Etiquetas: Amos Vogel

Contenido etiquetado

  • “The gatekeepers exist to be overthrown.” - Amos Vogel, Repeats and Responses

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    The Dead Ones (Gregory Markopoulos, 1949)

    “The most important question – Where is the experimental film movement? – is the one which I wish someone could answer for me”, wrote Maya Deren in August 1946 to the filmmaker Frank Stauffacher who was preparing a program for the San Francisco Museum of Art called “Art in Cinema”. Deren, who was 29 at the time, was a reference because in 1943 she had already started showing the experimental films she made with Alexander Hammid to a select audience.

    Fechas: 

    De Jueves, Septiembre 23, 2021 (Todo el día) hasta Jueves, Septiembre 30, 2021 (Todo el día)

    Local: 

    Arsenal - Institute for Film and Video Art - Berlin, Alemania

  • El cine como arte subversivo

    Film as a Subversive Art, del curador y crítico de cine Amos Vogel. Originalmente publicada en 1974, se trata de una obra fundamental en la historia del cine, donde el autor lleva a cabo una revisión histórica del séptimo arte a la luz del concepto de subversión.

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    Promedio: 3.3 (3 votos)

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  • Film as a Subversive Art

    Vogel A.  1974.  Film as a Subversive Art. :336pp.
    • The film experience
    • The world view of subversive cinema
    • pt. 1. Weapons of subversion : the subversion of form.
      • The revolutionary film avant-garde in Soviet Russia
      • Aesthetic rebels and rebellious clowns. Expressionism: the cinema of unrest ; Surrealism: the cinema of shock ; Dada and Pop: anti-art? ; The comic tradition
      • The destruction of time and space
      • The destruction of plot and narrative
      • The assault on montage
      • The triumph and death of the moving camera. The camera moves ; Minimal cinema

  • A Critical Cinema 3: Interviews with Independent Filmmakers

    A Critical Cinema 3 continues Scott MacDonald's compilation of personal interviews and public discussions with major contributors to independent filmmaking and film awareness."A Critical Cinema 3 continues Scott MacDonald's compilation of personal interviews and public discussions with major contributors to independent filmmaking and film awareness. An informative exchange with Amos Vogel, whose Cinema 16 Society drew American filmgoers into a broader sense of film history, is followed by interviews reflecting a wide range of approaches to filmmaking.

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    Sin votos (todavía)

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