Etiquetas: Carolee Schneemann

Contenido etiquetado

Breaking the Frame: Screening and Discussion with Marielle Nitoslawska and Carolee Schneemann

By Almudena Escoba... on Vie, 14/11/2014 - 19:44

The Film and Media Studies Program, the Department of Modern Languages and Cultures, The Visual and Cultural Studies Program from the University of Rochester, and the Humanities Department at the Eastman School of Music welcome pioneering performance artist and avant-garde filmmaker Carolee Schneemann with filmmaker Marielle Nitoslawska, presenting a screening of Breaking the Frame (2013), a feature-length documentary portrait of Schneeman. A pioneer of performance and body art as well as avant-garde cinema, Schneemann (Meat Joy, 1964 and Fuses, 1967/2007) has been “breaking frames” of the art world for five decades, challenging assumptions of feminism, gender, sexuality, and identity. Nitoslawska (Bad Girl, 2002, and Sky Bones, 1999) has made numerous film essays, both feature length and short form, on ground-breaking movements and artists such as Domingo Cisneros, Szczepan Mucha, and Jozef Robakowsk, and teaches film production at Concordia University in Montreal.

Fechas:
De Martes, Noviembre 18, 2014 - 18:00 hasta Miércoles, Noviembre 19, 2014 - 20:55
Local:
Hubbell Auditorium - Rochester, Estados Unidos
Mirror Me - Experimental Selfies

By Marcos Ortega on Mar, 15/07/2014 - 16:57

Everyday millions of hand-held self-portraits, or ‘selfies’, are uploaded on to the internet. With today’s personal technologies, private self-representations-made-public seem symptomatic of Guy Debord's ‘Society of the Spectacle’ or Jean Baudrillard’s ‘Simulacra and Simulation’. Yet for decades, experimental filmmakers and video artists have interrogated questions of self-identity and -referentiality. With the performing body as the site of action produced in relation to the film apparatus and video system, they offer a powerful critique of the male gaze and, in turn, the seeming narcissism at the center of today’s ‘selfie’ culture. A diverse range of artists and traditions have thereby subversively taken up subjective, first-person cinema and issues of self-performance in order to explore questions of identity, power, memory, and the construction of the self. ‘Mirror Me’ presents a selection of musings on the mirroring of the ‘self’ in self-reflexive film and video auto-portraits and personal diary films in order to weave together something of a ‘pre-history’ of the ‘selfie’.

Curated by Pascal Richard and Christopher Zimmerman

Fechas:
Lunes, Julio 21, 2014 - 19:30
Miércoles, Julio 23, 2014 - 19:30
Local:
Austrian Cultural Forum New York - Nueva York, Estados Unidos
KABANE77 Acte VII: Flesh Cinema

By Marcos Ortega on Mar, 24/06/2014 - 16:07

KABANE77 is putting the reel back in motion this summer and is proposing a new series of outdoor events. Dedicated to independent and experimental filmmaking, KABANE77 is inviting you under the trees for ACTE VII.
16mm film projection outdoor screening

- Wedlock House: An Intercourse (Stan Brakhage, 1959, 11 minutes)
- Fuses (Carolee Schneemann, 1964-1967, 23 minutes)
- Christmas on Earth (Barbara Rubin, 1963, 30 minutes)
- T,O,U,C,H,I,N,G (Paul Sharits, 1968, 12 minutes)

On the occasion of the book launch of Ara Osterweil, "Flesh Cinema: The Corporeal Turn in Avant-Garde Film" (Manchester Univ. Press, 2014)

Fechas:
Domingo, Junio 29, 2014 - 21:30
Local:
KABANE77 - Montréal, Canadá
Flesh Cinema: The Corporeal Turn in American Avant-Garde Film
Flesh Cinema: The Corporeal Turn in American Avant-Garde Film explores the groundbreaking representation of the body in experimental films of the 1960s and 1970s. Focusing on sexually explicit films by Andy Warhol, Barbara Rubin, Stan Brakhage, Carolee Schneemann, Yoko Ono and Paul Sharits, this book demonstrates how experimental cinema not only transformed American visual culture, but also the lives of those who created it. By situating these films in relation to the civil rights and sexual liberation movements, Flesh Cinema investigates how social politics continue to inform their meaning.

