Institutions strive to organise volatile relations, such as power, work, privileges, language and emotions, as efficiently as possible, in order to establish a permanent order. What benefits do they offer, to whom, and at whose expense? And under what conditions are they prepared to change this order once it has been established? These questions also arise in relation to the role and responsibility of cultural institutions.
Fechas:
De Miércoles, Abril 22, 2026 - 19:30 hasta Domingo, Abril 26, 2026 - 23:45
The future cannot be predicted, but that is no reason not to try experimental film: reflections on 16mm, video and in 3D about the experience of time, the play with expectations and the desire to “see in a new way” develop. 'No Future' is dedicated to various facets of the future from the 1920s to the present 2020s.
Program curated by Karola Gramann, Heide Schlüpmann and Björn Schmitt. As part of the 17th LICHTER Filmfest
(W)hole Earth is a programme dedicated to the displacement and distribution of matter. It constructs and maps a landscape that has calmly formed over millions of years and then disrupts it, observing the possibilities of creation and the impact on those closest to the stone (1). Not forgetting those of us elsewhere, it asks; what is left in the place of material loss? And what happens when we attend to the magnitude of its absence? (2)
Online free in the UK Monday 15 August 2022 19:00 for 48hrs.
Films included:
Fechas:
De Lunes, Agosto 15, 2022 - 19:00 hasta Miércoles, Agosto 17, 2022 - 19:00
Media City Film Festival's CHRYSALIS SHOWCASE will feature more than 80+ local, Canadian and international films across three days of screenings and parties (Feb. 14, 15, 16, 2020).
Events will highlight MCFF's 2019-2020 CHRYSALIS FELLOWS in solo screenings all weekend long at MacKenzie Hall Cultural Centre, with social gatherings in Common Ground Art Gallery throughout.
Fechas:
De Viernes, Febrero 14, 2020 (Todo el día) hasta Domingo, Febrero 16, 2020 (Todo el día)
Como extensión de su exposición en Nave 0 de Matadero, Cineteca acoge AR, FOGO, TERRA, ÁGUA, una carta blanca en la que la artista brasileña Ana Vaz (Brasilia, 1986) pone en diálogo su propio trabajo con una personal historia del cine en la que reivindica una poética-física de la impureza. De Bruce Baillie a Toshio Matsumoto, pasando por los nuevos cines latinoamericanos y la vanguardia norteamericana, Vaz nos invita a un viaje elemental -aire, fuego, tierra, agua- por un cine personal y político, artístico y etnográfico.
Light Cone offers a carte blanche to Brazilian filmmaker and artist Ana Vaz whose films, installations and performances elaborate relationships between myth and history, ethnography and speculation, through a cosmology of references and perspectives.
