Almost 7 hours long, Ken Jacobs' magnum opus is a social critique of the USA, as poignant and relevant today as in the 1950s.
One of the American avant-garde's most prolific figures, Ken Jacobs (1933-2025) eagerly embraced digital filmmaking in the late 1990s.
From the monumental Tom, Tom, the Piper's Son to his Nervous Magic Lantern performances and more recent digital and 3D explorations, Jacobs's work is an uncompromised declaration of love for cinema.