Publicaciones más valoradas según las votaciones de los usuarios de la página.
In the late 1960s I met Stan Brakhage when he attended a screening by local filmmakers in San Francisco. Afterwards he expressed an enthusiasm for trading some of his own 8 mm Songs for a print of my 8 mm film “Love Must Love”. We started a correspondenc
I wrote my Master's thesis on the teaching of film as an art form. From 1969 to 1980 I was able to put these ideas into practice while teaching filmmaking in the Art Department at Sonoma State University in northern California. Some of my students , whose
In the second enhanced ebook by Editions Light Cone, Rose by Rose Lowder, Lowder explains her unique approach to the film image and shares her experiences over almost half a century of creative work. Allowing the reader to move seamlessly between viewing and reading, the enhanced ebook format permits an in-depth exploration of moving images informed by the artist’s own words. Lowder’s reflections are accompanied by extracts she has selected from each of her films as well as an essay by critic and curator Enrico Camporesi of the Musée nationale d’art moderne in Paris.
The new issue of OEI magazine is focused on experimental film. Edited by Martin Grennberger and Daniel A.
Originally a Nervous System work (presented live using a special film-projection contrivance that wife Flo and I would set up). The 1929 Laurel and Hardy short Berth Marks, filmed twice, with and without sound, is our glorious take-off point. In some ways
“a blueprint for critical resistance and aesthetic defiance in the face of digital capitalism and a rising new age” — Laila Shereen Sakr/ VJ Um Amel
Fear of the ‘machine artist’ reflects a deep cultural anxiety about industrialization, shaped by unresolved conflicts over automation and its potential to supplant human artists. Automated machinery represents both a technical development and a social paradigm that redefines labor, authorship, and creativity itself.
Mad Dance is a trilogy of provocative and beautiful short films that re-envision the way we think, speak and feel about mental distress and wellness in today’s chaotic world. These transformative films offer new maps for navigating madness with insight, healing and hope.
Laura Mulvey and Peter Wollen are not filmmakers first and foremost; they are film theorists, critics and thinkers. Mulvey and Wollen’s texts from the 1970s set their sights on utopian and revolutionary perspectives. Mulvey emphasizes the gestures necessary for a cinematic liberation struggle, while Wollen draws on the power of fantasy and adopts cinema as a model for a new avant-garde. Both play a role in writing a manifesto for a different kind of cinema, whose militant nature is gained from radical work on (cinematic) symbolization processes.
An extensive collection of works from acclaimed American animator and experimental filmmaker Larry Jordan. Spanning five decades the range of films included here shows Jordan to be an influential director of live-action shorts as well as a master of cut-o
Harmonia, “harmonies,” analyzes the connections between glitch art, visual music, abstraction, and motion pictures. This collection is a chronological survey of glitch art pioneer Michael Betancourt’s artistic research into, around, and with digital motion pictures that theorizes and critiques visual music.
|
Esta página web no es una tienda. Las publicaciones aquí listadas lo son únicamente para información y referencia. Cuando la publicación sea de distribución limitada se incluirán enlaces a puntos de venta. |
