Etiquetas: Maya Deren

Maya Deren

Maya Deren (Kiev, 29 de abril de 1908 - Nueva York, 13 de octubre de 1961) fue una directora de cine, bailarina, coreógrafa, poeta y escritora.

Biografía

Nacionalidad:

Estados Unidos

Contenido etiquetado

The Avant-garde Film: A Reader of Theory and Criticism

Sitney P.A, Eisenstein S, Richter H, Epstein J, Dulac G, Artaud A, Cornell J, Deren M, Peterson S, Broughton J et al.. 1978. The Avant-garde Film: A Reader of Theory and Criticism. Anthology film archives. :295pp.
Contents:
Art, Artists and Film

By Anonymous on Mié, 25/11/2015 - 16:21

The strict separation between art forms belongs to the past. In a continuous cross-fertilization, different art forms inspire, influence and reinforce each other, although sometimes they can not let to ruff or laugh with the other. During the first part of the evening we highlight artists whose practices can be seen as a amalgam of different diciplines. The second part focusses mainly on Duchamp and his unlimited practice. Starting with Anémic Cinéma, we describe his influence on the work of Maya Deren and Liliane Lijn.

Fechas:
Lunes, Noviembre 30, 2015 - 20:30
Local:
OFFoff Cinema - Ghent, Bélgica
Masterworks of American Avant-Garde Experimental Film 1920-1970
Flicker Alley and the Blackhawk Films® Collection, in collaboration with Filmmakers Showcase, are proud to present Masterworks of American Avant-garde Experimental Film 1920-1970 in a 4-disc Blu-ray/DVD Combo Edition. This breathtaking collection includes 30 films, restored to pristine high-definition, from some of the foremost experimental filmmakers of the 20th century.

Commencing in 1920 with Charles Sheeler and Paul Strand’s creative collaboration on Manhatta, successive generations of experimental filmmakers and artists have worked in collaboration or alone to create a cinema capable of expressing dynamic unspoken concepts in totally abstract visual terms.

Valoración:

Promedio: 3.8 (8 votos)
Categoría:
Blu-Ray
Editor:
Flicker Alley
Maya Deren. Incomplete Control
Maya Deren (1917-1961) was a Russian-born American filmmaker, theorist, poet, and photographer working at the forefront of the American avant-garde in the 1940s and 1950s. Influenced by Jean Cocteau and Marcel Duchamp, she is best known for her seminal film Meshes of the Afternoon (1943), a dream-like experiment with time and symbol, looped narrative and provocative imagery, setting the stage for the twentieth-century's groundbreaking aesthetic movements and films.

Valoración:

Promedio: 3.8 (9 votos)
Categoría:
Libros
Editor:
Columbia University Press
Free Radicals: A history of experimental film
RE:VOIR is proud to announce the release of the new DVD "FREE RADICALS - A HISTORY OF EXPERIMENTAL FILM" by Pip Chodorov. The DVD features 8 bonus short films by key filmmakers who appear in the documentary and it is subtitled in 8 languages (FRANÇAIS, ESPAÑOL, SRPSKI, ČESKÉ, LIETUVIŲ, 中文, 日本語, 한국어). It also includes a 56-page booklet with texts by Jonas Mekas, Scott Hammen, Raphaël Bassan and Nathaniel Draper.

"Free Radicals" has been screened in 50 international festivals and distributed theatrically in France, USA and Canada.
Valoración:

Promedio: 3.5 (12 votos)
Categoría:
DVD
Editor:
Re:voir
100% cinema: Homenaje a Kiesler, programador de cine

By Marcos Ortega on Mar, 08/10/2013 - 03:17

Esta sesión es un homenaje al papel de programador y divulgador cinematográfico de Frederick Kiesler, con una colección de películas que Kiesler programó en Europa y Estados Unidos.

En 1975, Lillian Kiesler, viuda de Frederick, encontró en su casa de campo una serie de latas con películas de Viking Eggeling, Hans Richter, Walter Ruttmann y la copia original de Ballet Mécanique, de Fernand Léger y Dudley Murphy. Con la ayuda de Jonas Mekas y del Anthology Film Archives, se pudieron restaurar y volver a proyectar. Esta sesión es un homenaje al papel como programador y divulgador cinematográfico de Frederick Kiesler, con una colección de películas que Kiesler programó en Europa y Estados Unidos. Cierra el pase Witch's cradle, película filmada por Maya Deren en la galería Art of This Century de Peggy Guggenheim, diseñada por Frederick Kiesler.

Fechas:
De Martes, Octubre 8, 2013 - 22:00 hasta Miércoles, Octubre 9, 2013 - 21:55
Local:
La Casa Encendida - Madrid, España
Free Radicals: A History of Experimental Film
This feature-length documentary provides a vivid, eye-opening, and appropriately personal introduction to one of the most important, yet perpetually marginalized, realms of filmmaking: avant-garde cinema.

Valoración:

Promedio: 3.2 (10 votos)
Categoría:
DVD
Editor:
Kino Lorber
Maya Deren - Divine horsemen
"In September 1947 I disembarked in Haïti, for an eight-month stay, with eighteen motley pieces of lugage; seven of these consisted of 16-millimeter motion-picture equipment (three cameras, tripods, raw film stock, etc.), of which three were related to sound recording for a film, and three contained equipment for still photography." - Maya Deren

Valoración:

Promedio: 3 (1 voto)
Categoría:
DVD
Editor:
Re:voir
Martina Kudlacek - In the Mirror of Maya Deren
Using footage from filmmaker Maya Deren's avant-garde films of the 1940s, including the seminal Meshes of the Afternoon (1942) , At Land (1943) , and Ritual in Transfigured Time (1948) ; archival audio interviews and observances from contemporaries such as Stan Brakhage, Amos Vogel, and Jonas Mekas, the documentary provides a glimpse into the mind and life of this groundbreaking and influential artist.

Valoración:

Promedio: 3.8 (8 votos)
Categoría:
DVD
Editor:
Zeitgeist FIlms
Maya Deren - Experimental Films
The collected shorts of Maya Deren the \"Mother of the trance film\" who worked completely outside the commercial film industry and made her own inner experience the center of her films.

Valoración:

Promedio: 4 (3 votos)
Categoría:
DVD