Etiquetas: Michael Snow

Contenido etiquetado

Abstraction in Avant-garde Films
Turim MCheryn. 1985. Abstraction in Avant-garde Films. Studies in Cinema. 32:165pp.
Tracing the rupture of the avant-garde

Beyond reading: image, imagination, aesthetic economies at play

Sound: beyond distinctions between music, noise and speech, a new process a new ordering

Gradual transformations and subtle changes

Visual dynamics, referential tensions and conceptual film

Flickering light, pulsing traces

Scanning landscapes and collapsing architectures: shattering the grounding of the subject/eye
Le cinéma visionnaire: L'Avant-garde américaine (1943-2000)

Sitney P.A. 2002. Le cinéma visionnaire: L'Avant-garde américaine (1943-2000). :440pp.
Visionary Film: The American Avant-Garde

Sitney P.A. 1974. Visionary Film: The American Avant-Garde. :479pp.
Expanded cinema

Youngblood G. 2013. Expanded cinema. Mediaversi. :xvi+388.
Cine expandido

Youngblood G. 2012. Cine expandido. :456pp.
Expanded Cinema

Youngblood G. 1970. Expanded Cinema. :432pp.
“The first book to consider video as an art form, was influential in establishing the field of media arts. In the book he argues that a new, expanded cinema is required for a new consciousness. He describes various types of filmmaking utilising new technology, including film special effects, computer art, video art, multi-media environments and holography.” (Wikipedia)
Experimental Cinema: The Film Reader

Horak J-C, Mekas J, Rabinovitz L, Varda A, Suárez JAntonio, Ganguly S, Tartaglia J, Haug K, Wolf R, Chin D et al.. 2002. Experimental Cinema: The Film Reader. :356pp.
Contents:

Introduction: Toward a new history of the experimental cinema

Part one. Origins of the American avant-garde cinema, 1920-1959.
- The first American film avant-garde, 1919-1945 / Jan-Christopher Horak
- Notes on the new American cinema / Jonas Mekas
- The woman filmmaker in the New York avant-garde / Lauren Rabinovitz
- Women in the avant-garde: Germaine Dulac, Maya Deren, Agnès Varda, Chantal Akerman, and Trinh T. Minh-ha / Agnès Varda
The Avant-garde Film: A Reader of Theory and Criticism

Sitney P.A, Eisenstein S, Richter H, Epstein J, Dulac G, Artaud A, Cornell J, Deren M, Peterson S, Broughton J et al.. 1978. The Avant-garde Film: A Reader of Theory and Criticism. Anthology film archives. :295pp.
Contents:
Structural Film Anthology

Gidal P, Le Grice M, Snow M, Frampton H, Dunford M, Sharits P, Mekas J, Hein B, Eatherley G, Landow G et al.. 1976. Structural Film Anthology. :144pp.
AVANT 2016 - So Is This

By Marcos Ortega on Lun, 27/06/2016 - 10:09

The 13th edition of AVANT is a tribute to Michael Snow’s film So Is This. A film that consists only of text and challenges the idea that film, or language, refers to a surrounding world. This, in So Is This is simply the event that unfolds when the film takes place.

Besides Michael Snow (Canada) the filmmakers Els van Riel (Belgium), Esther Urlus (Netherlands) and Elke Groen (Austria) are invited. All three deals with film as an event and with the material specificity of film; van Riel with time, Urlus with the materiality of film colour, and Groen with the actual memory of the film material.

Fechas:
De Viernes, Septiembre 23, 2016 (Todo el día) hasta Sábado, Septiembre 24, 2016 (Todo el día)

Páginas