Etiquetas: Michael Snow

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DIM Cinema: Almost Empty Rooms

By Michele Smith on Mar, 20/06/2017 - 09:13

DIM Cinema presents a free screening pairing two canonical works of Canadian experimental film: Michael Snow’s single-take across a New York loft, perhaps “the most consequential zoom shot in the history of cinema” (Jonathan Rosenbaum, Monthly Film Bulletin), and Alberta-born, B.C.-based filmmaker Ellie Epp’s 12-shot study of a soon-to-be-demolished public bath in London, which “maps another way out of structural film toward a cinema of delicate implication” (Bart Testa, Canadian Encyclopedia).

Fechas:
Miércoles, Junio 28, 2017 - 19:30
Local:
DIM Cinema - Vancouver, Canadá
On the Eve of the Future. Selected Writings on Film
The celebrated critic and film scholar Annette Michelson saw the avant-garde filmmakers of the 1950s and 1960s as radically redefining and extending the Modernist tradition of painting and sculpture, and in essays that were as engaging as they were influential and as lucid as they were learned, she set out to demonstrate the importance of the underappreciated medium of film. On the Eve of the Future collects more than thirty years’ worth of those essays, focusing on her most relevant engagements with avant-garde production in experimental cinema, particularly with
Valoración:

Promedio: 4.1 (12 votos)
Categoría:
Libros
Editor:
The MIT Press
Abstraction in Avant-garde Films
Turim MCheryn. 1985. Abstraction in Avant-garde Films. Studies in Cinema. 32:165pp.
Tracing the rupture of the avant-garde

Beyond reading: image, imagination, aesthetic economies at play

Sound: beyond distinctions between music, noise and speech, a new process a new ordering

Gradual transformations and subtle changes

Visual dynamics, referential tensions and conceptual film

Flickering light, pulsing traces

Scanning landscapes and collapsing architectures: shattering the grounding of the subject/eye
Le cinéma visionnaire: L'Avant-garde américaine (1943-2000)

Sitney P.A. 2002. Le cinéma visionnaire: L'Avant-garde américaine (1943-2000). :440pp.
Visionary Film: The American Avant-Garde

Sitney P.A. 1974. Visionary Film: The American Avant-Garde. :479pp.
Expanded cinema

Youngblood G. 2013. Expanded cinema. Mediaversi. :xvi+388.
Cine expandido

Youngblood G. 2012. Cine expandido. :456pp.
Expanded Cinema

Youngblood G. 1970. Expanded Cinema. :432pp.
“The first book to consider video as an art form, was influential in establishing the field of media arts. In the book he argues that a new, expanded cinema is required for a new consciousness. He describes various types of filmmaking utilising new technology, including film special effects, computer art, video art, multi-media environments and holography.” (Wikipedia)
Experimental Cinema: The Film Reader

Horak J-C, Mekas J, Rabinovitz L, Varda A, Suárez JAntonio, Ganguly S, Tartaglia J, Haug K, Wolf R, Chin D et al.. 2002. Experimental Cinema: The Film Reader. :356pp.
Contents:

Introduction: Toward a new history of the experimental cinema

Part one. Origins of the American avant-garde cinema, 1920-1959.
- The first American film avant-garde, 1919-1945 / Jan-Christopher Horak
- Notes on the new American cinema / Jonas Mekas
- The woman filmmaker in the New York avant-garde / Lauren Rabinovitz
- Women in the avant-garde: Germaine Dulac, Maya Deren, Agnès Varda, Chantal Akerman, and Trinh T. Minh-ha / Agnès Varda
The Avant-garde Film: A Reader of Theory and Criticism

Sitney P.A, Eisenstein S, Richter H, Epstein J, Dulac G, Artaud A, Cornell J, Deren M, Peterson S, Broughton J et al.. 1978. The Avant-garde Film: A Reader of Theory and Criticism. Anthology film archives. :295pp.
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