Etiquetas: Norman McLaren

Contenido etiquetado

MuMaBox: Microfilms

By Marcos Ortega on Mar, 30/09/2025 - 04:51

In the context of the festival Pour Les Oiseaux

These microfilms have nothing to do with the size of the images, but with the recurring "character" of this series: the microphone. An essential instrument for capturing sound, we never see it (unless we're mistaken): it's outside the image, confined to the off-screen.
Fechas:
Miércoles, Octubre 1, 2025 - 18:00
Local:
Musée d'art moderne André Malraux - Le Havre, Francia
Xcèntric: Derivas geométricas

By Marcos Ortega on Vie, 25/11/2016 - 06:20

Un programa de proyecciones en paralelo a la exposición “La máquina de pensar. Ramon Llull y el «ars combinatoria»”

Antes de que los artistas trabajasen con ordenadores, una serie de pintores de vanguardia, como Oskar Fischinger, Harry Smith y Jordan Belson, crearon un cine no narrativo que tenía en cuenta la geometría, las posibilidades de combinaciones matemáticas y también la espiritualidad. Tras estos visionarios, otros artistas como John Whitney abrazaron el nuevo medio de la imagen sintética para seguir indagando en la animación abstracta. Muchos otros autores y autoras han seguido su estela hasta nuestros días.

Fechas:
De Jueves, Diciembre 1, 2016 - 20:00 hasta Viernes, Diciembre 2, 2016 - 19:55
Local:
Centre de Cultura Contemporània de Barcelona - Barcelona, España
Zelluloid: Film ohne Kamera = cameraless film

Schlicht E, Hollein M. 2010. Zelluloid: Film ohne Kamera = cameraless film. :190pp.
Feux d'artifices: 30 años de Paris Expérimental

By Marcos Ortega on Lun, 23/11/2015 - 03:59

La editorial Paris Expérimental—creada en 1985— se ha convertido en un peculiar lugar de encuentro entre el cine experimental y su historia. Esta casa editorial, con unas cincuenta publicaciones y eventos de referencia, ha contribuido en Francia al conocimiento y reconocimiento de formas cinematográficas experimentales, a menudo marginalizadas.
Fechas:
De Miércoles, Noviembre 25, 2015 - 14:00 hasta Jueves, Noviembre 26, 2015 - 20:55
Local:
Centre Pompidou - Paris, Francia
Avanti Screening II: Parallel lines

By Marcos Ortega on Vie, 06/03/2015 - 03:34

Avanti Film Discourse is happy to invite you to its second screening, featuring a fine selection of classical experimental films, as well as contemporary works. The topic of this edition: parallel lines.

Parallels never meet, they go alongside without direct interchange. Nevertheless, there is visibility, observation of each other, which, one can argue, is enough to produce an influence, even change. Like the parallel montage technique, two story lines, which don't interfere, build a new meaning through their alignment. So this topic is a lot about indirect influence and power.

Fechas:
Martes, Marzo 10, 2015 - 19:30
Local:
Ehemaliges Stummfilmkino Delphi - Berlin, Alemania
LUX Salon: Jean-Paul Kelly

By Marcos Ortega on Lun, 02/03/2015 - 16:49

Whether working with video, photographs or drawings, the work of Toronto-based artist Jean-Paul Kelly (b. 1977) explores the relationship between “materiality and perception”. Kelly poses questions about the limits of representation by examining complex associations between found photographs, videos, and sounds from documentaries, photojournalism, and online media streams.

At LUX, Kelly will present his most recent works The Innocents (2014, UK premiere), Movement in Squares (2013) and Figure-ground (2013), which will be screened in dialogue with a selection of films and videos from the LUX collection by artists such as Norman McLaren, Lewis Klahr, Steve Reinke and James Richards. The screening will be followed by a conversation between Kelly and Erika Balsom.

Fechas:
De Martes, Marzo 10, 2015 - 19:00 hasta Miércoles, Marzo 11, 2015 - 18:55
Local:
LUX - London, Reino Unido
Unseen Cinema - Early American Avant Garde Film 1894-1941
Unseen Cinema: Early American Avant-Garde Film 1893-1941 premieres a comprehensive 20-program retrospective of the pre-Maya Deren inspired avant-garde film movement in America. Over 160 films in newly preserved and restored 35mm and 16mm film prints survey the hitherto unknown accomplishments of pioneer filmmakers working in the United States and abroad during the formative period of American film. The series postulates an innovative and often controversial view of experimental cinema as a product of avant-garde artists, of Hollywood directors, and of amateur movie-makers working collectively and as individuals at all levels of film production during the last decade of the 19th century and the first half of the 20th century.

Valoración:

Promedio: 3.7 (11 votos)
Categoría:
DVD
Editor:
Image Entertainment