Valoración:

Promedio: 3.6 (5 votos)
Categoría:
Libros
Editor:
Manchester University Press
MuMaBoX #29: Performative body

By Marcos Ortega on Mié, 05/02/2014 - 16:30

In the history of contemporary art, the body has been a particular medium in the sense that it implies a physical engagement of the artist who is not necessarily present with other media: it isn't just action painting and the rise of Abstract Expressionism in the United States in the 50s that made us realize that the painter paints (also) with his body. With Gutai in Japan, the Vienna actionists, Fluxus and body art - or corporal art, and many other artists out of any movement, the body becomes all or part of the artistic language.

This performative body, filmed under various schemes - of the acquisition to the intimate theater,, we will give an overview of creation in the field of performance, territory of the art or History, sexuality and gender are examined.

Fechas:
De Miércoles, Febrero 12, 2014 - 20:00 hasta Jueves, Febrero 13, 2014 - 19:55
Local:
Musée d'art moderne André Malraux - Le Havre, Francia
Selections from Treasures 6: Next Wave Avant-Garde

By Marcos Ortega on Lun, 04/11/2013 - 15:43

As part of "Back for the Future: Film Restoration in the 21st Century" Jeff Lambert from the National Film Preservation Foundation will present a selection of films from the upcoming DVD set Treasures 6: Next Wave Avant-Garde. A discussion with Michael Pogorzelski, Director of the Academy Film Archive, will follow the screening.

Films to be shown:
- A Visit to Indiana (1970) by Curt McDowell, preserved by Pacific Film Archive
- Plumb Line (1978) by Carolee Schneemann, preserved by The Museum of Modern
- Radio Adios (1982) by Henry Hills, preserved by Anthology Film Archives
- 11 thru 12 (1977) by Andrea Callard,preserved by New York University
- Hi-Fi Cadets (1989) by Lewis Klahr, preserved by the Academy Film Archive (preservation premiere!)
- Report (1967) by Bruce Conner, preserved by Anthology Film Archives as part of the NFPF's Avant-Garde Masters Program funded by The Film Foundation.

Fechas:
Lunes, Noviembre 18, 2013 - 19:30
Local:
Linwood Dunn Theater - Hollywood, Estados Unidos
Then and Now: Carolee Schneemann – Œuvres d’Histoire
A new reading of the work of a major American and international artist, well known for her depictions of the female body, of society's attitude to women and particularly for her pioneering work as a performance and video artist in the cause of feminism, in the context of artists' reactions to major world issues and a return of the historical genre in art today, underlining her unflagging commitment to the recording of history as it happens.

Published on the occasion of the eponymous exhibition at the Musée départemental d'art contemporain de Rochechouart in 2013.
Valoración:

Promedio: 3 (3 votos)
Categoría:
Libros
Editor:
Les presses du réel
A Critical Cinema: Interviews with Independent Filmmakers
Critical Cinema provides a collection of in-depth interviews with some of the most accomplished "critical" filmmakers. INTERVIEWEES: Hollis Frampton, Larry Gottheim, Robert Huot, Taka Iimura, Carolee Schneeman, Tom Chomont, J.J. Murphy, Beth B and Scott B, John Waters, Vivienne Dick, Bruce Conner, Robert Nelson, Babette Mangolte, George Kuchar, Diana Barrie, Manuel DeLanda, Morgan Fisher.

Valoración:

Sin votos (todavía)
Categoría:
Libros
Editor:
University of California Press
LFF 2007: Avant-Garde Weekend

By Marcos Ortega on Dom, 23/09/2007 - 20:45
La edición de este año del London Film Festival nos trae de nuevo su fin de semana de cine de vanguardia, Experimenta. En la última semana de Octubre, se podrán ver diversos programas de cortos, comisariados por Mark Webber, sobre temas como la identidad, la percepción poética de la naturaleza o la revisitación del pasado. A destacar, nuevas obras de Ken Jacobs, Peter Hutton y Robert Beavers, nuevas versiones restauradas de los filmes de Carolee Schneemann Fuses y Kitch’s Last Meal y un taller práctco con David Gatten 'sobre el uso del texto en la cinematografía de 16mm'.
Categoría:
Eventos
Carolee Schneemann - Imaging Her Erotics: Essays, Interviews, Projects
Carolee Schneemann is one of the pioneers of performance, installation, and video art. Although other visual artists, such as Salvador Dali and Yves Klein, had used live self-portraiture and performance as a vehicle for public provocation, Schneemann was among the first to use her body to animate the relationship between the world of lived experience and the imagination, as well as issues of the erotic, the sacred, and the taboo.
Valoración:

Promedio: 3.3 (4 votos)
Categoría:
Libros
Editor:
The MIT Press