Ute Aurand nació en 1957 en Frankfurt/Main, y creció en Berlín. Es profesora y comisaria, y una dedidada cineasta en 16mm desde 1980. Estudió cine en la Deutsche Film und Fernsehakademie Berlin (dffb) durante los años 1979-1985. Comenzó a realizar sus propias películas en 1985. En 1987 fundó su compañía "Ute Aurand Filmproduktion".
The 2018 edition of Courtisane Festival (March 28th-April 1st Ghent. Belgium) will fature two prominent figures such as documentary filmmakers Wang Bing and Annik Leroy as its artists in focus. As in previous editions, Leroy's programme will present her work in play with work by other filmmakers (Barbara Loden & Artavazd Pelechian).
Fechas:
De Miércoles, Marzo 28, 2018 (Todo el día) hasta Domingo, Abril 1, 2018 (Todo el día)
Every year or two Ute Aurand and Peter Todd meet up to continue a filmic conversation. OPEN DOORS is their third program curated together. A film by the Scottish filmmaker Margaret Tait is often shown as a reference to how Aurand and Todd's joint interest in her work fIrst brought them together. In OPEN DOORS they have selected films in which the filmmakers' observations and feelings become visible beyond obvious narratives.
Fechas:
De Domingo, Julio 23, 2017 - 20:00 hasta Lunes, Julio 24, 2017 - 19:55
La edición de 2017 del Festival Courtisane (29 de marzo al 2 de abril en Gante, Bélgica) tendrá como 'Artists in focus' a dos figuras tan diferentes como esenciales del cine alemán: las del documentalista Peter Nestler y la cineasta experimental Ute Aurand.
Fechas:
De Miércoles, Marzo 29, 2017 (Todo el día) hasta Domingo, Abril 2, 2017 (Todo el día)
This international program brings together archival prints of forgotten films never shown in New York before and new countercurrent voices. Avant-garde artists Don Levy, Philippe Cote, and Ute Aurand share the screen with a new generation of makers whose works explore and embody exemplary fights for different forms of freedom. “On Resistance” includes a World premiere, five North American, two U.S., and four New York premieres, from fifteen different countries.
Light Movement presents in collaboration with Arsenal Berlin: Vincent Grenier curated by Ute Aurand and James Edmonds
This month we are very lucky to be able to offer you this incredible double program from Vincent Grenier, who will be present at the Arsenal and visits us as part of a tour of Europe. Grenier originates from Quebec City in Canada, but has spent much of his time living in New York, as well as being highly active in the Montreal Art scene of the 70's and 80's. Since the 70's he has made experimental films, creating a body of distinct work on 16mm, before branching out into HD cinema at the end of the 90's, furthering his facination with uncertain spaces, unexpected shifts in filmic constructions and "visual movements comprised of both experiential and physical interactions with the image and philosophical queries into the nature of representation." (VG)
Light Movement 11 brings together a selection of filmmakers, most of whom have had screenings in the series over 2015. This is a great chance to see a selection of films which convey the general dirrection of the series so far, all shown in their original formats. We also welcome several of these filmmakers to the screening in person.
Plus some music in the bar from DJ mfx (reboot fm)
Index and Film i Samtidskonsten present a joint series of four evenings of experimental films at Index' gallery. The programs have been developed as an extension of the most recent issue of the cultural magazine OEI #69-70: On film, published in autumn 2015, with 496 pages about significant practices of the Swedish experimental film scene. The events are organized as part of the decentral festival Kortfilmsdagen on December 21, supported by the Swedish Film Institute.
Curated by Martin Grennberger and Daniel A. Swarthnas, the program shows a selection of important Swedish experimental films, contextualized by works of international film practitioners. Several of the films are being shown for the first time in Sweden.
The filmmakers Robert Beavers (b. 1949) and Ute Aurand (b. 1957) are internationally known for their evocative portraits of people and places: Beavers has been making films since 1966 and retrospectives of his work have been organized for the Whitney Museum and the Tate Modern, among others. Aurand’s work explores space and human relations through astute, small gestures and purposeful sound. Her films, sometimes likened to the film diaries of Marie Menken and Jonas Mekas, have recently been featured at Tate Modern and the Harvard Film Archive.
Ute Aurand’s trilogy of films Toying with String I-III (Fadenspiele I-III) was made in a spirit of artistic spontaneity and improvisation with her sister, the painter Detel Aurand, between 1999 and 2013. Filmed inside the artist’s studio and outdoors in forests, fields, and mountains, they feature various natural and manmade materials invisibly manipulated to create images in a constant state of metamorphosis. This aspect of the sisters’ films serves as a bridge to the work of Vancouver artists Julia Feyrer and Tamara Henderson, who will show a selection of films from their collaborative and separate practices.
