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Originally a Nervous System work (presented live using a special film-projection contrivance that wife Flo and I would set up). The 1929 Laurel and Hardy short Berth Marks, filmed twice, with and without sound, is our glorious take-off point. In some ways
In the second enhanced ebook by Editions Light Cone, Rose by Rose Lowder, Lowder explains her unique approach to the film image and shares her experiences over almost half a century of creative work. Allowing the reader to move seamlessly between viewing and reading, the enhanced ebook format permits an in-depth exploration of moving images informed by the artist’s own words. Lowder’s reflections are accompanied by extracts she has selected from each of her films as well as an essay by critic and curator Enrico Camporesi of the Musée nationale d’art moderne in Paris.
Using 16mm cameras, artist Ben Rivers documents the solitary existence of Jake, a man who lives in isolation in the middle of the forest in a remote part of Scotland. The film follows his unconventional life, capturing moments of profound beauty. Jake is seen in all seasons, surviving frugally, passing the time with strange projects, living the radical dream he had as a younger man, a dream he spent two years working at sea to realise.
Gracefully constructed, Two Years at Sea creates an intimate connection with an individual who would otherwise be a complete outsider to us.
"Patrick Bokanowski, the artist-alchemist of celluloid, employsan extraordinary range of technical invention - combing live-action with optical experiments, drawing, performance, painting, and animation - to conjure magical forays into a parallel universe
A confrontation with the codes of narrative-representational cinema is one of Peter Tscherkassky´s constant concerns. If one attempts to distill a constant from his films, then this must surely be the oscillation between the abstract and the concrete, bet
Chronic is an experimental narrative about a young woman who began mutilating herself as a girl to cope with a traumatic mid-western childhood. The lush optically-printed scenes take Gretchen’s point of view from her punk youth, a stay in a mental hospital, and her release into the big city. Scripted scenes are inter-spliced with documentary and found footage, illustrating the culture Gretchen lives in, her inner world and relationships from her birth to her final day.
François Miron began makings films in 1982, working exclusively with emulsion (as in film NOT video) the body of his early work consist of several short experimental films, all created using a powerful film image manipulation technique that he has mastere
Evoking comparisons as various as Lynch's Eraserhead, Kubrick's 2001, Alexander Sokurov's cinema, and Hieronymous Bosch, this mesmerising feature creates a labyrinthine, Kafka-esque halfworld of chambers and baroque, macabre characters, all connected by a
Over the last decade there has been a phenomenal international resurgence of interest and activity in the field of Underground film and video. In Britain and North America there has been a new wave of highly influential Underground, Microcinema and Protes
Harmonia, “harmonies,” analyzes the connections between glitch art, visual music, abstraction, and motion pictures. This collection is a chronological survey of glitch art pioneer Michael Betancourt’s artistic research into, around, and with digital motion pictures that theorizes and critiques visual music.
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