Etiquetas: Louise Bourque

Contenido etiquetado

Décollements

By Marcos Ortega on Vie, 19/09/2025 - 03:23

A selection of films in which the film's skin is lacerated, torn, cut, peeled off, and glued back together to create cinematic works that evoke sensations of memory, resurfacing buried memories. This program offers critical perspectives on images through the materials whose intimacy these films explore.
Fechas:
Domingo, Septiembre 21, 2025 - 19:00
Local:
Espace en Cours - Paris , Francia
Self Portrait and Other Ruins: The cinema of Louise Bourque

By Marcos Ortega on Mié, 08/05/2024 - 02:49

Louise Bourque's œuvre is an irreducible totality in which personal and family secrets hide behind layers of photochemical emulsion. It offers an obsessive world that is both visceral and oneiric, dotted with repetitive motifs. Death and birth, fertility and decomposition. These oppositions run through Bourque's work and find an echo in her practice; she creates out of images that are "dead" (unused, discarded, forgotten) and buried (in the garden of the familial house).
Fechas:
Martes, Mayo 28, 2024 - 20:30
Local:
Luminor Hôtel de Ville - Paris, Francia
Cinema of Breath: Rapture/Rupture

By Marcos Ortega on Mar, 21/06/2022 - 14:52

Curated by Kalpana Subramanian
As part of the symposium A Light Footprint in the Cosmos at Simon Fraser University, Vancouver BC, Canada
Fechas:
De Sábado, Junio 25, 2022 (Todo el día) hasta Martes, Junio 28, 2022 (Todo el día)
Local:
SFU Goldcorp Centre for the Arts - Vancouver, Canadá
In Situ: Louise Bourque & Miryam Charles

By Marcos Ortega on Lun, 20/06/2022 - 02:44

As part of the IN SITU screenings series, la lumière collective presents Collective: Louise Bourque & Miryam Charles on June 28, 2022 at 6:30 p.m.
In the presence of the filmmakers.

Programme:
Fechas:
Martes, Junio 28, 2022 - 18:30
Local:
la lumière collective - Montréal, Canadá
VISIONS: Louise Bourque

By Marcos Ortega on Mar, 07/12/2021 - 07:10

Louise Bourque is a French Canadian filmmaker who studied cinema at Concordia University in Montreal and at the School of the Art Institute of Chicago. After living abroad for thirty years, in the United States and elsewhere, she has recently returned to her native Edmonton, New Brunswick. Her films have been shown in nearly fifty countries and broadcast by PBS and the Sundance Channel in the US, as well as on Télé-Québec in Canada and SBS in Australia.
Fechas:
Miércoles, Diciembre 8, 2021 - 19:00
Jueves, Diciembre 9, 2021 - 19:00
Local:
Cinémathèque québécoise - Montréal, Canadá
Imprints: The Films of Louise Bourque
Imprints is a collection of essays, interviews, ephemera, and personal reflections that chart Louise Bourque’s life and work. Since 1989, Bourque has made a significant mark on Canadian experimental cinema. Her works often involve the physical manipulation of emulsion, with the content of the work stemming from a different type of imprint, namely, that of memory and trauma, and her aesthetics are imprinted on the work of contemporary filmmakers dealing with memorial processes and abstract imagery.
Valoración:

Sin votos (todavía)
Categoría:
Libros
Editor:
Canadian Film Institute
35mm: Standard gauge of memory

By Marcos Ortega on Mar, 09/02/2016 - 16:20

On the occasion of the arrival in Paris of the filmmaker Daïchi Saïto, who just won the Tiger Award at the Rotterdam International Film Festival with his new film Engram of Returning, we invite you to an experimental movie night Thursday, February 11, 2016 at 20h at the Finnish Institute.

The 35mm format is the most used of the silver film cinema. Considered the "standard format", it measures 35 millimeters wide and has in its edges rectangular perforations to ensure its traction by the various mechanisms of shooting and projection.

Fechas:
De Jueves, Febrero 11, 2016 - 20:00 hasta Viernes, Febrero 12, 2016 - 19:55
Local:
Institut Finlandais - Paris, Francia
Modos de habitar

By Marcos Ortega on Dom, 24/01/2010 - 13:30

Paisajes domésticos: interiores y exteriores de casas donde cohabitan las variaciones de la luz con los objetos, los niños y la cámara en un determinado tiempo. Lugares donde la cámara opera como un instrumento, con sus diferentes posibilidades fílmicas compone mosaicos del espacio doméstico: diferentes modos de ver el espacio íntimo y de habitarlo.

Ventana, Claudio Caldini. Argentina, 1975, vídeo, 4 min.
Fechas:
Domingo, Enero 24, 2010 - 18:30