Etiquetas: Paul Sharits

Paul Sharits

Paul Jeffrey Sharits (7 de Febrero de 1943, Denver, Colorado - 8 de Julio de 1993, Buffalo, Nueva York)

Nacionalidad:

Estados Unidos

Contenido etiquetado

Structural Film Anthology

Gidal P, Le Grice M, Snow M, Frampton H, Dunford M, Sharits P, Mekas J, Hein B, Eatherley G, Landow G et al.. 1976. Structural Film Anthology. :144pp.
Turbidus Film #13: Gardens and landscapes

By Marcos Ortega on Mar, 03/05/2016 - 10:45

Fylkingen and Turbidus Film present a film programme focused on gardens, structural landscapes and field studies. In micro narrative of almost non-action, re-structuring cinematic forms, archetypal routines, off-screen presence, image in the images, this program provides the violence of the Atlantic Ocean hitting the coast, Brancusi's scuplture garden at Tirgu Jiu, the beach of Palud, the fields in Bourgogne and a garden in blossom from a dead mother's house.

Fechas:
De Viernes, Mayo 13, 2016 - 19:00 hasta Sábado, Mayo 14, 2016 - 18:55
Local:
Fylkingen - Stockholm, Suecia
Paul Sharits. Katalog und Werkverzeichnis 1965 - 1992: Fridericianum, Kassel
With a large-format image section and a detailed text section with essays by theorists, artists and companions, this catalog covers everything from Paul Sharits' early structural films through his unique film spaces, graphic works, up to little-known scenic late work. On the basis of many previously unseen works and new research, this catalog approaches an overall impression of this through abstraction and corporeality artistic creation.
Valoración:

Promedio: 4.2 (5 votos)
Categoría:
Libros
Editor:
Verlag der Buchhandlung Walther König
Feux d'artifices: 30 años de Paris Expérimental

By Marcos Ortega on Lun, 23/11/2015 - 03:59

La editorial Paris Expérimental—creada en 1985— se ha convertido en un peculiar lugar de encuentro entre el cine experimental y su historia. Esta casa editorial, con unas cincuenta publicaciones y eventos de referencia, ha contribuido en Francia al conocimiento y reconocimiento de formas cinematográficas experimentales, a menudo marginalizadas.
Fechas:
De Miércoles, Noviembre 25, 2015 - 14:00 hasta Jueves, Noviembre 26, 2015 - 20:55
Local:
Centre Pompidou - Paris, Francia
Projection Instructions: An Evening of Expanded Cinema

By Marcos Ortega on Mié, 24/06/2015 - 17:05

Microscope presents with the Filmmakers’ Cooperative "Projection Instructions: An Evening of Expanded Cinema" curated by Josh Guilford and featuring works by Paul Sharits and contemporary artists Malcolm Le Grice, Rose Lowder, Jennifer Reeves and Guy Sherwin.
Fechas:
Sábado, Junio 27, 2015 - 19:30
Local:
Microscope Gallery - Nueva York, Estados Unidos
The Dream that Kicks: Film Doubled Forever Changes

By Marcos Ortega on Lun, 13/04/2015 - 10:11

Projectors invade the auditorium to reveal seven amazing double screen works – three seminal classics and four from the British new analogue wave. Interaction, juxtaposition, synchronization and repetition drive these films. The action here is not just happening on the filmstrips – it also belongs in the moment of projecting.

Fechas:
De Domingo, Abril 19, 2015 - 20:00 hasta Lunes, Abril 20, 2015 - 19:55
Local:
Cinemateket - Norsk filminstitutt - Oslo, Noruega
Early Monthly Segments #71: Takashi Ito + Rose Lowder + Paul Sharits

By Marcos Ortega on Sáb, 07/03/2015 - 07:24

To celebrate our sixth anniversary we’ve assembled an evening of determined visual magic, radical geometry and single frame exaltation. Takashi Ito’s sublime Spacy uses the Droste effect (or mise-en-abyme), to turn 700 photographs of a gymnasium into a glorious ten-minute kinetic voyage. Paul Sharits’s seminal Ray Gun Virus is a colour field flicker film that offers a visceral palette of sensory pleasures. Rose Lowder’s Scenes de la vie francaise: La Ciotat is from her four-part series “Scenes de la vie francaise” which references the Lumieres and shows two versions of the same scene, shot frame by frame acutely examining the impact of scale, duration and time. La Ciotat features animated landscapes of the port, dry docks, shipyard workers, launched tankers, fishermen and the beach, showing us contrasting views of the Cote d’Azur port city with graceful perception.

