Etiquetas: Kerry Laitala

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  • Tone Glow Presents "You Wouldn't Steal a Movie"

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    Tone Glow is excited to announce “You Wouldn’t Steal a Movie,” a program featuring 10 found-footage experimental films. The event will be held at Sweet Void Cinema in Chicago on Saturday, September 14th at 7pm. Throughout history, avant-garde filmmakers have recycled, repurposed, and reimagined older images into their own liking. In culling from a diverse array of sources—advertisements and educational films, newsreels and major motion pictures—they’ve constructed novel works that prove spellbinding in their new contexts.

    Fechas: 

    Sábado, Septiembre 14, 2024 - 19:00

    Local: 

    Sweet Void Cinema - Chicago, Estados Unidos

  • A Synesthete's Atlas + Some 3d Color/Light/Motion Experiments

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    A Synesthete's Atlas + Some 3d Color/Light/Motion Experiments

    A Synesthete’s Atlas: Cartographic Improvisations between Eric Theise and The Asthmatic

    Real-time cartographic improvisations using projected, manipulated digital maps by Eric Theise in collaboration with The Asthmatic (Sigrid Harmon), a one-woman band and sound collage artist. A visual wash of street grids, land masses, water bodies, and curiosities from built and natural environments. Orphaned labels. Free-floating symbology. Saturated colors and the subtlest of tints. Jittery zooms, pans, and traversals. Glitches from crowdsourced data.

    Fechas: 

    Domingo, Octubre 1, 2023 - 19:00

    Local: 

    The Apohadion Theater - Portland, Estados Unidos

  • Canyon Cinema Salon: Kerry Laitala and Jonathan Walley on Expanded Cinema and Cinema Expanded

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    Kerry Laitala, Retrospectroscope (1996). From “Timeless Motion,” SOMArts Gallery, SF, 2016

    Artist and filmmaker Kerry Laitala (San Francisco) and cinema scholar Jonathan Walley (Columbus, OH) engage in an illustrated conversation about expanded cinema, including Laitala’s recent 16mm film projection performance Fire Fly EYE (hand-processed 16mm Ektachrome and B&W film, dual projection) and the iconic paracinematic work Retrospectroscope (1996; pictured above). Walley will also discuss his book Cinema Expanded: Avant-Garde Film in the Age of Intermedia, published last year by Oxford University Press, the first comprehensive historical and theoretical account of expanded cinema published since Gene Youngblood’s landmark book Expanded Cinema (1970). 

    Fechas: 

    De Domingo, Enero 31, 2021 - 19:00 hasta Lunes, Febrero 1, 2021 - 18:55

  • SFAI Film Department x Canyon: Kerry Laitala

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    Filmmaker, “media archeologist,” and interim chair of the SFAI Film Department Kerry Laitala makes use of decaying cultural relics and antiquated medical technologies to resurrect images and artifacts that have been forgotten. For her screening on April 3, she will present her own work together with haunting, melancholic work by Phil Solomon and the recently departed Barbara Hammer–as well as a special performance of her recent expanded cinema work Chromatic Wheels, with a live score by Jon Leidecker.

    Fechas: 

    Miércoles, Abril 3, 2019 - 19:30

    Local: 

    San Francisco Art Institute - San Francisco, Estados Unidos

  • Kerry Laitala: Conjured Pictures

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    Still from "Conjurer's Box" by Kerry Laitala

    Films, video & live performance
    Followed by Q&A w/ the artist

    Microscope is very pleased to welcome San Francisco-based artist Kerry Laitala to the gallery for an evening of her 16mm films, the New York premieres of a new video City Blights as well as a 16mm film performance in three parts titled Astro Trilogy.

    Fechas: 

    De Lunes, Julio 31, 2017 - 07:30 hasta Martes, Agosto 1, 2017 - 08:55

    Local: 

    Microscope Gallery - Nueva York, Estados Unidos

  • Perpetual Motion

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    Perpetual Motion is the most comprehensive convergence of international performance cinema practitioners ever seen in the Bay Area. Presented over seven evenings September 16–December 7, 2016, with all artists performing in person, this series is curated by San Francisco Cinematheque and will be presented at Gray Area’s historic Grand Theater, located in San Francisco’s Mission District.

