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I wrote my Master's thesis on the teaching of film as an art form. From 1969 to 1980 I was able to put these ideas into practice while teaching filmmaking in the Art Department at Sonoma State University in northern California. Some of my students , whose
Originally a Nervous System work (presented live using a special film-projection contrivance that wife Flo and I would set up). The 1929 Laurel and Hardy short Berth Marks, filmed twice, with and without sound, is our glorious take-off point. In some ways
François Miron began makings films in 1982, working exclusively with emulsion (as in film NOT video) the body of his early work consist of several short experimental films, all created using a powerful film image manipulation technique that he has mastere
Rüdiger Neumann, Filmemacher und Professor an der Hochschule für bildende Künste in Hamburg, hat mit seiner Lehrtätigkeit zwei Generationen von Filmemachern beeinflusst, die heute das aktuelle deutsche Kino mitbestimmen. Die HfbK war in den 1980er und 1990er Jahren die einzige experimentelle und politische Alternative zu den Filmschulen in München und Berlin. Rüdiger Neumanns kontroverses Donnerstagsseminar ist legendär. Auf dieser DVD werden erstmals die fünf wichtigsten Filme von Rüdiger Neumann veröffentlicht.
Heinz Emigholz künstlerische Arbeit erkundet den Grenzbereich zwischen Film und bildender Kunst. Sein frühes Filmwerk lieferte wichtige Impulse für die internationale Experimentalfilmbewegung der 1970er und 80er Jahre und gehört zu den wenigen experimente
Become a master in the influential, diverse, and highly innovative field of experimental filmmaking. Harness the little-known techniques and subtle aesthetics required for this imagination-driven art form.
Chronic is an experimental narrative about a young woman who began mutilating herself as a girl to cope with a traumatic mid-western childhood. The lush optically-printed scenes take Gretchen’s point of view from her punk youth, a stay in a mental hospital, and her release into the big city. Scripted scenes are inter-spliced with documentary and found footage, illustrating the culture Gretchen lives in, her inner world and relationships from her birth to her final day.
“a blueprint for critical resistance and aesthetic defiance in the face of digital capitalism and a rising new age” — Laila Shereen Sakr/ VJ Um Amel
Fear of the ‘machine artist’ reflects a deep cultural anxiety about industrialization, shaped by unresolved conflicts over automation and its potential to supplant human artists. Automated machinery represents both a technical development and a social paradigm that redefines labor, authorship, and creativity itself.
Evoking comparisons as various as Lynch's Eraserhead, Kubrick's 2001, Alexander Sokurov's cinema, and Hieronymous Bosch, this mesmerising feature creates a labyrinthine, Kafka-esque halfworld of chambers and baroque, macabre characters, all connected by a
Brakhage's Childhood recounts the story of visionary American filmmaker Stan Brakhage's (1933-2003) life up to age 12. In 1983 Stan and Jane Brakhage began a series of interviews wherein Stan described his life and Jane took notes. Each session yielded a chapter and each chapter usually a place. After each interview Jane organized, wrote and edited the stories. After two years they had 23 chapters in 100,000 words.
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