Etiquetas: James Broughton

Contenido etiquetado

Kees Kino

By Marcos Ortega on Mié, 24/06/2026 - 10:14

Kees Kino
Tuesday, July 14, 2026 at 7pm
Light Industry, 361 Stagg Street, Suite 407, Brooklyn

Organized by Jenni Olson

The Adventures of Jimmy, James Broughton, 1950, 16mm, 11 mins
Hand-Mouth Coordination, Gregory Bateson and Weldon Kees, 1952, 16mm, 11 mins
Approaches and Leavetakings, Weldon Kees and Jurgen Ruesch, 1952, 16mm, 14 mins
Hotel Apex, Weldon Kees, 1952, digital projection, 11 mins
The Bridge, Willian Heick, 1955, digital projection, 10 mins
Fechas:
Martes, Julio 14, 2026 - 19:00
Local:
Light Industry - Nueva York, Estados Unidos
Refle-x-périmental #16 : Focus on the Canyon Cinema Co-op

By Bárbara Janicas on Mar, 04/02/2025 - 03:25

In 2025, Refle-x-périmental continues to pay tribute to the work of experimental film cooperatives that emerged from the 1960s onwards, embracing independence, rebellion, and the (re)invention of both avant-garde cinema and thought. After celebrating the co-ops founded in New York, Hamburg, and Amsterdam, as well as the 50th anniversary of the Paris Films Coop, the winter season will open with a focus on the West Coast of the United States.
Fechas:
Jueves, Febrero 27, 2025 - 20:30
Local:
Le Reflet Médicis - Paris, Francia
Canyon Cinema 50: Love, Light & Lyrical Eroticism

By Marcos Ortega on Jue, 06/07/2017 - 12:44

1967 was the year that the Canyon Cinema Co-op was born in San Francisco. Formed as a distribution cooperative for films made by members, it grew out of the itinerant Canyon Cinema formed a few years earlier by a loose association of Bay Area artist-filmmakers. The Canyon Co-Op was the west coast’s contribution to a growing international network for showing and seeing films that fell outside the bounds of polite manners, censors’ approval, and art-world decorum.
Fechas:
De Viernes, Julio 14, 2017 - 19:00 hasta Sábado, Julio 15, 2017 - 18:55
Local:
de Young Museum - San Francisco, Estados Unidos
Film at Wit's End: Eight Avant-garde Filmmakers

Brakhage S. 1989. Film at Wit's End: Eight Avant-garde Filmmakers. :183pp.
Experiment in the Film

Brunius JB, Jacobs L, Roshal G, Karmen R, Iros E, Richter H, Anstey E, Maddison J. 1949. Experiment in the Film. :312pp.
Contents:
The Avant-garde Film: A Reader of Theory and Criticism

Sitney P.A, Eisenstein S, Richter H, Epstein J, Dulac G, Artaud A, Cornell J, Deren M, Peterson S, Broughton J et al.. 1978. The Avant-garde Film: A Reader of Theory and Criticism. Anthology film archives. :295pp.
Contents:
OFFoff Cinema: Night of Experimental Film

By Anton Michels on Lun, 21/03/2016 - 07:14

This event takes place on location: 019 - dok noord 5L - 9000 Gent.
Fechas:
Viernes, Abril 15, 2016 - 19:30
James Broughton - The films of James Broughton
Spanning a decades-long artistic career the collected films of James Broughton represent a remarkable body of work by a leading avant-garde American filmmaker--an undisputed master of the fusion of spoken poetry with moving images. A poet and dramatist as

Valoración:

Promedio: 3.3 (6 votos)
Categoría:
DVD
Editor:
Jamie Fenton
Avant-Garde 2: Experimental Cinema from 1928-1954
In the latter half of the 20th Century, Raymond Rohauer was one of the nation's foremost proponents of experimental cinema. This two-disc collection continues Kino's tribute to the Rohauer Collection, including the early works of Stan Brakhage and influential films by Willard Maas, Gregory Markopoulos, Marie Menken, Dimitri Kirsanoff, Jean Mitry, Sidney Peterson and others. The pièce de résistance is Jean Isidore Isou's passionate manifesto of film aesthetics Traitéde Bave et D'eternité (Venom and Eternity), which sparked a riot when it premiered at the Cannes Film Festival in 1951. This edition of Venom includes 34 minutes of footage never seen in the United States.

Valoración:

Promedio: 2.8 (5 votos)
Categoría:
DVD
Editor:
Kino Video
Avant-Garde 3: Experimental Cinema 1922-1954
From the little theaters of the 1920s to the ad hoc film societies of the 50s, avant-garde cinema knew no established form and held no predictable position. The boundaries of its history are still hotly debated, but its rough sensibilities informed and peFrom the little theaters of the 1920s to the ad hoc film societies of the 50s, avant-garde cinema knew no established form and held no predictable position.

Valoración:

Promedio: 3.1 (14 votos)
Categoría:
DVD
Editor:
Kino Video

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