    Featured artists include the return of legendary experimental filmmaker Ken Jacobs (NYC), rising Montréal duo Le Révélateur (video artist Sabrina Ratté & musician Roger Tellier-Craig, of Fly Pan AM and formerly Godspeed You! Black Emperor) and in a rare North American appearance, the spectacular Trinchera Ensamble film-performance collective from Mexico City.

    Fechas: 

    De Viernes, Septiembre 16, 2016 - 20:00 hasta Sábado, Septiembre 17, 2016 - 19:55
    De Sábado, Septiembre 17, 2016 - 20:00 hasta Domingo, Septiembre 18, 2016 - 19:55
    De Martes, Octubre 11, 2016 - 20:00 hasta Miércoles, Octubre 12, 2016 - 19:55
    De Miércoles, Octubre 26, 2016 - 20:00 hasta Jueves, Octubre 27, 2016 - 19:55
    De Miércoles, Noviembre 9, 2016 - 20:00 hasta Jueves, Noviembre 10, 2016 - 19:55
    De Martes, Noviembre 22, 2016 - 20:00 hasta Miércoles, Noviembre 23, 2016 - 19:55
    De Miércoles, Diciembre 7, 2016 - 20:00 hasta Jueves, Diciembre 8, 2016 - 19:55

    Local: 

    Gray Area / Grand Theater - San Francisco, Estados Unidos

  • First Thought, Best Thought: A Compendium of Camera Roll Films

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    Eye Music in Red Major (Marie Menken, 1961)

    Using a single hundred-foot roll of 16mm film to create an unedited camera-roll film -- fresh from the lab and onto the screen -- has a certain appeal to me. Partly it’s the practical aspect of DIY efficacy that comes with circumventing the costly steps of post-production. With editing there is something diluted from this raw power of the pure, unadulterated footage, no matter how masterfully the material is pruned and refashioned. Perhaps the phrase of Allen Ginsberg, Chogyam Trungpa, and others, “First thought, best thought” expresses this energy present in the camera-roll film?

    Fechas: 

    De Viernes, Diciembre 4, 2015 - 19:00 hasta Sábado, Diciembre 5, 2015 - 18:55

    Local: 

    Filmmakers Co-op - Nueva York, Estados Unidos

  • Gravity Spells: Bay Area New Music and Expanded Cinema Art

    Produced by Bay Area filmmaker and sound artist John Davis in conjunction with a fellowship and residency at the Kala Art Institute in Berkeley CA, this limited edition of 100 includes two hand-silkscreened gatefold LPs and four silkscreened DVDs of original film and music, plus a 50-page booklet of writing and images bound in a hand letterpressed cover. The project was conceived to publicly showcase emerging and established strains of expanded cinema and music collaboration in the San Francisco Bay Area, as well as to create a physical document that captured that energy.

    Valoración: 

    Promedio: 4 (3 votos)

    Categoría: 

    Editor: 

  • Speaking Directly: Oral Histories of the Moving Image

    While known primarily as an exhibitor of artist-made films, San Francisco Cinematheque has, throughout its history, created opportunities for talking and writing about the challenging and lively work that it showcases. Cinematheque's “occasional” journal Cinematograph is back, after a long hiatus, with an illuminating book-length issue, comprised of extensive conversations with filmmakers, artists, curators, and scholars. Titled Cinematograph 7: Speaking Directly—Oral Histories of the Moving Image, it presents recent discussions with Coleen Fitzgibbon, Narcisa Hirsch, Jim Jennings, Chris Kennedy, Kerry Laitala, Annette Michelson, Tomonari Nishikawa, Elizabeth Price, Ben Rivers and Kidlat Tahimik. Interviewers include Erika Balsom, Kathy Geritz, Sandra Gibson, Aily Nash, Luis Recoder, Lucy Reynolds, Jonathan Walley and Mark Webber. The issue also has never-before-published excerpts from Q&A sessions with Peter Hutton, George Kuchar, Owen Land and Warren Sonbert, drawn from Cinematheque's archive of historical artifacts and documentation. 

    Valoración: 

    Promedio: 2.6 (5 votos)

    Categoría: 

    Editor: 

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