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It is, in a word, glorious.... what I feel is the inherent power and mystery of such material, the arrangement of these images and sounds into a definition of cinema constitutes one of the greatest pedagogic films I have seen.... my main reaction is to ha
From the early abstract animation films created at the start of this century to the latest in technologically oriented films, here is a comprehensive anthology of cinematic animation. It brings together over 50 interviews and first-person accounts that describe the work of 38 innovative artist-filmmakers. Such pioneers as Alexander Alexeieff and Claire Parker, Hans Richter, Vicking Eggerling, and Oskkar Fishinger are alongside the recent avant-garde of Robert Breer, Harry Smith, Stan VanDer Beek, Peter Foldes, and Ed Emschweiller.
Moonchild presents revelatory texts on the occult, mind-altering, homo-erotic, synaesthetic and pop-culture tropes to be found within such classic underground films as Fireworks, Inauguration Of The Pleasure Dome, Scorpio Rising, Invocation Of My Demon Br
Flaming Ears is a pop sci-fi lesbian fantasy feature set in the year 2700 in the fictive burnt out city of Asche. It follows the tangled lives of three woman: Sy, comic book artist; Volly, a performance artist and sexed up pyromaniac; and Nun, an amoral a
Bearbeitungsklappe [Editing Flap] is a book of drawings. It is also a piece of experimental video art. The book consists of ninety-five drawings that resulted from editing a video recorded through the letterbox of the artist's house in Niederbrechen, Germany. Each drawing in the publication shows an edited version of twenty-four events that took place while the video was being recorded, such as people returning from trips to the shops, cars transporting their owners to work or a cat going about its daily business.
Oxide, in two parts, is the digital transfer of Super 8 and 16mm films that have been subjected to rust growth pre- and post-photochemical processing, with subsequent magnetised rusting recorded to tape using various sizes of tape head. The version presented here is a single-screen, digital iteration of the film performance Oxide (ii)+(iii) which was developed during an embedded residency with Sound and Music and no.w.here lab, London, in 2011.
Filmmaker, painter, and multimedia artist, Joyce Wieland (1930–1998) created startlingly original art, influenced by feminism, nationalism, and environmentalism. In 1971 the National Gallery of Canada celebrated Wieland with its first solo show dedicated to a living Canadian woman artist.
Johanne Sloan is Professor of Art History at Concordia University.
Constanze Ruhm´s computer animations and films, of which a selection is presented in the framework of this edition, range between architecture, narration and performance, and investigate interrelations between the languages of cinema and new media. By sho
Animal Charm makes videos from other people\'s videos. By compositing TV and reducing it to a kind of tic-ridden babble, they force television to not make sense. While this disruption is playful, it also reveals an overall \'essence\' of mass culture that
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