Fechas:
De Lunes, Marzo 16, 2015 - 20:00 hasta Martes, Marzo 17, 2015 - 19:55
Local:
Gladstone Hotel - Toronto, Canadá
KABANE77 Acte VII: Flesh Cinema

By Marcos Ortega on Mar, 24/06/2014 - 16:07

KABANE77 is putting the reel back in motion this summer and is proposing a new series of outdoor events. Dedicated to independent and experimental filmmaking, KABANE77 is inviting you under the trees for ACTE VII.
16mm film projection outdoor screening

- Wedlock House: An Intercourse (Stan Brakhage, 1959, 11 minutes)
- Fuses (Carolee Schneemann, 1964-1967, 23 minutes)
- Christmas on Earth (Barbara Rubin, 1963, 30 minutes)
- T,O,U,C,H,I,N,G (Paul Sharits, 1968, 12 minutes)

On the occasion of the book launch of Ara Osterweil, "Flesh Cinema: The Corporeal Turn in Avant-Garde Film" (Manchester Univ. Press, 2014)

Fechas:
Domingo, Junio 29, 2014 - 21:30
Local:
KABANE77 - Montréal, Canadá
Flesh Cinema: The Corporeal Turn in American Avant-Garde Film
Flesh Cinema: The Corporeal Turn in American Avant-Garde Film explores the groundbreaking representation of the body in experimental films of the 1960s and 1970s. Focusing on sexually explicit films by Andy Warhol, Barbara Rubin, Stan Brakhage, Carolee Schneemann, Yoko Ono and Paul Sharits, this book demonstrates how experimental cinema not only transformed American visual culture, but also the lives of those who created it. By situating these films in relation to the civil rights and sexual liberation movements, Flesh Cinema investigates how social politics continue to inform their meaning.

Valoración:

Promedio: 3.6 (5 votos)
Categoría:
Libros
Editor:
Manchester University Press
Xcèntric: Paul Sharits y Carl E. Brown. Descargas escópicas

By Marcos Ortega on Mar, 11/02/2014 - 11:13

Paul Sharits desarrolló un cine materialista y estroboscópico, basado en la técnica del parpadeo entre imágenes y colores, que niega la ilusión fílmica y enfatiza la percepción subjetiva del espectador. Carl E. Brown, por otro lado, ha explorado la naturaleza expresiva del material cinematográfico reinventando los procedimientos y sus herramientas. Esta sesión reúne dos de sus películas que tratan la experiencia de diversos individuos con trastornos mentales frente a las terapias de electrochoque a las que han sido sometidos. Alternando fotogramas monocromos e imágenes de pacientes con ataques epilépticos, extraídas de un estudio médico sobre la actividad de las ondas cerebrales durante las convulsiones, Paul Sharits, en Epileptic Seizure Comparison, lleva al espectador a experimentar la descarga eléctrica de estos trastornos. Inspirado en el libro The Myth of Mental Illness del psiquiatra Thomas Szasz, Carl E. Brown yuxtapone en Full Moon Darkness visiones expresionistas con la acusación de Szasz a su profesión de abuso de poder y entrevistas a varios pacientes que «sobrevivieron» a su tratamiento.

Programa:
- Epileptic Seizure Comparison (Paul Sharits, 1976, 30 min)
- Full Moon Darkness (Carl E. Brown, 1985, 90 min)

Fechas:
De Jueves, Marzo 6, 2014 - 20:00 hasta Viernes, Marzo 7, 2014 - 19:55
Local:
Centre de Cultura Contemporània de Barcelona - Barcelona, España