Etiquetas: Scott MacDonald

Contenido etiquetado

  • Found Footage Magazine 10th Anniversary

    By on

    Table of Contents

    Found Footage Is Not a Used Car, by Bill Nichols

    Found footage films speak to me afresh, offering unexpected perspectives and new insights, often by using the most pedestrian or trivial of found footage material within which much more meaning resides than meets the eye.

    An honor to have on board one of the most revered theorist as our guest author.

    Categoría: 

  • Found Footage Magazine issue #7

    By on

    Found Footage Magazine issue #7: Special on Christoph Girardet & Matthias Müller

    Their approaches to found footage, at once likeminded and singular, have served Christoph Girardet and Matthias Müller well since 1999, during which time the two of them have collaborated on nearly thirty films and photographic works. Varied metaphors and modes of inquiry have been used to analyze their oeuvre: to some, Girardet and Müller provide a “suggestive continuum,” exposing the patterns of light and darkness, absence and presence, by which cinema operates; to others, the filmmakers dissect the body of film history and of the cinematic apparatus, suggesting the moving image as a corporeal grouping of skin, guts, brains, and bones to pick apart.

    Categoría: 

  • The Sublimity of Document: Cinema as Diorama

    The Sublimity of Document: Cinema as Diorama is a collection of in-depth, substantive interviews with moving-image artists working "avant-doc, that is, making films that explore the territory between documentary and experimental cinema.

    Valoración: 

    Promedio: 3 (2 votos)

    Categoría: 

    Editor: 

  • The Flaherty: Decades in the Cause of Independent Cinema

    This is the inspiring story of The Flaherty, one of the oldest continuously running nonprofit media arts institutions in the world, which has shaped the development of independent film, video, and emerging forms in the United States over the past 60 years. Combining the words of legendary independent filmmakers with a detailed history of The Flaherty, Patricia R. Zimmermann and Scott MacDonald showcase its history and legacy, amply demonstrating how the relationships created at the annual Flaherty seminar have been instrumental in transforming American media history.

    Valoración: 

    Promedio: 3 (1 voto)

    Categoría: 

    Editor: 

  • Close-Up Cinema: George Kuchar-Weather Diaries + Greetings from Boulder

    By on
    George Kuchar & Bocko

    We're thrilled to present a rare screening of the visual diaries of the renowned American independent filmmaker George Kuchar, bringing together his series of films known as the Weather Diaries for the first time in the UK. Greetings from Boulder, an earlier tape from one of Kuchar’s reflective vacations in Colorado, will also be screened alongside the Diaries. The programme will be introduced via Skype by Professor Scott MacDonald, one of the leading academics in the field of experimental film.

    Fechas: 

    Sábado, Febrero 18, 2017 - 14:30

    Local: 

    Close-Up Cinema - London, Reino Unido

  • Gustav Deutsch: Not Home. Picturing the Foreign Films 1990-2015

    Over the past half-century, two tendencies have dominated independent, artisanal filmmaking. One of these is the fascination with the material artifacts of cinema´s history: it is often called »found-footage filmmaking« and sometimes »recycled cinema«. Filmmakers working in this vein are often archeologists of cinema, aesthetically and/or ideologically engaging with the work of earlier generations of filmmakers of all kinds.

    Valoración: 

    Promedio: 3.4 (15 votos)

    Categoría: 

    Editor: 

  • Carolee Schneemann: Unforgivable

    The most thorough visual overview of the work of groundbreaking and celebrated feminist artist Carolee Schneemann. Her prestigious career spans seven decades and encompasses the diverse artistic media of painting, sculpture, performance, film and video.

    Valoración: 

    Promedio: 3.8 (5 votos)

    Categoría: 

    Editor: 

  • John Porter's CineScenes: Documentary Portraits of Alternative Film Scenes, Toronto and Beyond, 1978-2015

    John Porter’s CineScenes is the first volume to spotlight Toronto native John Porter’s legendary photographs of alternative film culture – its “celebrities,” places, and rituals – taken across a span of nearly 40 years. This soft-cover, 144-page book features over 200 beautifully reproduced b&w and colour photos by Porter, and includes essays by Scott MacDonald, Nicole Gingras, Dot Tuer, and Tess Takahashi.

    Valoración: 

    Sin votos (todavía)

    Categoría: 

    Editor: 

  • Binghamton Babylon: Voices from the Cinema Department, 1967-1977

    In Binghamton Babylon, Scott M. MacDonald documents one of the crucial moments in the history of cinema studies: the emergence of a cinema department at what was then the State University of New York at Binghamton (now Binghamton University) between 1967 and 1977. The department brought together a group of faculty and students who not only produced a remarkable body of films and videos but went on to invigorate the American media scene for the next half-century.

    Valoración: 

    Promedio: 3 (2 votos)

    Categoría: 

    Editor: 

Páginas

Tag cloud

experimental film festival DVD Crater Lab interview (S8) Mostra de Cine Periférico screening Pablo Marín Phil Solomon Nathaniel Dorsky Cineinfinito releases Pablo Mazzolo videoart CCCB Jonas Mekas Stan Brakhage Xcèntric Robert Beavers Blitz Sessions Barbara Hammer call for entries LAV Kenneth Anger Screening LAV
Más

Al azar