Etiquetas: Michael Snow

Contenido etiquetado

  • Aula Xcèntric: Cineastas de vanguardia. Una aproximación a 10 autores esenciales

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    My Name is Oona (Gunvor Nelson, 1969)

    Este curso propone una aproximación al territorio relativamente desconocido pero enormemente estimulante e inspirador del llamado cine de vanguardia o experimental. Partiendo de la profundización en la obra de un conjunto de cineastas esenciales, representativos de diferentes corrientes dentro de este ámbito (cine lírico, estructural, documental, de animación, found footage, en primera persona, feminista...), el objetivo es exponer varias maneras de abordar la creación fílmica y confirmar un mapa de autores y obras a partir de sus afinidades y divergencias

    Fechas: 

    De Martes, Noviembre 6, 2018 - 18:30 hasta Miércoles, Noviembre 7, 2018 - 19:55
    De Martes, Noviembre 13, 2018 - 18:30 hasta Miércoles, Noviembre 14, 2018 - 19:55
    De Martes, Noviembre 20, 2018 - 18:30 hasta Miércoles, Noviembre 21, 2018 - 19:55
    De Martes, Noviembre 27, 2018 - 18:30 hasta Miércoles, Noviembre 28, 2018 - 19:55
    De Martes, Diciembre 4, 2018 - 18:30 hasta Miércoles, Diciembre 5, 2018 - 19:55
    De Martes, Diciembre 11, 2018 - 18:30 hasta Miércoles, Diciembre 12, 2018 - 19:55
    De Martes, Diciembre 18, 2018 - 18:30 hasta Miércoles, Diciembre 19, 2018 - 19:55

    Local: 

    Centre de Cultura Contemporània de Barcelona - Barcelona, España

  • Xcèntric Cinema: Conversaciones sobre el proceso creativo y la visión fílmica

    Valoración: 

    Promedio: 3 (4 votos)

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  • Codes for North: Foundations of the Canadian Avant-Garde Film

    Codes for North is a study of the early evolution of the Canadian avant-garde film and its roots in an aesthetic of difficulty. Stephen Broomer traces the evolution of this cinema through the work of three artists—Jack Chambers, Michael Snow and Joyce Wieland—from their early development as painters in the 1950s to the creation of their epic films: Reason Over Passion (1969), The Hart of London (1970), and La Region Centrale (1971). Their work formed in response to a strain of Neo-Dada that took root in southern Ontario in the late 1950s.

    Valoración: 

    Promedio: 3 (2 votos)

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    Editor: 

  • Movement as Meaning in Experimental Cinema

    Movement as Meaning in Experimental Cinema offers sweeping and cogent arguments as to why analytic philosophers should take experimental cinema seriously as a medium for illuminating mechanisms of meaning in language. Using the analogy of the movie projector, Barnett deconstructs all communication acts into functions of interval, repetition and context. He describes how Wittgenstein's concepts of family resemblance and language games provide a dynamic perspective on the analysis of acts of reference.

    Valoración: 

    Promedio: 4.1 (22 votos)

    Categoría: 

    Editor: 

  • DIM Cinema: Eye on the Landscape

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    In Michael Snow’s tenth film, made in the twilight of the American lunar missions, the camera, attached to a robotic arm, casts its roving 360-degree eye across a remote, seemingly otherworldly mountaintop in northern Quebec. To a soundtrack based on the waves and pulses of the camera-activating machine, La Région centrale “transports its audience to a rugged Canadian landscape that is discovered at noon and then explored in seventeen episodes of dizzying motion as the machine’s shadow lengthens, night falls, and light returns” (Martha Langford, Art Canada Institute). Snow’s film is preceded by Daïchi Saïto’s kaleidoscopic exploration of the patterns and contrasts in the landscape of a Montreal park.

    Fechas: 

    De Miércoles, Julio 26, 2017 - 19:00 hasta Jueves, Julio 27, 2017 - 18:55

    Local: 

    DIM Cinema - Vancouver, Canadá

  • DIM Cinema: Almost Empty Rooms

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    DIM Cinema presents a free screening pairing two canonical works of Canadian experimental film: Michael Snow’s single-take across a New York loft, perhaps “the most consequential zoom shot in the history of cinema” (Jonathan Rosenbaum, Monthly Film Bulletin), and Alberta-born, B.C.-based filmmaker Ellie Epp’s 12-shot study of a soon-to-be-demolished public bath in London, which “maps another way out of structural film toward a cinema of delicate implication” (Bart Testa, Canadian Encyclopedia).

    Fechas: 

    Miércoles, Junio 28, 2017 - 19:30

    Local: 

    DIM Cinema - Vancouver, Canadá

  • On the Eve of the Future. Selected Writings on Film

    On the Eve of the Future. Selected Writings on Film

    The celebrated critic and film scholar Annette Michelson saw the avant-garde filmmakers of the 1950s and 1960s as radically redefining and extending the Modernist tradition of painting and sculpture, and in essays that were as engaging as they were influential and as lucid as they were learned, she set out to demonstrate the importance of the underappreciated medium of film. On the Eve of the Future collects more than thirty years’ worth of those essays, focusing on her most relevant engagements with avant-garde production in experimental cinema, particularly with

    Valoración: 

    Promedio: 4.1 (12 votos)

    Categoría: 

    Editor: 

  • Abstraction in Avant-garde Films

    Turim MCheryn.  1985.  Abstraction in Avant-garde Films. Studies in Cinema. 32:165pp.
    • Tracing the rupture of the avant-garde
    • Beyond reading: image, imagination, aesthetic economies at play
    • Sound: beyond distinctions between music, noise and speech, a new process a new ordering
    • Gradual transformations and subtle changes
    • Visual dynamics, referential tensions and conceptual film
    • Flickering light, pulsing traces
    • Scanning landscapes and collapsing architectures: shattering the grounding of the subject/eye

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call for entries Cineinfinito DVD releases Phil Solomon festival Kenneth Anger CCCB Albert Alcoz videoart Crater Lab Nathaniel Dorsky Pablo Mazzolo interview Robert Beavers LAV screening Xcèntric experimental film (S8) Mostra de Cine Periférico Barbara Hammer Blitz Sessions Pablo Marín Jonas Mekas Stan Brakhage
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