Etiquetas: Harun Farocki

Contenido etiquetado

  • Actual/Virtual Realities: Harun Farocki’s Parallel & Related Visions

    By on
    Parallel

    In his groundbreaking four-part work Parallel (2012-14), Harun Farocki explores the realm of video game design, particularly in its conception and creation of virtual worlds.  With his characteristically probing, philosophical perspective, Farocki reveals and ponders the myriad ways in which these designed environments connect to or depart from our own individual and collective understanding of the actual world we inhabit.  Through Farocki’s lens, video game design, as a practice of digital cosmogony, reveals itself as both a tool of the imagination and, inevitably

    Fechas: 

    Domingo, Junio 26, 2022 - 19:30

    Local: 

    2220 Arts + Archives - Los Angeles, Estados Unidos

  • An Other Cinema: Apparatus and Histories

    By on
    I'm in Pittsburgh and It's Raining (Jesse McLean, 2015)

    From appropriation of dominant cinematic archives, to critical scrutiny of film techniques, the 12 modern and contemporary artists' works presented in this program exemplify an alternative and highly self-reflective form of cinema. Following Erika Balsom’s understanding of contemporary art as a potential “laboratory for film, a place in which its social, technological and aesthetic history can be picked over and recycled,” they reconsider what cinema is (or was) and what it can do. With an emphasis on the ideology behind the operation of filmic apparatus and the technological externalization of memory and time, the works in this program expose critical and aesthetic potentials of “an other cinema,” oscillating between white cube and black box.

    Fechas: 

    De Lunes, Septiembre 6, 2021 (Todo el día) hasta Lunes, Septiembre 20, 2021 (Todo el día)

  • Aula Xcèntric: Cineastas de vanguardia. Una aproximación a 10 autores esenciales

    By on
    My Name is Oona (Gunvor Nelson, 1969)

    Este curso propone una aproximación al territorio relativamente desconocido pero enormemente estimulante e inspirador del llamado cine de vanguardia o experimental. Partiendo de la profundización en la obra de un conjunto de cineastas esenciales, representativos de diferentes corrientes dentro de este ámbito (cine lírico, estructural, documental, de animación, found footage, en primera persona, feminista...), el objetivo es exponer varias maneras de abordar la creación fílmica y confirmar un mapa de autores y obras a partir de sus afinidades y divergencias

    Fechas: 

    De Martes, Noviembre 6, 2018 - 18:30 hasta Miércoles, Noviembre 7, 2018 - 19:55
    De Martes, Noviembre 13, 2018 - 18:30 hasta Miércoles, Noviembre 14, 2018 - 19:55
    De Martes, Noviembre 20, 2018 - 18:30 hasta Miércoles, Noviembre 21, 2018 - 19:55
    De Martes, Noviembre 27, 2018 - 18:30 hasta Miércoles, Noviembre 28, 2018 - 19:55
    De Martes, Diciembre 4, 2018 - 18:30 hasta Miércoles, Diciembre 5, 2018 - 19:55
    De Martes, Diciembre 11, 2018 - 18:30 hasta Miércoles, Diciembre 12, 2018 - 19:55
    De Martes, Diciembre 18, 2018 - 18:30 hasta Miércoles, Diciembre 19, 2018 - 19:55

    Local: 

    Centre de Cultura Contemporània de Barcelona - Barcelona, España

  • Cinemaniac > Think Film: The Museum of Found Footage

    By on

    65. Pula Film Festival
    Cinemaniac > Think Film 2018 - The Museum Of Found Footage

    Artists: Nika Autor, Eli Cortiñas, Harun Farocki, Željko Kipke, Jean Gabriel Periot, Damir Radić
    Curated by: Branka Benčić / Tanja Vrvilo

    Fechas: 

    De Lunes, Julio 16, 2018 (Todo el día) hasta Lunes, Julio 30, 2018 (Todo el día)

    Local: 

    MMC LUKA - Pula, Croacia

  • pic.london festival

    By on

    As part of their inaugural festival, pic.london presents a two-day film programme exploring the relationship between still and moving images. Beginning with film’s infancy at the end of the 19th Century – through the 1960s avant-garde – this programme investigates the ways in which artists and theorists have engaged the moving image to develop, challenge and critique photographic language.

