Etiquetas: William Raban

Contenido etiquetado

  • 7a (S8) Mostra de Cinema Periférico: Los Nuevos Impresionistas

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    (S8) Mostra de Cinema Periférico celebra su séptima edición del 1 al 5 de junio en A Coruña, reuniendo un año más a destacados nombres del cine experimental y de vanguardia. En esta ocasión el festival celebrará una edición especial bajo el nombre “Los nuevos impresionistas”. En torno a este tema central, se podrán ver los trabajos en 16mm del canadiense Stephen Broomer, en los que recurre a rápidos barridos, colisiones y movimientos que retan al ojo, y que hacen imaginar al cineasta manejando la cámara como si ejecutara un cuadro de luz con las maneras del action painting. 

    Fechas: 

    De Miércoles, Junio 1, 2016 (Todo el día) hasta Domingo, Junio 5, 2016 (Todo el día)

  • SHOOT SHOOT SHOOT: Film Screenings celebrating the London Film-Makers’ Co-operative

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    At The Academy (Guy Sherwin, 1974)

    An afternoon of screenings celebrating the first decade of LUX’s predecessor, the London Film-Makers’ Co-operative (1966–76). The LFMC was founded in October 1966 as a non-commercial distributor of avant-garde cinema. In contrast to similar groups that emerged around the world, it grew to incorporate a distribution service, cinema space and film laboratory. Within this unique facility, filmmakers were able to control every aspect of the creative process.

    Fechas: 

    De Domingo, Abril 10, 2016 - 15:00 hasta Lunes, Abril 11, 2016 - 14:55

    Local: 

    Borlase-Smart Studio - St Ives, Reino Unido

  • William Raban - 72-82

    The first ten years of the groundbreaking London arts organisation ACME are explored through rarely seen archival film and new interviews.

    ‘Raban's bold new film continues his ongoing examination of London's stratified social geography by exploring a fertile, creative scene in which he played a significant part. Solely using archival visual materials, he revisits the first ten years of art organisation ACME, highlighting its work in housing artists in the East End and the extraordinary work that was produced. The powerful archival footage incorporates Stephen Cripps' pyrotechnic displays, an abrasive Anne Bean music performance and Stuart Brisley's politically charged action 'Ten Days'. Interviewees include: Cosey Fanni Tutti, Jock McFadyen and David Critchley. Raban reflects on the nature of 'evidence' while a very particular vision of creative activity emerges - one based on devoted experimentation, location specificity and process.’ (William Fowler, London Film Festival)

    Valoración: 

    Promedio: 2 (2 votos)

    Categoría: 

    Editor: 

  • The Dream that Kicks: Film Doubled Forever Changes

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    Projectors invade the auditorium to reveal seven amazing double screen works – three seminal classics and four from the British new analogue wave. Interaction, juxtaposition, synchronization and repetition drive these films. The action here is not just happening on the filmstrips – it also belongs in the moment of projecting.

    Fechas: 

    De Domingo, Abril 19, 2015 - 20:00 hasta Lunes, Abril 20, 2015 - 19:55

    Local: 

    Cinemateket - Norsk filminstitutt - Oslo, Noruega

  • Landscape and technology: Films of Chris Welsby

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    Double Negative presents
    Landscape and technology: Films of Chris Welsby
    Saturday, March 30 2013, 21h
    Sunday, March 31 2013, 19h (repeat screening)
    Cinémathèque québécoise
    335, De Maisonneuve Blvd East
    Montréal, Québec, H2X 1K1

    Artist in attendance

    Vancouver-based media artist Chris Welsby emerged in 1970s as a major figure in the experimental cinema scene in the UK where he was associated with the London Filmmakers’ Co-op. Welsby developed a unique process of filmmaking in which the interaction between cinematic apparatus and various forces of nature became an important determinant of the shape of his films.

    This program surveys Welsby’s outstanding achievements in landscape film during this period, including much-acclaimed Seven Days and River Yar, which was co-made with William Raban, one of the foremost proponents of British expanded cinema. Welsby makes his first appearance in Montreal with this retrospective.

