Microscope is very pleased to welcome back to the gallery Belgium-based filmmaker Boris Lehman to present the New York premiere of his latest feature film “A Tale of Hair.” The evening will also include a few “surprise” short 16mm films.
Pour la première fois, un livre qui cerne au plus près la figure presque légendaire du cinéaste belge Boris Lehman.
Ici, aucune analyse de films, aucune critique. Il s’agit plutôt d’un livre d’artiste, portrait de Boris par lui-même, qui se présente sous forme de fragments savamment agencés, mêlant dessins, photos, poèmes et documents divers.
El 4 de noviembre de 2001 tuvo lugar la primera sesión de Xcèntric, un programa regular de proyecciones dedicado al cine experimental y de artistas inédito en la ciudad de Barcelona. Justo 20 años después, celebramos el aniversario de Xcèntric con un conjunto de proyecciones, performances y charlas que conforman un homenaje al cine como experiencia colectiva, a la supervivencia del film fotoquímico y al oficio del proyeccionista, además de una necesaria reflexión sobre el presente y el futuro del cine en la era digital.
Magnum Begynasium Bruxellense presents itself as a living chronicle of the inhabitants of the Béguinage neighbourhood in Brussels, an old, poor neighbourhood, stuck between the old docks of the port and the main shopping avenues of the centre. In spite of recent plans for renovation, its existence is threatened sooner or later.
Designed as an encyclopaedic inventory, the film is made up of thirty something chapters, overlapping one another like so many pieces of a puzzle. The film unrolls in the space and cracks of a day, beginning at dawn to finish at night.
“Having reached an age at which you think about getting your bags ready for the next world, I’m about to burn my life, to throw away all I’ve collected and accumulated for over half a century. Books, clothes, films, everything must, will disappear, in ashes and smoke. Funeral (on the art of dying) presents itself as the ‘last’ episode of my auto-cine-biographic work Babel, which covers over thirty years of my life. Funeral will bring this narration of life to its end. It can be considered as my last movie, as a will.” (Boris Lehman)
Fechas:
De Sábado, Enero 14, 2017 - 20:00 hasta Domingo, Enero 15, 2017 - 19:55
Taking photos and making films are two ways of touching people. People have become the main subject of my collections. Collecting is much like an act of faith. It is a creative act, a chance to discover oneself, while at the same time participating in other's passions.
My photographs -and my films- seek out human contact, and they find it.
"'My Seven places' starts at the moment I was evicted from several places which are dear to me. They served me well as homes, both as place for living and working. This was the start of my urban wandering, which would take me ten years - a journey of 300.000 kilometers - before returning just about to my starting point. The adventure was both physical and metaphysical.
El domingo 7 de febrero Xcèntric proyecta dos películas de Boris Lehman por primera vez en Barcelona. La asociación NOOK-Poble Sec y el ciclo de proyecciones Cinema Anèmic queremos aprovechar la ocasión para proyectar al día siguiente, el lunes 8 de febrero, otras tres piezas cortas en 16 mm, también presentadas por el propio realizador.
Sesión programada por Boris Lehman:
- Muet comme une carpe / Mudo como un pez / Bélgica-RFA / 1987 / 38’ / 16 mm / color / VOS inglés
This documentary diary was shot between 2005 and 2009 on four different continents, as a subjective journey into the universe of experimental cinema. It is an exploration of the many alternative film forms developed by innovative figures such as Jonas Mekas (USA), Peter Kubelka (Austria), Guy Sherwin (UK) among many others. These paths of discovery lead us to encounters with numerous production and distribution institutions created specifically for experimental films.
Belgian experimental film festival L’Âge d’Or comes back next October 3-10 with the second edition of its new run. 2015 celebrates the 50th anniversary of Super 8 and so for its second edition, the Âge d’Or festival has chosen to pay homage to the work of the fiercest advocates of this format, too often denigrated and considered ‘amateur’. A format however that has been, and sometimes still is, the terrain of innovative cinematic experiments, full of the constraints that only it can create.
Fechas:
De Sábado, Octubre 3, 2015 (Todo el día) hasta Sábado, Octubre 10, 2015 (Todo el día)
