Etiquetas: Rose Lowder

Contenido etiquetado

Cinema Parenthèse #7: Land/Scapes 2 - Els van Riel & Rose Lowder

By Marcos Ortega on Lun, 29/10/2018 - 05:26

Brussels based artist Els van Riel (b 1965) is a member of the analogue film-lab Labo Bxl and Cinema Parenthèse. Her films, videos and installations examine the impact of detailed changes in moment, movement, matter, light and perception. Her works relate to a tradition of minimal and structural filmmaking (Paul Sharits, Ernie Gehr), she processes the basic elements of film - time and light, silence and sound - and develops a form for expanded aesthetic saturation based on phenomenological observation within a sensitive and personal horizon that bypasses symbolism and narrativity.

Fechas:
De Domingo, Noviembre 4, 2018 - 16:00 hasta Lunes, Noviembre 5, 2018 - 15:55
Local:
WIELS, Contemporary Art Centre - Brussels, Bélgica
Xcèntric Cinema: Conversaciones sobre el proceso creativo y la visión fílmica
Valoración:

Promedio: 3 (4 votos)
Categoría:
Libros
Editor:
CCCB
Xcèntric: Viajes y canciones

By Marcos Ortega on Mar, 20/03/2018 - 13:02

La carta filmada puede adoptar la forma de la dedicatoria, la canción, la ofrenda, la celebración, la postal. «Correspondencias: películas como cartas», el ciclo de Punto de Vista 2018, parte de la idea de que, en el cine, el intercambio epistolar no tiene por qué ser enviado, sino que, además, admite que el material de la película-carta se filme sin un destinatario en mente.
Fechas:
Jueves, Marzo 22, 2018 - 19:30
Local:
Centre de Cultura Contemporània de Barcelona - Barcelona, España
Internal Systems: Films by Brakhage, Kren, Lowder, Rekveld, Sonoda

By Marcos Ortega on Vie, 07/04/2017 - 09:33

This program of short silent films focuses on some different ways in which artists have explored spatiotemporal dimensions of cinema and the pictorial. By employing or embracing systems of organization, these five films create a rich interplay between order and chaos, inviting the energy and materiality of the physical realm to challenge their attempts to order it.
Fechas:
De Lunes, Abril 10, 2017 - 20:00 hasta Martes, Abril 11, 2017 - 19:55
Local:
Echo Park Film Center - Los Angeles, Estados Unidos
MuMaBoX #52: Cinematographic Mechanics

By Marcos Ortega on Mié, 11/01/2017 - 11:50

Mechanics are at the heart of the cinematographic system, and also a motif dear to experimental filmmakers.

Programme:
- Kipho (Guido Seeber, 1925, 6’)
- Footprints (Bill Morrison, 1992, 6’)
- La Marche des machines (Eugène Deslaw, 1928, 9’)
- Oil Wells: Sturgeon road & 97th street (Christina Battle, 2002, 3’)
- Windmill 2 (Chris Welsby, 1972, 8’)
- Rode molen (Esther Urlus, 2013, 5’)
- Couleurs mécaniques (Rose Lowder, 1979, 16’)

Fechas:
De Miércoles, Enero 18, 2017 - 18:00 hasta Jueves, Enero 19, 2017 - 17:55
Local:
Musée d'art moderne André Malraux - Le Havre, Francia
Mire: Mechanics of the Copy

By Marcos Ortega on Mié, 07/12/2016 - 06:41

This special session is the launch of the "Re-engineering the industry" program, dedicated to a Mire laboratory machine, the Debrie contact printer, which makes it possible to copy 16mm film. In the coming months, masterclass, workshop and artist residency will aim at a dialogue between artists and technicians in order to perpetuate and develop the use of machinery abandoned by the film industry and to reappropriate its use for artistic purposes.

Fechas:
De Jueves, Diciembre 15, 2016 - 21:00 hasta Viernes, Diciembre 16, 2016 - 20:55
Local:
Le Cinématographe - Nantes, Francia
Landscapes of Resistance, Time and Ecology

By Marcos Ortega on Mar, 18/10/2016 - 15:47

MARETIOPA & HICCUP present the film program Landscapes of Resistance, Time and Ecology, focusing on phenomenon occurring through changes of perspective and animated camera movements as a way to redefine a place and its geography. The method is a frame-by-frame-camera 'animation' where the films works with displacements of time, space and focal points, sometimes with many disparate motifs, or the same places filmed during different times of a day in order to visualize weather and light changes, addressing a political/ecological environment to agenda. The result is an interaction between the predictable mechanistic nature of technology and the unpredictable qualities of the natural world.

Fechas:
De Sábado, Octubre 22, 2016 - 18:00 hasta Domingo, Octubre 23, 2016 - 17:55
Local:
Gröndals Båtklubb - Stockholm, Suecia
MuMaBoX #49 - From one moment to another: Rose Lowder

By Marcos Ortega on Jue, 06/10/2016 - 03:02

"A moment is an area of limited time, but very special because it is based on facts that characterize it as singular. There is perhaps nothing better than trying to film a moment to realize the great difficulty of transmitting it on a screen. Overall tonight's movies were edited in the camera during filming to create visual moments from a succession of images appearing on the screen simultaneously.
Fechas:
De Miércoles, Octubre 12, 2016 - 18:00 hasta Jueves, Octubre 13, 2016 - 17:55
Local:
Musée d'art moderne André Malraux - Le Havre, Francia
LFMC 50: Notes from the Underground 1980-82

By Marcos Ortega on Mar, 28/06/2016 - 09:47

Our celebration of the 50th anniversary of the London Filmmakers’ Co-operative continues with this evening programmed by Anna La Thew and Steve Farrer.

"Steve and I were elected at the 1980 AGM and a life long friendship began. The 1980's were the start of film-makers being actively encouraged to publicise, exhibit, distribute and courier Co-op films, in person, internationally. We were committed to the Co-operative as an act of romantic resistance, its manifesto, its openness, its freedom and a lot of us were from up North.

Fechas:
Martes, Julio 19, 2016 - 18:15
Local:
BFI Southbank - London, Reino Unido
Rose by Rose Lowder
In the second enhanced ebook by Editions Light Cone, Rose by Rose Lowder, Lowder explains her unique approach to the film image and shares her experiences over almost half a century of creative work. Allowing the reader to move seamlessly between viewing and reading, the enhanced ebook format permits an in-depth exploration of moving images informed by the artist’s own words. Lowder’s reflections are accompanied by extracts she has selected from each of her films as well as an essay by critic and curator Enrico Camporesi of the Musée nationale d’art moderne in Paris.

Valoración:

Promedio: 3.5 (4 votos)
Categoría:
Libros
Editor:
Editions Light Cone