Albert Alcoz is a filmmaker, researcher and experimental film curator. He has a PhD in Cinematographic Theory, Analysis and Documentation from the Pompeu Fabra University of Barcelona and he is a professor at the Faculty of Fine Arts of the University of Barcelona. He has written the books Resonancias fílmicas. El sonido en el cine estructural (1960-1981) (Shangrila, 2017) and Radicales libres. 50 películas esenciales del cine experimental (UOC, 2019). Since 2005 he creates films and videos that have been screened at numerous international festivals or have been exhibited in art centers.

Alberto Cabrera Bernal is an artist, filmmaker and teacher who works mainly with found footage
from different media, especially, in 16mm. His films merge the cerebral quality of his montages—very often developed through the use of patterns—with the sculptural and musical dimension of his pieces. He has screened in venues such as Anthology Film Archives (New York), La Casa Encendida (Madrid), Images Festival (Toronto), Cinemateca Brasileira (Sao Paulo), CCCB (Barcelona) or Instituto Cervantes (Paris). He teaches classes on film and artistic processes in different art centers and universities.

Antoni Pinent is an independent curator of contemporary art, interdisciplinary artist and filmmaker, whose work has been screened internationally at film festivals, cinematheques and museums such as the SF MoMA (2012). He has had individual exhibitions in Venice (2018-2019), Barcelona (2021-2022), New York (2021) and Paris (2023), among others.

David Domingo (aka Stanley Sunday) began making Super 8 films when he was twenty years old, and specializes in super 8mm and 16mm film. Combining images borrowed from classics or B movies with his own, and abstract moments with scenes featuring his favorite actors, Domingo blows hierarchies and causal logic sky high to generate a stream of images of surprising, enigmatic associations that denote a comprehensive knowledge of the tradition of avant-garde and experimental film (Bruce Conner, Andy Warhol, Iván Zulueta, Kenneth Anger and the Kuchar brothers), to whom his work makes many references.

The Spanish-Venezuelan Elena Duque is a filmmaker, film programer, writer and teacher. Her experimental and animated pieces revisit themes such as visual perception and sense of belonging through plastic exercises around places, objects and textures, and have been shown at various international festivals and institutions. She is programmer of (S8) Mostra de Cinema Periférico in A Coruña, professor at the Universidad Camilo José Cela in Madrid and regularly gives workshops and talks.

Marisa Benito Crespo has a Bachelor’s Degree in Fine Arts and a Master’s Research Degree in Art. She lives and works in Córdoba, Spain, where she teaches audiovisual media at the “Mateo Inurria” School of Art. She combines her professional activity with audiovisual creation and photography. The aesthetics of her work are generated through images shaped by sensory experience, the imaginary and the memory.

Pere Ginard is an illustrator and filmmaker. His work explores notions of perpetual motion and gives rise to a melancholic motley collection of ghosts, monsters, wonders and mystical raptures. His drawings and artist’s books have been showcased at a number of art galleries and he has published several illustrated books. His films have been screened at UnionDocs (New York, US), LIAF (London, UK), Videoex (Zurich, Switzerland), and the San Francisco Cinematheque, among others.