    For more info: www.cinematheque.qc.ca/en/programmation/projections/cycle/double-negative-chris-welsby

    Categoría: 

  • Sonic Acts: The Dark Universe

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    Sonic Acts 2013Sonic Acts: The Dark Universe
    February 21-24, Amsterdam

    The 2013 edition of Sonic Acts, the festival that explores the 'developments at the intersection of art, music and science', begins tomorrow (February 21-24) in Amsterdam. Titled The Dark Universe, this fifteenth edition comes filled with music and expanded cinema performances, including Makino Takashi's latest [2012]3D, William Raban's 1977 performance Wave Formations or Rose Kallal's 16mm abstract work Apeiron. Several screenings and installations include showings of works by Bruce Conner, Peter Tscherkassky, Aldo Tambellini, Joost Rekveld, Jürgen Reble and Nenad Popov & Klara Ravat, among others.

    For further details, you can browse the full programme in the Sonic Acts website.

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  • Environmental Agency: A Landscape Film Programme

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    Water Wrackets (Peter Greenaway, 1975)Environmental Agency: A Landscape Film Programme
    Tuesday March 5 2013, 18:20h
    BFI Southbank
    Belvedere Road, South Bank, London SE1 8XT

    The awe-inspiring power of nature and its associated weather systems as explored across a range of groundbreaking works by renowned artist filmmakers. Subtle shifts in natural light, delicate tidal movements and the terraforming power of seasonal change determine the shape and structure of several of the films here. Others reflect with great beauty on the impact that nature has on our lives as an alchemical, elemental force. A timely programme for today’s changing world.

    Breath (1975. William Raban. 16min); Colour Separation (1976. Chris Welsby. 2min); Colours of This Time (1972. William Raban. 4min); Water Wrackets (1975. Peter Greenaway. 12min); Three Short Landscape Films (1979. Renny Croft. 6min); Walk (1975. Jenny Okun. 5min); Bridge (1980. John Woodman. 4min); Aerial (1974. Margaret Tait. 4min); Aspect (2004. Emily Richardson. 9min); Proximity (2006. Inger Lise Hansen. 4min)

    Introduced by artist John Woodman and BFI National Archive curator William Fowler.

    The programme will be followed by a launch in the BFI Shop of two new LUX titles on DVD: Trilogy (Inger Lise Hansen) and Landscape Films 1977-1982 (John Woodman).

    Categoría: 

  • William Raban - British Artists' Films

    This new series begins with William Raban, a leading figure in his field, whose work ranges from multi-screen gallery pieces to perfectly crafted short films. His particular interests - the City of London and the British landscape - are in the tradition oThis new series begins with William Raban, a leading figure in his field, whose work ranges from multi-screen gallery pieces to perfectly crafted short films. His particular interests - the City of London and the British landscape - are in the tradition of the romantic landscape painters.

    Valoración: 

    Promedio: 2.8 (4 votos)

    Categoría: 

    Editor: 

  • Tate Modern: To Be Is To Be Perceived

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    Island Race (William Raban, 1996)Tate Modern: To Be Is To Be Perceived
    17-26 September 2010
    Tate Modern Starr Auditorum
    Bankside, London, SE1 9TG, UK

    In conjunction with Tate Modern’s exhibition Exposed: voyeurism, surveillance and the camera (until 3 October 2010), this film programme explores ways in which artists have used the camera to draw attention to a society mediated by permanent observation. It looks at how the camera has been used as a weapon, as a tool to reveal moments of privacy, and as a means of creating cultural icons.

    Featuring the premiere of William Raban’s About now MMX, as well as work by Javier Aguirre, Peggy Ahwesh, Fikret Atay, Michel Auder, Samuel Beckett, Bureau of Inverse Technology, Jean Colom, Harun Farocki, Coco Fusco, William E Jones, Helen Levitt, Yoko Ono, Chris Petit, Nicolas Provost, Julia Scher and Andy Warhol.

    Curated by Cristina Camara and Stuart Comer.

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Chris Welsby Nicky Hamlyn Peter Gidal Malcolm Le Grice Guy Sherwin Paul Sharits

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