Etiquetas: Germaine Dulac

Contenido etiquetado

  • Temas, variaciones, continuidades: El cine de Germaine Dulac y Marcelle Thirache

    By on
    Thèmes et variations (Germaine Dulac, 1928)

    Para inaugurar su segunda temporada, Confesionario abandona el abordaje monográfico para proponer un diálogo póstumo pero vibrante entre Germaine Dulac (1882-1942) y Marcelle Thirache (1946-2025), dos cineastas feministas interesadas en la abstracción como potencia de un cine “puro” y de una visión subversiva del mundo.

    Proyección en 16mm con presentación a cargo de Pablo Marín.

    Programa:

    Fechas: 

    Miércoles, Marzo 19, 2025 - 19:00

    Local: 

    Cineteca Madrid - Madrid, España

  • No Future - Short films about Tomorrow

    By on

    The future cannot be predicted, but that is no reason not to try experimental film: reflections on 16mm, video and in 3D about the experience of time, the play with expectations and the desire to “see in a new way” develop. 'No Future' is dedicated to various facets of the future from the 1920s to the present 2020s.

    Program curated by Karola Gramann, Heide Schlüpmann and Björn Schmitt. As part of the 17th LICHTER Filmfest

    Fechas: 

    Domingo, Abril 21, 2024 - 20:30

    Local: 

    Deutschen Filmmuseum Frankfurt - Frankfurt am Main, Alemania

  • Germaine Dulac: Writings On Cinema (1919-1937)

    A pioneer of cinema, Germaine Dulac (1882-1942)  is one of the major figures of the 1920s French Avant-Garde. Hugely influential, she founded and directed numerous organisations and, in parallel, was a tireless activist in the defense of women’s rights.

    Valoración: 

    Promedio: 3 (1 voto)

    Categoría: 

    Editor: 

  • Germaine Dulac - Writings on Cinema

    Edited by Prosper Hillairet, this new English translation brings together the principal texts, interviews, and speeches by the pioneering filmmaker and feminist Germaine Dulac (1882 1942), a major figure in the history of experimental film

    Links are provided to many of the key films mentioned by Dulac.

    Writings on Cinema is available

    for Kindle here

    Valoración: 

    Promedio: 1 (1 voto)

    Categoría: 

    Editor: 

  • Eyewash Books - New ebook collection

    By on

    Paris Expérimental is pleased to announce the release of a new collection of ebooks, edited by Scott Hammen, which make available important texts in the theory and history of experimental film enriched by simultaneous viewing of the works discussed. When a film mentioned in an Eyewash Book is publicly available on-line, direct links to the film are provided in the text.

    Price: $ 10.00 each

    Categoría: 

  • Germaine Dulac: Writings On Cinema (1919-1937)

    The present publication in e-book format is an english translation from the original 1994 edition, now out-of-print, with a new preface by PROSPER HILLAIRET that puts DULAC’s importance and current relevance into perspective, and a foreword by TAMI M. WILLIAMS, president of Domitor – the International Society for the Study of Early Cinema and author of Germaine Dulac: A Cinema of Sensations.

    English translation by Scott Hammen
    Foreword by Tami M. Williams
    New preface by Prosper Hillairet

    Valoración: 

    Promedio: 4 (3 votos)

    Categoría: 

    Editor: 

  • Germaine Dulac - Écrits sur le cinéma (1919-1937)

    Pionnière du cinéma, Germaine Dulac (1882-1942) est une des grandes figures de l'Avant-Garde française des Années 20. Personnalité importante, elle initiera et sera à la tête de nombreuses organisations et, parallèlement, mènera une activité inlassable pour la défense des droits des femmes. 

    Dans ses réalisations, Dulac expérimente les nouvelles possibilités d'expression du cinéma. Elle réalisera une vingtaine de films à partir de 1916. La Souriante Mme Beudet (1923) et La Coquille et le clergyman (1927), d'après Antonin Artaud, sont parmi ses films marquants. 

    Valoración: 

    Promedio: 3.7 (3 votos)

    Categoría: 

    Editor: 

  • Club des Femmes: Her Image Fades as Her Voice Rises

    By on

    Join us for a dynamic and timely re-staging of Circles’ inaugural film programme ‘Her Image Fades as her Voice Rises’ (1982), with films selected by Lis Rhodes and Felicity Sparrow. A selection of four films by four filmmakers made across time and different generations of women filmmakers placed in dialogue with each other.

    Circles, founded in 1979, was the first feminist film and video distribution organisation in the UK that emerged out of a heightened moment in the 1970s narrative of London’s feminist film history, politics and collective activism in which the Women’s Liberation Movement played an influential part. Cirlces provided an essential role in the promotion and distribution of exclusively women filmmakers, supporting filmmaking that varied from political and social documentary to more experimental practice.

    Fechas: 

    Martes, Noviembre 29, 2016 - 18:30

    Local: 

    The Photographers’ Gallery - London, Reino Unido

Páginas

Etiquetas relacionadas

Paris Experimental Antonin Artaud Jean Epstein James Whitney Peter Kubelka Hans Richter Paul Sharits Maya Deren Kenneth Anger Stan Brakhage Jonas Mekas

Tag cloud

Xcèntric screening interview DVD Pablo Mazzolo Jonas Mekas Stan Brakhage (S8) Mostra de Cine Periférico videoart Nathaniel Dorsky Kenneth Anger call for entries CCCB experimental film releases Barbara Hammer Phil Solomon Robert Beavers LAV Cineinfinito Pablo Marín festival Blitz Sessions Crater Lab Screening LAV
Más

Al azar