Index and Film i Samtidskonsten present a joint series of four evenings of experimental films at Index' gallery. The programs have been developed as an extension of the most recent issue of the cultural magazine OEI #69-70: On film, published in autumn 2015, with 496 pages about significant practices of the Swedish experimental film scene. The events are organized as part of the decentral festival Kortfilmsdagen on December 21, supported by the Swedish Film Institute.

Curated by Martin Grennberger and Daniel A. Swarthnas, the program shows a selection of important Swedish experimental films, contextualized by works of international film practitioners. Several of the films are being shown for the first time in Sweden.

Just two days more until the beginning of the 2015 Courtisane Festival (April 1-5, Ghent, Belgium). Now in its fourteenth year, the festival keeps a solid programme as ever with their 'Artists in focus' section, dedicated to Thom Andersen and Pedro Costa. Each filmmaker will be the protagonist of a series of different events including screenings of their work, masterclasses and carte blanches. 

The festival will also present a selection of over 50 films from the L.A. Rebellion movement, including works by Charles Burnett, Haile Gerima, Larry Clark and Billy Woodberry. The Selection strand will feature films and videos by Basma Alsharif, Mary Helena Clark, Beatrice Gibson, Ernie Gehr, Morgan Fisher, Ute Aurand and Luke Fowler, among many others. 

A central figure in the Berlin experimental film scene since the 1980s, Ute Aurand is one the most vital filmmakers active in the diary and portrait tradition today. For Aurand, who works in 16mm just like her precursors Jonas Mekas, Margaret Tait and Marie Menken, “the diaristic form develops out of an inner dialogue with my surroundings, a silent visual conversation. The source of inspiration is daily life, the fountain which never stops and offers itself to everyone. It is a great joy and challenge to transform my inner dialogue into film.”