  2002.  Experimental Cinema: The Film Reader. :356pp.

    Contents:

    Introduction: Toward a new history of the experimental cinema

    Part one. Origins of the American avant-garde cinema, 1920-1959.
    - The first American film avant-garde, 1919-1945 / Jan-Christopher Horak
    - Notes on the new American cinema / Jonas Mekas
    - The woman filmmaker in the New York avant-garde / Lauren Rabinovitz
    - Women in the avant-garde: Germaine Dulac, Maya Deren, Agnès Varda, Chantal Akerman, and Trinh T. Minh-ha / Agnès Varda

  • Feux d'artifices: 30 años de Paris Expérimental

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    Antologia Della Materia: Fuoco (Giovanna Puggioni, 2006-7)

    La editorial Paris Expérimental—creada en 1985— se ha convertido en un peculiar lugar de encuentro entre el cine experimental y su historia. Esta casa editorial, con unas cincuenta publicaciones y eventos de referencia, ha contribuido en Francia al conocimiento y reconocimiento de formas cinematográficas experimentales, a menudo marginalizadas.

    Fechas: 

    De Miércoles, Noviembre 25, 2015 - 14:00 hasta Jueves, Noviembre 26, 2015 - 20:55

    Local: 

    Centre Pompidou - Paris, Francia

  • Model, counter model: The use of films by critics

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    The Cage (Sidney Peterson, 1947)

    Written by Jonas Mekas for Film Culture in 1955, the article "Experimental Film in America" was particularly critical against the film avant-garde in America considered at that time by the young film critic as "the imprisoned self". Especially violent against filmmakers whose Jonas Mekas will defend the work later with passion and no limits – from Sidney Peterson to Stan Brakhage, Ian Hugo or Kenneth Anger – this lampoon reflected then the need of breaking the accepted ideas inherited from the tradition of the avant-gardism in cinema, but also the necessity, for the film critics, to canalize the dispersed energy of a young and rising generation of filmmakers. Conceived from this founder and critiqueable text, the program Model, Counter Model offers to revisit the use against type of films by critics.

    Fechas: 

    De Miércoles, Noviembre 26, 2014 - 19:00 hasta Jueves, Noviembre 27, 2014 - 18:55

    Local: 

    Centre Pompidou - Paris, Francia

  • Dirty Looks: Anger + Rapture

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    Films by Kenneth Anger + Ivan Zulueta

    - Invocation of My Demon Brother (Kenneth Anger, 16mm, 11 min., 1969)
    - Arrebato (Rapture) (Iván Zulueta, 35mm on video, 105 min., 1980)

    Starring Mick Jagger (who also composed its score), His Satanic Majesty Anton LaVey, and Manson Family member Bobby Beausoleil, Kenneth Anger has described Invocation of My Demon Brother as "an attack on the sensorium."

    Rarely screened on these shores, Iván Zulueta's sex and drugs filled cult classic Arrebato (Rapture) is legendary in Spain, where it launched a cinematic revolution, inspiring filmmakers like Pedro Almodóvar (who can be heard in an uncredited dubbing- as the voice of a female character). "He never filmed a single banal image," Almodóvar would later write of Zulueta, describing Zulueta's work as "David Lynch, but less shadowy and more pop." Mixing genre and experimental filmmaking, Arrebato tells the story of a hack horror director and heroin junky who becomes consumed by the vampiric apparatus of cinema. Introduced by Clara López.

    Fechas: 

    Miércoles, Julio 30, 2014 - 20:30

    Local: 

    White Columns - Nueva York, Estados Unidos

Páginas

Etiquetas relacionadas

Jack Smith Robert Breer Sidney Peterson Gregory J. Markopoulos James Whitney Jordan Belson Germaine Dulac Stan Brakhage Bruce Baillie Maya Deren Matthias Müller Andy Warhol Ken Jacobs Michael Snow Nathaniel Dorsky Phil Solomon Jonas Mekas

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