    Fechas: 

    De Sábado, Octubre 28, 2017 (Todo el día) hasta Domingo, Octubre 29, 2017 (Todo el día)

    Local: 

    Close-Up Cinema - London, Reino Unido

  • VISIONS | 16.08.17 + 17.08.17 | CHRIS KENNEDY

    By on

    VISIONS | 16.08.17 + 17.08.17 | CHRIS KENNEDY [ + Harun Farocki + Kurt Kren]

    VISIONS, in collaboration with la lumière collective, presents:

    16.08.17 | ​THE WORLD VIEWED [A Selection of Works by Chris Kennedy]

    +

    17.08.17 | DIALOGUES WITH KREN AND FAROCKI [Programme by Chris Kennedy]

    Fechas: 

    De Miércoles, Agosto 16, 2017 - 20:00 hasta Jueves, Agosto 17, 2017 - 19:55
    De Jueves, Agosto 17, 2017 - 20:00 hasta Viernes, Agosto 18, 2017 - 19:55

    Local: 

    la lumière collective - Montréal, Canadá

  • OFFoff Cinema: Computer Games

    By on

    There was a moment, now passed, when the capabilities of the internet and the dreams and ambitions of its users perfectly aligned, before the virtual had been unmasked as another instrument of capitalism and control. At this moment - June 23, 2003, to be precise -Second Life began. The sci-fi promise of a virtual world where people could live out some alternate existence had been fulfilled, rising from the aftermath of the dot-com crash.

    Fechas: 

    De Lunes, Noviembre 14, 2016 - 20:00 hasta Martes, Noviembre 15, 2016 - 19:55

    Local: 

    OFFoff Cinema - Ghent, Bélgica

  • Between Film, Video, and the Digital. Hybrid Moving Images in the Post-Media Age

    Encompassing experimental film and video, essay film, gallery-based installation art, and digital art, Jihoon Kim establishes the concept of hybrid moving images as an array of impure images shaped by the encounters and negotiations between different media, while also using it to explore various theoretical issues, such as stillness and movement, indexicality, abstraction, materiality, afterlives of the celluloid cinema, archive, memory, apparatus, and the concept of medium as such.

    Valoración: 

    Promedio: 3.1 (8 votos)

    Categoría: 

    Editor: 

  • Kino B: Contemporary Cinema by Berlin-based Artists

    By on

    Curated by Caroline Koebel for Aurora Picture Show

    Kino B initiates viewers into the swarm of moving images made thus far in the 2010s by Berlin-based artists. Sylvia Schedelbauer’s Sounding glass, the stunning and astounding experimental short about vision, history, memory, and war that won accolades at Ann Arbor and Oberhausen, centers the outwardly spiraling program. The other projects—curated in situ during a research trip to Berlin—include film, video and installation (transposed to single-channel projection) by Guillaume Cailleau & Ben Russell, Harun Farocki, Isabella Gresser, Bernd Lützeler, Anna Marziano, Deborah S. Phillips, Michael Poetschko, and Daniel Steegman Mangrané. Chosen for their individual merits and seemingly unrelated in their disparateness, the works nonetheless share a command of cinema’s potential for experientially transformative critical reflection. Each title, in its own way, acts as an experimental essay on the world as it can be encountered, engaged and repositioned so as to enable a dialogue between self (artist) and others (viewers) on that world.

    Fechas: 

    Sábado, Octubre 19, 2013 - 19:30

    Local: 

    Aurora Picture Show - Houston, Estados Unidos

Tag cloud

Phil Solomon Blitz Sessions CCCB releases Cineinfinito interview festival Robert Beavers Nathaniel Dorsky Kenneth Anger (S8) Mostra de Cine Periférico Stan Brakhage Pablo Marín Jonas Mekas experimental film Barbara Hammer DVD LAV Xcèntric Crater Lab videoart screening Screening LAV call for entries performance
Más

Al azar