Etiquetas: Stan Brakhage

Stan Brakhage

Stan Brakhage (14 de Enero de 1933 – 9 de Marzo de 2003) fue un cienasta experimental estadounidense. Es considerado como uno de los más importantes cineastas experimentales el siglo XX. Trabajó con diversos formatos de celuloide: 16mm, 8mm, 35mm, e IMAX, y fue un practicante de lo que denominó como 'pure cinema'.

Nacionalidad: 

Estados Unidos

Contenido etiquetado

  • Stan Brakhage - Hand-Painted Films

    Originally a student of the abstract expressionist painters, Stan Brakhage has steadily completed over 200 films in a forty year period. Considered a master in avant-garde circles, his theory of representing \"Closed-eye vision\" in film has led him to th

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    Promedio: 3.3 (3 votos)

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    27.00 EUR

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  • Stan Brakhage - Anticipation of the Night

    \"This film splendidly develops the main traits of Brakhage‚\' s films: no hero, visual sensuality, fluidity of movement and montage, a passion for color.\"

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    Promedio: 3.3 (3 votos)

    Precio: 

    27.00 EUR

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  • Stan Brakhage - By Brakhage: An Anthology

    Criterion is proud to present 26 masterworks by Stan Brakhage in high-definition digital transfers made from newly minted film elements. For the first time on DVD, viewers will be able to look at Brakhage’s meticulously crafted frames one by one.

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    Promedio: 3.2 (6 votos)

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  • Treasures IV: American Avant-Garde Film, 1947-1986

    Treasures IV presents works by 27 filmmakers, from Bruce Baillie to Andy Warhol, who changed cinema in the decades following World War II. The line-up reads like a who\'s who of the avant-garde world and includes films by luminaries such as Stan Brakhage

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    Promedio: 3.2 (5 votos)

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  • Avant-Garde 2: Experimental Cinema from 1928-1954

    In the latter half of the 20th Century, Raymond Rohauer was one of the nation's foremost proponents of experimental cinema. This two-disc collection continues Kino's tribute to the Rohauer Collection, including the early works of Stan Brakhage and influential films by Willard Maas, Gregory Markopoulos, Marie Menken, Dimitri Kirsanoff, Jean Mitry, Sidney Peterson and others. The pièce de résistance is Jean Isidore Isou's passionate manifesto of film aesthetics Traitéde Bave et D'eternité (Venom and Eternity), which sparked a riot when it premiered at the Cannes Film Festival in 1951. This edition of Venom includes 34 minutes of footage never seen in the United States.

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    Promedio: 2.8 (5 votos)

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  • Pip Chodorov - Nine portraits

    Pip Chodorov's portraits of filmmakers, produced for ARTE tv channel between December 2001 and June 2004.

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    Promedio: 2.5 (2 votos)

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  • Stan Brakhage - By Brakhage: An Anthology, Volume Two

    Working outside the mainstream, Stan Brakhage made nearly four hundred films. Challenging all taboos in his exploration of: birth, sex, death, and the search for God, Brakhage turned his camera on explicit lovemaking, childbirth, even autopsy. Many of his

    Valoración: 

    Promedio: 3.4 (7 votos)

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  • Film Art Phenomena

    "Alongside the commercial cinema of narrative and spectacle there has always been another practice--call it avant-garde, experimental, or artists' film. In this provocative book, Nicky Hamlyn, an acclaimed filmmaker in the alternative tradition, investigates the film art phenomenon. Taking cues from modern trends in other artforms, notably painting and sculpture, this type of filmmaking emphasizes the nature of its apparatus and medium in order to bring about a critical, inquisitive state of mind in the viewer.

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    Promedio: 1 (1 voto)

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  • A Critical Cinema 4: Interviews with Independent Filmmakers

    A Critical Cinema 4 is the fourth volume in Scott MacDonald's Critical Cinema series, the most extensive, in-depth exploration of independent cinema available in English. In this new set of interviews, MacDonald once again engages filmmakers in detailed discussions of their films and of the personal experiences and political and theoretical currents that have shaped their work. The interviews are arranged to express the remarkable diversity of modern independent cinema and the network of interconnections within the community of filmmakers.

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    Promedio: 3 (4 votos)

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  • Eyes Upside Down:Visionary Filmmakers & the Heritage of Emersson

    Sitney analyzes in detail the work of eleven American avant-garde filmmakers as heirs to the aesthetics of exhilaration and innovative vision articulated by Ralph Waldo Emerson and explored by John Cage, Charles Olson and Gertrude Stein. The films discussSitney analyzes in detail the work of eleven American avant-garde filmmakers as heirs to the aesthetics of exhilaration and innovative vision articulated by Ralph Waldo Emerson and explored by John Cage, Charles Olson and Gertrude Stein. The films discussed span the sixty years since the Second World War.

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    Promedio: 1 (1 voto)

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Páginas

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Robert Breer Jordan Belson Stan VanDerBeek Joseph Cornell Maya Deren Phil Solomon Jonas Mekas Michael Snow Gregory J. Markopoulos Kenneth Anger Carolee Schneemann Sidney Peterson Harry Smith Lawrence Jordan James Whitney Peter Kubelka Andy Warhol John Whitney Bruce Baillie Paul Sharits Xcèntric Olivier Fouchard CCCB Marie Menken John Whitney Jr. Mahine Rouhi Hollis Frampton John Cage P.Adams Sitney Will Hindle Pip Chodorov Germaine Dulac Jacques Perconte Jack Smith Len Lye Pat O'Neill Hans Richter John Stehura John Schofill Philip Makanna Scott Bartlett John McHale videotronic Buckminster Fuller James Seawright Paul Morrissey Ron Rice Jane Congel Belson Shimane Christopher Maclaine Otto Piene Ronald Nameth Rudy Burckhardt expanded cinema Criterion Maurice Lemaître American Cinema Nam June Paik Melville Webber James Sibley Watson José Antonio Sistiaga

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