Etiquetas: Robert Breer

Contenido etiquetado

Film im Underground. Von seinen Anfangen bis zum Unabhangigen Kino

Hein B. 1971. Film im Underground. Von seinen Anfangen bis zum Unabhangigen Kino. :239pp.
An Introduction to the American Underground Film
Renan S. 1967. An Introduction to the American Underground Film. :326pp.
Contents:

What is the underground film?

A history of the avant-garde/experimental/underground film in America

A gallery of film-makers

Stars of the underground films

The underground establishment

Expanded cinema.
OFFoff Cinema: Swedish Experimental Film Part I

By Anton Michels on Mar, 08/03/2016 - 15:30

The history of Swedish experimental film is a story of small broken histories. Sometimes it has resulted in significant works, such as Viking Eggeling's seminal Symphonie diagonale, or in significant experimental filmmakers, such as Gunvor Nelson. But, that is rather the exception than the rule. However, what unites Eggling, Nelson and the films that will be presented in this program is the international context as a prerequisite for the work and the individual films.
Fechas:
De Lunes, Abril 4, 2016 - 20:00 hasta Martes, Abril 5, 2016 - 19:55
Local:
OFFoff Cinema - Ghent, Bélgica
Magasinet Walden: Mary Helena Clark

By Marcos Ortega on Vie, 27/11/2015 - 04:05

Magasinet Walden presents a screening dedicated to the work of Mary Helena Clark. Born in 1983, for 10 years she has produced a wealth of substantial works. Her films are characterized by an unusual dualistic approach where a rigorous formalist work, which spins further on the structuralist film's ideas and practices, combines with an interest in magic and illusionism. We show Clark's overall filmography, together with Robert Breer's Breathing (1963) and Blake Williams' Something Horizontal (2015), two films that Clark has chosen to include in the programme.

Fechas:
De Miércoles, Diciembre 2, 2015 - 19:00 hasta Jueves, Diciembre 3, 2015 - 18:55
Local:
Swedish Film Institute - Stockholm, Suecia
Feux d'artifices: 30 años de Paris Expérimental

By Marcos Ortega on Lun, 23/11/2015 - 03:59

La editorial Paris Expérimental—creada en 1985— se ha convertido en un peculiar lugar de encuentro entre el cine experimental y su historia. Esta casa editorial, con unas cincuenta publicaciones y eventos de referencia, ha contribuido en Francia al conocimiento y reconocimiento de formas cinematográficas experimentales, a menudo marginalizadas.
Fechas:
De Miércoles, Noviembre 25, 2015 - 14:00 hasta Jueves, Noviembre 26, 2015 - 20:55
Local:
Centre Pompidou - Paris, Francia
Free Radicals: A history of experimental film
RE:VOIR is proud to announce the release of the new DVD "FREE RADICALS - A HISTORY OF EXPERIMENTAL FILM" by Pip Chodorov. The DVD features 8 bonus short films by key filmmakers who appear in the documentary and it is subtitled in 8 languages (FRANÇAIS, ESPAÑOL, SRPSKI, ČESKÉ, LIETUVIŲ, 中文, 日本語, 한국어). It also includes a 56-page booklet with texts by Jonas Mekas, Scott Hammen, Raphaël Bassan and Nathaniel Draper.

"Free Radicals" has been screened in 50 international festivals and distributed theatrically in France, USA and Canada.
Valoración:

Promedio: 3.5 (12 votos)
Categoría:
DVD
Editor:
Re:voir
Between the Black Box and the White Cube
Today, the moving image is ubiquitous in global contemporary art. The first book to tell the story of the postwar expanded cinema that inspired this omnipresence, Between the Black Box and the White Cube travels back to the 1950s and 1960s, when the rise of television caused movie theaters to lose their monopoly over the moving image, leading cinema to be installed directly alongside other forms of modern art.

Valoración:

Promedio: 3.8 (4 votos)
Categoría:
Libros
Editor:
University of Chicago Press
Robert Breer - ATOZ
An animated film by Robert Breer.

Valoración:

Promedio: 3.6 (5 votos)
Categoría:
DVD
Editor:
Les presses du réel
Free Radicals: A History of Experimental Film
This feature-length documentary provides a vivid, eye-opening, and appropriately personal introduction to one of the most important, yet perpetually marginalized, realms of filmmaking: avant-garde cinema.

Valoración:

Promedio: 3.2 (10 votos)
Categoría:
DVD
Editor:
Kino Lorber
Geometry in motion

By Marcos Ortega on Jue, 07/02/2013 - 09:01
Geometry in motion
Wednesday, February 18 2013, 18h
Musée d'art moderne André Malraux
2, boulevard Clemenceau, 76600 Le Havre

A programme in resonance with the coming of the Centre Pompidou Mobile to Le Havre that will present "Circles and Squares," a selection of works about geometric abstraction.

Shortly after painting, cinema takes possession of abstraction in the first decades of the 20th century. After the first works (the chromatic music of the Italian Futurists, the colorful rhythms of Leopold Survage) it is in Germany where the first stream of abstract film develops.

Based on this historical avant-garde, this programme will provide an overview of geometry in motion along with American films and contemporary digital experimentation.

Programme:
- Rhythmus 21 (Hans Richter, 1921-23, 3’20, 16 mm, b&w)
- Symphonie Diagonale (Viking Eggeling, 1921-24, 7’00, 16 mm, b&w)
- Anémic cinéma (Marcel Duchamp, 1925-26, 2’00, 16 mm, b&w)
- Kreise (Oskar Fischinger, 1933, 2’00, 16 mm, colour)
- Squares (Oskar Fischinger, 1934, 5’00, 16 mm, colour)
- Radio dynamics (Oskar Fischinger, 1942, 4’00, 16 mm, colour)
- Matrix III (John Whitney, 1972, 11’00, 16 mm, colour)
- 69 (Robert Breer, 968, 5’00, 16 mm, colour)
- Get Set (Ian Helliwell, 2005, 3’25, video, colour)
- Machination (Lia, 2010, 5’43, video, colour)
- Star light n°5 bis (Cécile Fontaine, 2012, 5’55, video, colour)
Categoría:
Eventos

Páginas