Real-time cartographic improvisations using projected, manipulated digital maps by Eric Theise, in collaboration with Ed Osborn’s real-time wrangling of live electronics and saturated field recordings. A visual wash of street grids, land masses, water bodies, and curiosities from built and natural environments. Resonant openings and switchbacks. Orphaned labels. Free-floating symbology. Difference tones and untethered drones. Saturated colors and the subtlest of tints. Jittery zooms, pans, and traversals. Noisy apertures and sonic fissures.

Real-time cartographic improvisations using projected, manipulated digital maps by Eric Theise, in collaboration with Adriana Camacho´s cosmic dance bass. A visual wash of street grids, land masses, water bodies, and curiosities from built and natural environments. Orphaned labels. Free-floating symbology. Space travel sounds. Saturated colors and the subtlest of tints. Jittery zooms, pans, and traversals. Glitches from crowdsourced data.

Real-time cartographic improvisations using projected, manipulated digital maps by Eric Theise, in collaboration with the ambient and noise soundscapes of vocalist Maria Del Carmen Camarena, bass player Eliud Ernandes, and guitarist Gustavo Larroyo. A visual wash of street grids, land masses, water bodies, and curiosities from built and natural environments. Auditory roundabouts and redirections. Orphaned labels. Free-floating symbology. Colors of jazz, Americana and Latin music. Jittery zooms, pans, and traversals.

Real-time cartographic improvisations using projected, manipulated digital maps by Eric Theise in collaboration with John Ingle, saxophone. A visual wash of street grids, land masses, water bodies, and curiosities from built and natural environments. Chromatic timbres and iridescent micro-tonalities. Orphaned labels and free-floating symbology. Auditory roundabouts and redirections. Saturated colors and the subtlest of tints. Sounds symphonic and screeching. Jittery zooms, pans, and traversals. Glitches in crowdsourced data.